“Fewer but not weaker”: Understanding the intersectional identities among Chinese immigrant young gay men in Toronto.

2019 ◽  
Vol 89 (1) ◽  
pp. 27-39 ◽  
Author(s):  
Yu-Te Huang ◽  
Lin Fang
2015 ◽  
Vol 44 (7) ◽  
pp. 2041-2053 ◽  
Author(s):  
Paul Kobrak ◽  
Rafael Ponce ◽  
Robert Zielony

Young ◽  
2019 ◽  
Vol 28 (4) ◽  
pp. 387-403
Author(s):  
Liora Gvion

Little has been written about the reasons gay men choose opera as a venue for professional achievement and social acceptance. Espousing an ethnographic approach, the current article sets out to question their motives. Applying Bourdieu’s concepts of field, cultural capital and habitus, I suggest looking at the opera as a cultural setting, which provides young gay men with a venue for coming out of the closet and, should they be talented and meticulous, achieving professional and social positions. In constituting a safe zone for expressing closeted emotions, engagement in operatic activities enables the development and application of gay capital, as well as cultural capital, such that gayness is interpreted as an invaluable resource, granting them professional and social acceptance.


2004 ◽  
Vol 9 (1) ◽  
pp. 115-131 ◽  
Author(s):  
M Janssen ◽  
J de Wit ◽  
H Hospers ◽  
W Stroebe ◽  
G Kok
Keyword(s):  
Gay Men ◽  

2001 ◽  
Vol 27 (5) ◽  
pp. 482-491 ◽  
Author(s):  
James G. Kahn ◽  
Susan M. Kegeles ◽  
Robert Hays ◽  
Nathalie Beltzer

AIDS Care ◽  
2001 ◽  
Vol 13 (4) ◽  
pp. 515-526 ◽  
Author(s):  
A.-L. Middelthon ◽  
P. Aggleton
Keyword(s):  
Gay Men ◽  

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