Integrating phenomenography with discourse analysis to study Hong Kong prospective teachers’ conceptions of curriculum leadership

Author(s):  
Sally Wai-Yan Wan ◽  
Suzannie Leung
2019 ◽  
Vol 68 (1) ◽  
pp. 162-182
Author(s):  
Christine H. Leland ◽  
Sara E. Bangert

According to the American Library Association, book censorship is on the rise. While many censored books are adolescent novels, some titles for younger children are challenged as well. Books dealing with difficult social issues have been targets for censors historically, but recent attacks have focused on books portraying members of the lesbian, gay, bisexual, transgender, questioning, and other sexual identities (LGBTQ+) community. The goal of this qualitative study was to build prospective teachers’ (PTs’) knowledge of censorship while also providing an opportunity for them to take a sociopolitical stance. Students in a children’s literature course read source materials and reacted by creating a transmediation that used some form of art. Lenses for data analysis included qualitative research, critical discourse analysis, and visual discourse analysis. The first major theme focused on freedom and democracy and the threat censorship poses. Within this category, two subthemes were identified: (1) children having freedom to learn about real-world issues and (2) children having freedom to read books that meet their personal needs. A second major theme focused on how PTs thought people should respond to censorship. Responses expressing fear and/or confusion about censorship were coded as demonstrating a teacher dilemma, while examples showing a challenge to censorship were coded as demonstrating resistance. Findings indicate that PTs were shocked by what they learned about censorship, and many of them engaged in culture jamming, which involves using the arts to challenge oppressive systems. Many used art to critique censorship and advocate for children’s rights. This study challenges the common cultural assumption that teaching is an apolitical or neutral activity.


2019 ◽  
Author(s):  
Agnieszka Lyons ◽  
Caroline Tagg ◽  
Rachel Hu

Abstract Migration is often seen as crossing both space and time, from the traditional past to the modern present, while leading to perceived changes in migrants themselves. This article draws on data from a large ethnographic project to explore the ways in which Chinese translocal families dispersed between China, Hong Kong and the UK exploit mobile messaging apps to negotiate the post-migration value of Chinese-ness and Chinese tradition in geographically dispersed family and social contexts. Drawing on the concept of the mobile chronotope, we show how Chinese families and friends employ textual and multimodal resources to negotiate mobile chronotopes of (non)modernity in translocal mobile messaging interactions. Our discourse analysis focuses on critical junctures at which modernist chronotopic negotiations are most visible. The article contributes to an understanding of the discursive construction of multiple (non)modernities by showing how migrants (re)position themselves along a gradient of chronotopic modernity in everyday mobile messaging encounters.


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