National identity and the sporting champion: Jean Borotra and French history

1996 ◽  
Vol 13 (1) ◽  
pp. 86-100 ◽  
Author(s):  
Jean‐Michel Faure
Author(s):  
Peter Hicks

French reception of the fully bilingual exhibition ‘Nelson & Napoléon’ was limited, and — in parallel with much British coverage — in good part focused on questions of national identity in ways that ignored or undermined the organizers' intentions. This chapter reflects on the absence of official commemoration in France of the Napoleonic bicentenaries. It discusses the complex role of Napoleon in French history, memory, and public history today.


2021 ◽  
pp. 9-52
Author(s):  
O. Shmorhun

The article is devoted to the study of the role of historical tradition and national memory in the formation of modern types of ethno-national identity and mechanisms of consolidation of citizens at the stage of formation of the French state of the modern type. In this regard, various versions of French history were analyzed by representatives of historical and historiographical schools, which still compete with each other for the status of creators of a generally accepted interpretation of important historical events. It was found that consistently patriotic motivation, which ensures the formation and realization of the innovative potential of the people and social activity of this creative core of the nation, aimed at overcoming any crisis challenges, is formed only on the basis of maximum meaningful synthesis of existing interpretations of French history. In particular, the effectiveness of memory policy is ensured by the fact that symbols, traditions and historical monuments that positively influence the dynamics of national-patriotic motivations and feelings are inevitably (and often, quite consciously) filled with qualitatively new meanings and values. The complete failure of neoliberal and left-wing radical critiques of Holism's theory and practice has been proved, the conservative elements of which, in particular the appeal to the heroic past, are not at all identical with medieval archaism and almost neo-Nazi political preferences. On the contrary, the typological similarity of Bonapartism and Hollism is due precisely to their ability to effectively oppose reactionary and revolutionary extremism, which is equally destructive to the nation-state. In this regard, the exceptional relevance of the use of historical memory to form their own traditionalist and authoritarian charisma (in their relationship) by the creator and first president of the Fifth Republic Charles de Gaulle in the process of his opposition to anti-national provocations of far-right and far-left.


2010 ◽  
Vol 21 (4) ◽  
pp. 277-285
Author(s):  
Lorna Milne

In the context of contemporary French debates opposing history and memory, both frequently related to representations of national identity, this essay compares two popular novels by metropolitan French women, each centred on the symbolic power of a famous Paris monument. Strong plots, humour and attractive characters engage the reader in these alternative explorations of French identity, its ‘lieux de mémoire’ and the different narratives that sustain and inflect it. Claude Izner’s Mystère rue des Saints-Pères (2003), set in 1889, places the Eiffel Tower at the centre of a strikingly cosmopolitan society. Alix de Saint-André’s Papa est au Panthéon (2003) questions the patriarchal structures of conventional commemoration and suggests that identity may be based on mistaken assumptions about the past. Both novels portray the historical roots of contemporary identity as inclusively multi-cultural, and undermine neat distinctions between history and memory. Further distinguished from current political and intellectual debates by their enjoyable lightheartedness, these texts make a thoughtful contribution to the range of narratives of French identity.


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