scholarly journals Predictors of Death Sentencing for Minority, Equal, and Majority Female Juries in Capital Murder Trials

2016 ◽  
Vol 26 (4) ◽  
pp. 260-280 ◽  
Author(s):  
Tara N. Richards ◽  
Beth E. Bjerregaard ◽  
Joseph Cochran ◽  
M. Dwayne Smith ◽  
Sondra J. Fogel
1982 ◽  
Vol 6 (1) ◽  
pp. 1-13 ◽  
Author(s):  
Michael T. Nietzel ◽  
Ronald C. Dillehay

2005 ◽  
Vol 29 (1) ◽  
pp. 55-86 ◽  
Author(s):  
John F. Edens ◽  
Jacqueline K. Buffington-Vollum ◽  
Andrea Keilen ◽  
Phillip Roskamp ◽  
Christine Anthony

2015 ◽  
Vol 63 (8) ◽  
pp. 1017-1038
Author(s):  
Beth E. Bjerregaard ◽  
M. Dwayne Smith ◽  
John K. Cochran ◽  
Sondra J. Fogel

The liberation hypothesis argues that the effects of extra-legal factors such as victim and/or offender race on sentencing outcomes are conditioned by legally relevant factors, particularly the severity or the strength of the case. Where the evidence is weak or contradictory or the offense is less severe, decision makers are most liberated to use extra-legal factors in reaching their decisions. This study uses data on a large sample of capital murder trials in North Carolina from 1977 to 2009 to test this hypothesis. The results show that the effects of extra-legal factors (specifically, the race of offender–race of victim dyad) vary across levels of offense severity, but in a complex manner. Most notably, Black defendant–White victim dyads demonstrated an increased probability of death sentences at high levels of severity, but decreased probabilities at lower levels of severity.


2009 ◽  
Vol 27 (4) ◽  
pp. 517-537 ◽  
Author(s):  
Beth Bjerregaard ◽  
M. Dwayne Smith ◽  
Sondra J. Fogel ◽  
Wilson R. Palacios

2015 ◽  
Vol 39 (4) ◽  
pp. 402-415
Author(s):  
Tara N. Richards ◽  
M. Dwayne Smith ◽  
Sondra J. Fogel ◽  
Beth Bjerregaard

2006 ◽  
Vol 10 (2) ◽  
pp. 98-117 ◽  
Author(s):  
Amy R. Stauffer ◽  
M. Dwayne Smith ◽  
John K. Cochran ◽  
Sondra J. Fogel ◽  
Beth Bjerregaard

2020 ◽  
Author(s):  
Milena Heinsch ◽  
Tania Sourdin ◽  
Caragh Brosnan ◽  
Hannah Cootes

Author(s):  
Ethan Mordden

This chapter discusses the revival of Chicago as well as its movie adaptation. At the same time, the chapter refers to the infamous O. J. Simpson trial in describing Watkins’ own feeling that the press was shaping public reaction to murder trials to exculpate the guilty. Considering the show-biz aspect of the whole Simpson chronicle, the lesson everyone took from this case was that high-profit justice is show business by other means: the very message of Chicago. With the nation more or less transfixed by this staged miscarriage of due process, the musical’s lesson was at last learned. Finally, the chapter examines further themes and lessons from the film, as well as the national art of the musical as a whole.


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