In urban contexts internationally, organizations, administrators, culture workers, artists and academics put vast effort into facilitating music and other arts in attempt to alleviate “poverty.” Poverty, according to recent definitions, refers to a broad array of social deprivations. These include deprivations of entitlements, which are widely understood as rights, and deprivations of human development, of which capability development is an example. Drawing on two decades of ethnographic field research in one of Canada’s poorest urban neighborhoods, Vancouver’s Downtown Eastside, this book asks: Which kinds of capabilities are developed via music initiatives in the Downtown Eastside, and, particularly, what is their relationship with human rights? Are specific human rights promoted, strengthened, threatened, violated, and respected in music-making by urban poor?