The main objective of the article is to investigate the problems of performing compositions by English composers of the XVIth – XVIIth centuries and the history of their sound incarnation. The author analyzes the appeal to the musical art of the "Golden Age" by A. G. Rubinstein, who included in the piano "Historical Concerts" and lectures works by W. Byrd, O. Gibbons, H. Purcell. Considering the specifics of the clavier texture, different types of variations and their influence on the development of instrumental techniques are distinguished. Based on the comparison of the pavane, the article draws conclusions about the stylistic features of various composers. As one of the key problems in creating an interpretation, the author notes the solution to the question of choosing a musical instrument (both between harpsichord and piano and between historical instruments), which has a decisive influence on sound quality. The article examines the experience of A. B. Lyubimov in performing works by English virginalists. Interpreted by G. Gould, the pianist emphasizes the new contemporary hearing of compositions by W. Byrd and O. Gibbons, performed in the same program with the works of A. Schoenberg, A. Webern, A. Berg, which reveals the dialogue of eras.
