Enacting settler responsibilities towards decolonisation

This special issue showcases research exploring the work of settler individuals and groups in support of projects of decolonisation in Aotearoa New Zealand, Australia, Canada and Israel. The papers gathered here were developed from presentations at an international symposium held in Auckland, New Zealand and online in February 2021. As symposium organisers and editors of this collection, we speak and write as settler subjects ourselves, and this collection is situated within the field of Settler Colonial Studies (SCS). This editorial provides an opening framing of the field into which these papers speak, and a survey of some of the key themes within the wider literature. We aim firstly to locate this work within the wider field of scholarship and activism on decolonisation and decoloniality, delimiting the particular focus of decolonisation within settler-dominated contexts. We then discuss the critiques that have been mounted against SCS and some important defences of the field. We argue that while settler colonialism persists, work in SCS has a contribution to make – in highlighting and critiquing settler logics and in identifying changes that it is within the power of settler peoples themselves to make as a contribution towards Indigenous-led decolonisation. Further, we argue that decolonising settler societies must involve settlers learning to be ‘in relation’ with Indigenous worlds and people outside of deeply habituated logics and practices of domination. The papers gathered here provide examples of settler subjects at various points on the path of decolonising themselves and learning the work of ‘being in relation’.

Post-Colonial Rome, and Beyond

Roman archaeology is one of the major subfields of archaeology in which post-colonial theory has flourished, and not just in relation to the role of the past in the present, but also as a means to approach the interpretation of the Roman world itself. The region of North Africa was a major focal point for some of the earliest post-colonial studies on the Roman Empire, and has remained an arena of investigation for scholars influenced by the Anglophone debate on post-colonial theory, which emerged in the 1980s and flourished in the 1990s, often with a focus on Roman Britain. Religion is both a key source of evidence and an obviously important theme in understanding cultural change, interaction and power, and thus it has likewise been of interest to scholars from within and beyond the region. Here, I give an overview of the work of some of the influential Roman archaeologists working within the post-colonial tradition. I also consider the complex intersections of ancient and modern, and of Britain and North Africa, found in this body of work, and evaluate the impact this tradition of thought continues to have on Roman archaeology going forwards.

Tau mai e Kapiti te whare wananga o ia, o te nui, o te wehi, o te toa: Reclaiming early Raukawa-Toarangatira writing from Otaki

<p>Maori writing in the nineteenth-century was prolific. Maori writers worked in multiple genres including, but not limited to biography, correspondence, historical narrative, political response, memoir and song composition. Much of this immense body of work is currently housed in libraries and other archival institutions around Aotearoa New Zealand. An indeterminate amount is held in private ownership. Of the small number of these manuscripts which have been published, many have gone on to become key texts for studying Maori language, customs, practices, beliefs, and history. Responding to the calls of Australian and American Indian literary studies for researchers to engage both critically and creatively with Indigenous literatures, this thesis will focus on specific nineteenth-century Maori literary works in order to explore the nature and stakes of early Maori writing. The impact of European contact which informed many nineteenth-century Indigenous experiences will be interrogated as will the substantial manuscript and archival records that assist us, the descendants of these writers, in reclaiming our written heritage. Specifically, this thesis will explore a small selection of the written legacies of Tamihana Te Rauparaha, Matene Te Whiwhi and Rakapa Kahoki. These tupuna wrote letters, petitions and historical texts, acted as scribes and composed waiata. As well as sharing close Ngati Raukawa and Ngati Toarangatira whakapapa and moving in similar social and political circles, these tupuna were based in Otaki where they were actively involved in issues of local, tribal and national significance. Focusing this thesis on the specific place of Otaki provides an opportunity to reflect on the nature and significance of Maori writing more broadly and also anchors this thesis in ancestral space. An academic revisioning of these ancestors‘ written work is long overdue and is especially timely while Indigenous peoples continue to be engaged in projects of intellectual recovery and reclamation. This thesis presents readings of several manuscripts that were produced by Tamihana Te Rauparaha and Matene Te Whiwhi as well as two waiata texts composed by Rakapa Kahoki relatively early on in our encounters with tauiwi and the written word. Where many historically based studies have made use of these manuscripts as source documents, this research instead offers a literary exploration of the manuscripts which sees the manuscripts themselves as the main point of reference. This thesis essentially draws attention to the ‗written-ness‘ of the texts. It is a literary study which highlights the literary skills that our ancestors employed in their written work and which have tended to be overlooked in the scholarship. This study is also influenced by developments in a number of academic fields including but not limited to history, linguistics, Pacific studies, comparative studies and post-colonial studies. It is moreover, a Maori studies thesis which centres a Maori world view and the concerns of Maori people and communities. Ultimately, it is anticipated that this thesis will forge new pathways into the study of Maori literatures, and that these pathways will clear some much needed intellectual space in which a deeper analysis of the writing of tupuna Maori can be articulated. Furthermore, beyond its focus on the literature of Ngati Raukawa and Ngati Toarangatira, this thesis extends the scholarship on Maori writing and literatures, Maori historical studies and Maori intellectual history and in this way speaks to a contemporary Indigenous intellectual agenda.</p>

