Between the translator and norms

Target ◽  
2021 ◽  
Author(s):  
Huarui Guo

Abstract The paper explores the tension between the translator and target-cultural norms, using the British missionary, Timothy Richard (1845–1919), and his translation of Looking Backward: 2000–1887 in the late Qing dynasty as a case study. The study integrates a sociological framework as proposed by Pierre Bourdieu into Descriptive Translation Studies as developed by Gideon Toury. The related concepts include ‘norms’, ‘habitus’, ‘field’, and ‘capital’. Given that the translator was a professional missionary and not a professional translator, the dynamics of the translator’s habitus are connected with his professional role as a missionary and his position-taking in the broader social, cultural, and political contexts of the late Qing dynasty. The translator’s translation strategy at both the macro and micro levels are analyzed and interpreted. Interpretations are based on the translator’s habitus reconstructed from his early experiences and his position-taking in the broader context. The case study reveals the tension between the translator’s habitus and target-cultural norms, which in turn sheds some light on the situation in which missionaries found themselves in late Qing society.

2020 ◽  
Vol 16 (10) ◽  
pp. 53
Author(s):  
Xuefei Zhang ◽  
Xiaoming Yang

During the late Qing dynasty and the early Republic of China, women's clothing had a revolutionary change. Under the unprecedented social transformation in a millennium, Social Darwinism called for “mother of the citizens”, arousing public concern to release women's bodies. Anti-foot-binding movement awakened women's self-awareness and planted a hint of women's emancipation. While Feminism turned the value to the “parity of citizens,” women disguised their female character and dressed as men. Early Qipao was widespread during women’s liberation movement. The New Culture Movement facilitated ideology of Human Liberation. Women gradually possessed independence of personality and changed their corsets. They tended to confront and express body curves instead of cover and weakening.


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