Review: Classes, Critical Human Geography. Recollections of a Revolution: Geography as Spatial Science, Social Formation and Symbolic Landscape, Portable Utopia: Glasgow and the United States 1820–1920, Growth in the American South: Changing Regional Employment and Wage Patterns in the 1960s and 1970s, Manufacture in Town and Country before the Factory, Marx's Construction of Social Theory, the Making of Marx's Critical Theory: A Bibliographic Analysis, Explorations in Feminism. Geography and Gender: An Introduction to Feminist Geography, Digging Deeper: Issues in the Miners' Strike, Riots and Community Politics in England and Wales 1790–1810

1986 ◽  
Vol 4 (2) ◽  
pp. 233-248
Author(s):  
J Urry ◽  
P J Taylor ◽  
Y F Tuan ◽  
D Smith ◽  
J R Peet ◽  
...  
Author(s):  
Richard Lloyd

How can a sociological approach improve our understanding of country music? This chapter answers this question by focusing on the intersections between country music history and the core sociological theme of modernity. Challenging standard interpretations of country music as folk culture, it shows how the emergence of the popular commercial genre corresponds to the increasing modernization of the American South. The genre’s subsequent growth and evolution tracks central objects of sociological study including industrialization, geographic mobility, race and ethnic relations, the changing social class structure, political realignment in the United States, and (paradoxically) urbanization. Country music is comparatively understudied in the sociology of music despite its rich history and massive popularity; this chapter shows that the genre and the discipline nevertheless mutually illuminate one another in robust and often surprising ways.


Author(s):  
Jacquelyn Dowd Hall ◽  
Kathryn Nasstrom

A case study of the southern oral history program is the essence of this chapter. From its start in 1973 until 1999, the Southern Oral History Program (SOHP) was housed by the history department at the University of North Carolina at Chapel Hill (UNC), rather than in the library or archives, where so many other oral history programs emerged. The SOHP is now part of UNC's Center for the Study of the American South, but it continues to play an integral role in the department of history. Concentrating on U.S. southern racial, labor, and gender issues, the program offers oral history courses and uses interviews to produce works of scholarship, such as the prize-winning book Like a Family: The Making of a Southern Cotton Mill World. The folks at the Institute for Southern Studies tried to combine activism with analysis, trying to figure out how to take the spirit of the movement into a new era.


Daedalus ◽  
2012 ◽  
Vol 141 (1) ◽  
pp. 89-100
Author(s):  
Linda K. Kerber

The old law of domestic relations and the system known as coverture have shaped marriage practices in the United States and have limited women's membership in the constitutional community. This system of law predates the Revolution, but it lingers in U.S. legal tradition even today. After describing coverture and the old law of domestic relations, this essay considers how the received narrative of women's place in U.S. history often obscures the story of women's and men's efforts to overthrow this oppressive regime, and also the story of the continuing efforts of men and some women to stabilize and protect it. The essay also questions the paradoxes built into American law: for example, how do we reconcile the strictures of coverture with the founders' care in defining rights-holders as “persons” rather than “men”? Citing a number of court cases from the early days of the republic to the present, the essay describes the 1960s and 1970s shift in legal interpretation of women's rights and obligations. However, recent developments – in abortion laws, for example – invite inquiry as to how full the change is that we have accomplished. The history of coverture and the way it affects legal, political, and cultural practice today is another American narrative that needs to be better understood.


2021 ◽  
Author(s):  
Mallory Lapointe Taylor

Within the United States, the American South can be perceived as its own entity. From the arts to Southern cuisine, the South commands attention with its own history, myths and culture. Within the history of photography, Walker Evans's photographs of Alabama are arguably some of the most culturally significant images taken of the state and its residents. This thesis investigates how photographs of Alabama are collected in the same locality. By examining the collecting practices of four Alabama institutions in regards to photographs in general, and Walker Evans specifically, this case study will expand on the question of how photographs, in a Southern cultural context, work to create a sense of place and attachment to local geography.


2004 ◽  
Vol 25 (1) ◽  
pp. 193-216 ◽  
Author(s):  
R M

The southern states of the United States of America and South Africa share a number of analogous historical realities. One of these, which is the main subject of  this article,  is  the way in which the memory of a lost war had fused cultural mythology and religious symbolism to provide a foundation for the formation and maintenance of attitudes of white supremacy in both contexts.  This article seeks to achieve a historical  understanding of the complex interrelationship between the development of cultural identity and Protestant Christianity by  focusing on these issues in the histories of the Afrikaner and the white American Southerner in comparative perspective. 


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