International Federation for Psychoanalytic Education (IFPE) Eighth Annual Conference

1997 ◽  
Author(s):  
1992 ◽  
Author(s):  
James Barron ◽  
Maureen Murphy ◽  
Peter Buirski ◽  
Karen Rosica ◽  
Helen Hand ◽  
...  

2016 ◽  
Vol 41 (3) ◽  
pp. 197-201
Author(s):  
PAUL RAE

In my previous editorial, I made reference to what Theresa Lillis and Mary Jane Curry call ‘literacy brokering’ amongst non-native speakers of English who seek to publish in anglophone academic journals. The term ‘literacy’ makes sense in the context, and, as I noted, the practice is hardly exclusive to those whose first language is not English. However, as Aoife Monks of Contemporary Theatre Review and I planned a New Scholars session on academic publishing for this year's annual conference of the International Federation for Theatre Research (IFTR, with which this journal is affiliated), a supplementary way of thinking about academic knowledge production came to mind: as conversation. And it is a conversational mode that wends its way through the articles presented in this issue of Theatre Research International.


2003 ◽  
Vol 11 (1) ◽  
pp. 78-84
Author(s):  
Yaakov Aronson

This column covers noteworthy publications, exhibitions, and activities of the Jewish National and University Library and other Judaica Libraries in Israel during 1997-2001. It highlights papers presented at the International Judaica Librarians' Convention in Jerusalem held concurrently with the International Federation of Library Associations (IFLA) annual conference held in Israel in 2000. Also reported is a summary of a symposium held at Bar Ilan University sponsored by the Israel Society of Special Libraries and Information Centers (ISLIC), siginifcant scholarly Judaica publications at the Jerusalem Book Fair in 2001, and notable additions to the Bar Ilan University's Wurzweiler Central Library.


2008 ◽  
Vol 33 (1) ◽  
pp. 1-3
Author(s):  
FREDDIE ROKEM

In the summer of 2007 the annual conference of the International Federation of Theatre Research (IFTR/FIRT) met for the first time in Africa. Hosted by Stellenbosch University in South Africa, it was probably the first international theatre conference of its kind on the continent, enabling scholars and practitioners from all over the world as well as from many African countries to present their work on the conference theme: ‘Theatre in Africa – Africa in the Theatre’. This issue of TRI opens with two articles which reflect the deep interest among non-African scholars in the latest developments on African stages as well as the challenge of depicting its complex state of affairs from within. Both contributions examine strategies of subversion mobilized by theatre to create continuity and identity through different readings of the historical past.


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