Tau mai e Kapiti te whare wananga o ia, o te nui, o te wehi, o te toa: Reclaiming early Raukawa-Toarangatira writing from Otaki

<p>Maori writing in the nineteenth-century was prolific. Maori writers worked in multiple genres including, but not limited to biography, correspondence, historical narrative, political response, memoir and song composition. Much of this immense body of work is currently housed in libraries and other archival institutions around Aotearoa New Zealand. An indeterminate amount is held in private ownership. Of the small number of these manuscripts which have been published, many have gone on to become key texts for studying Maori language, customs, practices, beliefs, and history. Responding to the calls of Australian and American Indian literary studies for researchers to engage both critically and creatively with Indigenous literatures, this thesis will focus on specific nineteenth-century Maori literary works in order to explore the nature and stakes of early Maori writing. The impact of European contact which informed many nineteenth-century Indigenous experiences will be interrogated as will the substantial manuscript and archival records that assist us, the descendants of these writers, in reclaiming our written heritage. Specifically, this thesis will explore a small selection of the written legacies of Tamihana Te Rauparaha, Matene Te Whiwhi and Rakapa Kahoki. These tupuna wrote letters, petitions and historical texts, acted as scribes and composed waiata. As well as sharing close Ngati Raukawa and Ngati Toarangatira whakapapa and moving in similar social and political circles, these tupuna were based in Otaki where they were actively involved in issues of local, tribal and national significance. Focusing this thesis on the specific place of Otaki provides an opportunity to reflect on the nature and significance of Maori writing more broadly and also anchors this thesis in ancestral space. An academic revisioning of these ancestors‘ written work is long overdue and is especially timely while Indigenous peoples continue to be engaged in projects of intellectual recovery and reclamation. This thesis presents readings of several manuscripts that were produced by Tamihana Te Rauparaha and Matene Te Whiwhi as well as two waiata texts composed by Rakapa Kahoki relatively early on in our encounters with tauiwi and the written word. Where many historically based studies have made use of these manuscripts as source documents, this research instead offers a literary exploration of the manuscripts which sees the manuscripts themselves as the main point of reference. This thesis essentially draws attention to the ‗written-ness‘ of the texts. It is a literary study which highlights the literary skills that our ancestors employed in their written work and which have tended to be overlooked in the scholarship. This study is also influenced by developments in a number of academic fields including but not limited to history, linguistics, Pacific studies, comparative studies and post-colonial studies. It is moreover, a Maori studies thesis which centres a Maori world view and the concerns of Maori people and communities. Ultimately, it is anticipated that this thesis will forge new pathways into the study of Maori literatures, and that these pathways will clear some much needed intellectual space in which a deeper analysis of the writing of tupuna Maori can be articulated. Furthermore, beyond its focus on the literature of Ngati Raukawa and Ngati Toarangatira, this thesis extends the scholarship on Maori writing and literatures, Maori historical studies and Maori intellectual history and in this way speaks to a contemporary Indigenous intellectual agenda.</p>

Framing, Suppression, and Colonial Policing Redux in Canada: News Representations of the 2019 Wet’suwet’en Blockade

In early 2019, the Royal Canadian Mounted Police (RCMP) intervened at the Gidimt’en Access Checkpoint in northern British Columbia (BC) and arrested 14 land defenders, garnering global media attention. To explore the ways that settler common sense ( Rifkin 2013 ) is assembled and perpetuated in Canada, this paper examines how Wet’suwet’en mobilization is framed in news media coverage. Situating our work in relation to settler colonial studies and informed by the writings of Indigenous scholars, we use critical discourse analysis to assess mainstream news media framings of the Wet’suwet’en struggle. Drawing from literature on social movement suppression, we discern three main themes in these texts that work to validate the RCMP’s excessive use of force against land defenders and delegitimize the Wet’suwet’en’s claim to sovereignty. While this framing set the stage for sustained corporate incursions, police surveillance, and occupation across unceded Wet’suwet’en territory, we suggest negative framing as well as activist use of social media to visualize state repression may have created the conditions for what Hess and Martin (2006) call backfire.

