Creative Functions of Neographisms in Modern Russian Poetry (The Metagraphemic Aspect)

2008 ◽  
Vol 54 (1) ◽  
pp. 252-268
Author(s):  
Natalia Fateeva
Keyword(s):  
Russian Poetry ◽  
Modern Russian

Antologiia noveishei russkoi poezii u Goluboi laguny/ The Blue Lagoon Anthology of Modern Russian Poetry

1985 ◽  
Vol 29 (2) ◽  
pp. 203
Author(s):  
I. R. Titunik ◽  
Konstantin K. Kuz'minskii ◽  
Grigorii L. Kovalev
Keyword(s):  
Russian Poetry ◽  
Modern Russian

Modern Russian Poetry: An Anthology

1968 ◽  
Vol 27 (2) ◽  
pp. 252
Author(s):  
Helen Muchnic ◽  
Vladimir Markov ◽  
Merrill Sparks
Keyword(s):  
Russian Poetry ◽  
Modern Russian

scholarly journals Features of plot building of the lyrical cycles of travels in Russian poetry of Mordovia of the late XX – early XXI centuries

2020 ◽  
Vol 10 (3) ◽  
pp. 436-445
Author(s):  
S. P. Gudkova ◽  
◽  
O. Yu. Osmukhina ◽  
V. A. Samoylenko ◽  
◽  
...  
Keyword(s):  
Specific Form ◽  
The State ◽  
Literary Studies ◽  
Compositional Structure ◽  
The World ◽  
Russian Poetry ◽  
Russian Literary ◽  
Geographical Space ◽  
Comprehensive Study ◽  
Modern Russian

Introduction: the article is devoted to the study of genre and aspect specifics of the travel lyric cycle as a major genre form in modern Russian poetry of Mordovia and it fits into the complex of research of Russian literary studies concerning the problem of genre synthesis. The subjects of the analysis are the features of plot building of the lyrical cycles of travels. Objective: to reveal the genre and problem-thematic originality of the lyrical cycles of travels in the works of modern poets of Mordovia. Research materials: cycles of travels of V. Gadaev, V. Yushkin, K. Smorodin. Results and novelty of the research: in modern Russian poetry of Mordovia large genre forms as the most flexible actively develop. Among them, a special place is occupied by lyrical cycles with diverse thematic lines. In this context, travel cycles that synthesize the features of genre forms of the cycle and travelogue are quite remarkable. The complex compositional structure marked by the presence of a real geographical route, the image of a traveler comprehending the cultural and historical atmosphere of the visited country / city, reflects the author’s worldview, historiosophy, and the idea of the world space. In the works of V. Gadaev, V. Yushkin and K. Smorodin such cyclic forms carry out various creative objectives. For V. Gadaev, trip brings the opportunity to rethink the tragic moments of history, to understand the state of a person who is far from his homeland. The plot-forming beginning of his works is the opposition «native – alien», where the image of the Mordovian region turns out to be the semantic artistic center. In V. Yushkin’s lyrical cycles, the traveler’s route is connected with the comprehension of semantic codes of geographical space, contact with important cultural and literary places. In the K. Smorodin’s center of attention is an image of a lyrical hero-traveler who is under the impression of the surrounding world’s beauty. The motif of travel in the works of Russian poets of Mordovia is largely enriched by landscape and philosophical, love motifs, which indicates the synthetic nature of this genre-specific form. The scientific novelty of the work is connected with the fact that it represents the first experience of the comprehensive study of the features of the lyric cycle of travels in Russia

scholarly journals INTERTEXTUALITY IN THE MODERN RUSSIAN POETRY

2017 ◽  
Vol 22 (2) ◽  
pp. 256-266
Author(s):  
E.S. Zinurova ◽  
Keyword(s):  
Russian Poetry ◽  
Modern Russian

scholarly journals Grammar of Modern Russian Poetry: Subjective Perspective, Predicative Categories, Modus Frames (Part II)

2018 ◽  
pp. 63-79
Author(s):  
Марина Юрьевна Сидорова ◽  
◽  
Андрей Александрович Липгарт ◽  
Keyword(s):  
Russian Poetry ◽  
Subjective Perspective ◽  
Modern Russian

Furor Liturgicus: The Religious Concerns of Russian Poetry

2020 ◽  
pp. 395-411
Author(s):  
Martha M. F. Kelly
Keyword(s):  
Eighteenth Century ◽  
Human Life ◽  
Literary Tradition ◽  
Russian Literature ◽  
The Body ◽  
Poetic Tradition ◽  
The World ◽  
Russian Poetry ◽  
Modern Russian

In a now classic 1994 article Victor Zhivov counters the idea that the eighteenth-century quest to create a modern Russian literature represented a wholesale rejection of Russia’s previous literary tradition. He shows instead how poets appropriated elements of Orthodox liturgical tradition in a bid to adapt the classical notion of ‘furor poeticus’, marking it by the eruption of Church Slavonic norms into modern poetics. This chapter demonstrates how, as Zhivov contends, elements of Orthodox liturgical culture have continued to shape the modern Russian poetic tradition from the eighteenth century into the present. In particular, Russian poets have long presented poetry as uniquely able to transform the world by drawing on Orthodox imagery of theosis or divinization—the transfiguration of human life and thus the world, by the divine light and being. The liturgically inflected religious concerns of Russian poetry that sections address include prophecy, human co-creation with God, the problem of the body, and the role of silence.

scholarly journals Grammar of Modern Russian Poetry: Subjective Perspective, Predicative Categories, Modus Frames (Part I)

2018 ◽  
pp. 21-38
Author(s):  
Марина Юрьевна Сидорова ◽  
◽  
Андрей Александрович Липгарт ◽  
Keyword(s):  
Russian Poetry ◽  
Subjective Perspective ◽  
Modern Russian

scholarly journals DIVERSITY OF THE MODERN RUSSIAN POETRY

2018 ◽  
Vol 23 (3) ◽  
pp. 293-301
Author(s):  
E.S. Zinurova ◽  
Keyword(s):  
Russian Poetry ◽  
Modern Russian
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