Imprisoned in a Luminous Glare: Photography and the African American Freedom Struggle

2015 ◽  
Vol 101 (4) ◽  
pp. 677-681
Author(s):  
Lisa M. Corrigan
Author(s):  
Carol Bunch Davis

This chapter offers a reading of Amiri Baraka's 1964 play, Dutchman, focusing on its use of race icons to engage with white liberal response to racial uplift ideology and its implications for black subjectivity. The chapter considers Rashid Johnson's restaging of Dutchman and his assertion that his project creates an opportunity to find identity somewhere between “the narrative of struggle and the narrative of Negro Exceptionalism,” noting that it resonates in Baraka's (aka LeRoi Jones) contention that the struggle is as much about “the right to choose.” The chapter challenges claims that Dutchman relies upon essentialized blackness and the degradation of white femininity in order to prop up the identity of the African American protagonist, Clay. Instead, it argues that the play unpacks whiteness's investment in uplift ideology by employing a variety of cultural genealogies and practices to sketch identity, thus exposing the vulnerabilities of the African American Freedom Struggle era iterations of uplift ideology.


Author(s):  
Carol Bunch Davis

This book challenges the cultural memory of the African American Freedom Struggle era that hinges on a master narrative focused on the “heroic period” of the Civil Rights Movement. It argues that this narrative limits the representation of African American identity within the Civil Rights Movement to Martin Luther King's nonviolent protest leadership in the segregated South and casts Malcolm X's advocacy of black nationalism and the ensuing Black Power/Arts Movement as undermining civil rights advances. Through an analysis of five case studies of African American identity staged in plays between 1959 and 1969, the book instead offers representations that engage, critique, and revise racial uplift ideology and reimagine the Black Arts Movement's sometimes proscriptive notions of black authenticity as a condition of black identity and cultural production. It also posits a postblack ethos as the means by which these representations construct their counternarratives to cultural memory and broadens narrow constructions of African American identity shaping racial discourse in the U.S. public sphere of the 1960s.


Author(s):  
Teishan A. Latner

Chapter Five examines Cuba’s provision of formal political asylum to political dissidents from the United States. Focusing on black radical activists such as Robert F. Williams, Eldridge Cleaver, Assata Shakur, Nehanda Abiodun, William Lee Brent, Charlie Hill, and Huey Newton, and organizations such as the Black Panther Party and the Republic of New Afrika, the chapter explores the role that political exile and asylum has played within the larger relationship between the Cuban Revolution and the African American freedom struggle, and the impact of this engagement upon U.S.-Cuba relations amid the Cold War and the War on Terror. While some U.S. black activists looked to the Cuban Revolution as a hemispheric beacon of hope, Cuba in turn looked to U.S. black activists as allies in its geopolitical struggle with Washington, viewing the African American freedom struggle as its best hope for a radical ally in its northern neighbor.


2020 ◽  
pp. 1-31
Author(s):  
MEGAN HUNT ◽  
BENJAMIN HOUSTON ◽  
BRIAN WARD ◽  
NICK MEGORAN

This article examines how Martin Luther King Jr. and the movement with which he is often synonymous are taught in UK schools, as well as the consequences of that teaching for twenty-first-century understandings of Britain's racial past and present. The UK's King-centric approach to teaching the civil rights movement has much in common with that in the US, including an inattention to its transnational coordinates. However, these shared (mis)representations have different histories, are deployed to different ends, and have different consequences. In the UK, study of the African American freedom struggle often happens in the absence of, and almost as a surrogate for, engagement with the histories of Britain's own racial minorities and imperial past. In short, emphasis on the apparent singularity of US race relations and the achievements of the mid-twentieth-century African American freedom struggle facilitates cultural amnesia regarding the historic and continuing significance of race and racism in the UK. In light of the Windrush scandal and the damning 2018 Royal Historical Society report on “Race, Ethnicity and Equality in UK History,” this article argues both for better, more nuanced and more relevant teaching of King and the freedom struggle in British schools, and for much greater attention to black British history in its own right.


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