The tritone paradox: Implications for the representation and communication of pitch structures.

2004 ◽  
pp. 115-138 ◽  
Author(s):  
Diana Deutsch
Keyword(s):  
1992 ◽  
Vol 336 (1278) ◽  
pp. 391-397 ◽  

This paper explores two new paradoxical sound patterns. The tones used to produce these patterns consist of six octave-related harmonics, whose amplitudes are scaled by a bell-shaped spectral envelope; these tones are clearly defined in terms of pitch class (C, C#, D, and so on) but are poorly defined in term s of height. One pattern consists of two tones that are separated by a half-octave. It is heard as ascending when played in one key, yet as descending when played in a different key. Further, when the pattern is played in any one key it is heard as ascending by some listeners but as descending by others (the tritone paradox). Another pattern that consists of simultaneous pairs of tones displays related properties (the semitone paradox). It is shown that the way the tritone paradox is perceived correlates with the speech characteristics of the listener, including his or her linguistic dialect. The findings suggest that the same, culturally acquired representation of pitch classes influences both speech production and also perception of this musical pattern.


Author(s):  
Changhoon Jung ◽  
DongOh Shin ◽  
DaeHun Nyang ◽  
KyungHee Lee
Keyword(s):  

1987 ◽  
Vol 5 (1) ◽  
pp. 79-92 ◽  
Author(s):  
Diana Deutsch ◽  
William L. Kuyper ◽  
Yuval Fisher

The tritone paradox occurs when an ordered pair of tones is presented, with each tone consisting of a set of octave-related components, and the pitch classes of the tones separated by a half-octave. Such a pattern is heard as ascending in one key, but as descending in a different key. Further, the pattern in any one key is heard as ascending by some listeners but as descending by others. It was here found that this phenomenon occurs to a highly significant extent in a general population, and that it is distributed within the population in an orderly fashion. The findings also reveal a surprising ability within the general population to utilize absolute pitch.


1994 ◽  
Vol 12 (2) ◽  
pp. 213-225 ◽  
Author(s):  
Frank Ragozzine ◽  
Diana Deutsch

A previous study (Deutsch, 1991) demonstrated a striking difference in perception of the tritone paradox between subjects who had grown up in two different geographical regions. Specifically, a group of subjects who had grown up in California were compared with a group who had grown up in the South of England. When the Californian group tended to hear the pattern as ascending, the English group tended to hear it as descending, and vice versa. This raises the question of whether regional differences also exist within the United States in the way this pattern is perceived. The present study examined the percepts of subjects who had grown up in Mahoning and/or Trumbull counties in Ohio. Two groups were compared: those whose parents had also grown up in this area and those for whom this was not the case. A highly significant difference between these two groups of subjects was obtained, with those in the latter group producing a distribution of percepts similar to that found among Californians and those in the former group producing a different distribution. From this and other analyses of the data, it is concluded that regional differences in perception of the tritone paradox do indeed exist within the United States and that there is in addition an effect of familial background.


1998 ◽  
Vol 60 (2) ◽  
pp. 209-220 ◽  
Author(s):  
Lloyd A. Dawe ◽  
John R. Platt ◽  
Eydra Welsh

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