“The Boy Who Wasn't Really Killed”: Israeli State Violence in the Age of the Smartphone Witness

Over the course of the first two decades of the twenty-first century, within the occupied Palestinian territories, photographic technologies and image-oriented politics would grow increasingly central as activist and human-rights tools of bearing witness to Israeli state and settler violence. This essay investigates the Israeli right-wing and international Zionist response to these Palestinian visual archives and their perceived threat. In particular, it tracks the rise and normalization of a repudiation script that impugned the veracity of these images, arguing that they were fraudulent or manipulated to produce a damning portrait of Israel. Drawing on post-colonial and settler-colonial studies, as placed into dialogue with digital media studies, the essay focuses on three cases studies of repudiation (2000, 2008, 2014, respectively) to consider how the long colonial history of repudiation in the Israeli context would be progressively updated by right-wing Israelis and their international supporters to meet the challenges posed by the smartphone age. By the second decade of the twenty-first century, the script had become an increasingly standard Zionist response to viral images of Palestinian death or injury at Israeli state or settler hands. Repudiation was thus marshaled as a solution to the viral visibility of Israeli state violence by bringing the otherwise damning images back into line with dominant Israeli ideology, a process of shifting the narrative from Palestinian injury to Israeli victimhood. The story of the “false” image of Palestinian injury endeavors strips the visual field of its Israeli perpetrators and Palestinian victims, thereby exonerating the state. Or such is the nature of this digital fantasy in the Israeli colonial present.

Critical Post-Colonial Studies: Opening Up the Post-Colonial to a Broader Geopolitical View

The new framework of critical post-colonial studies adds the innovative feature of a broader geopolitical view to an existing branch of critique that challenges the postcolonial regime of knowledge as a whole, simultaneously taking into account the impact of the “traveling concepts” of postcolonial theories on contemporary thought. A radical scrutiny of its core tenets questions postcolonial studies’ perception and representation of colonialism that are selectively confined to the areas of the West and the formerly colonized non-West. The new research field of critical post-colonial studies, by contrast, deploys a multidirectional framework that strives to unthink the quasi-Manichean reverse division of the world into a devalued West and an upgraded non-West characteristic of the postcolonial mainstream. Critical post-colonial studies is thus not intended to be yet another subdivision of the wide academic field of postcolonial studies but one that departs from a broadening of the geopolitical space and shows how this inevitably inflects conventional understanding of the postcolonial. Important steps for a critical dismantling of mainstream postcolonial studies are a conceptual disengagement of the mechanisms of “othering” and a disentanglement of the components of the specific postcolonial continuity thesis. Discarding these and other restrictions makes room for the urgently needed paradigm shift in postcolonial scholarship and for the fashioning of a new academic language of critical post-colonial studies that, on the one hand, meets the needs of the multidirectional conditions of imperialism and colonialism and their various semantics and is, on the other hand, able to grasp universal patterns in different geopolitical and historical conditions.

Middle Eastern Everyday Life in S.S. Kondurushkin’s Magazine Essays at Beginning of Twentieth Century

The problem of the presentation of the Middle Eastern everyday life in the early prose of S.S. Kondurushkin (1874—1919), an active participant in the literary and social life of Russia at the turn of the XIX—XX centuries is examined in the article. On the basis of the essay cycle “From Wanderings in Syria” and other works of the early 1900s, an analysis of the methods of recreating the Middle Eastern everyday life is presented. The narrative strategies that underlie the Middle Eastern narrative of the Russian traveler are studied. This makes it possible to clarify the characteristics of the genre of the travel sketch in the general context of Russian literature at the turn of the century, which determines the scientific novelty and relevance of the article. The authors examine in detail the essays “Greeks in Palestine and Syria”, “Terra incognita”, “La Bayadere”, “Akulina in Tripoli”. The consistent change of the exposing discourse of political journal-ism to various forms of “ethnographic” narrative are substantiated in the article. The tasks set required the use of traditional methods of academic literary criticism, as well as techniques of cultural linguistics, imagology, imperial and colonial studies. A number of archival materials are introduced into scientific circulation, in particular, letters from N.K. Mikhailovsky addressed to S.S.Kondurushkin.

Mutations in Yellow

Mutations in yellow, a serial arrangement of yellow pigments on rice paper are reflections on botany, viruses and empire.The studies investigate the materiality of yellow, using turmeric, cumin, cinnamon, chili powder to make imprecise diagrams; reminiscent of, but neither calligraphy nor painting; gestures that trouble and muddy the taxonomies of yellowness and the historical entanglements between 18th century colonial studies of plant disease, imperial routes and racial capitalism.The invention of “yellow” as a racial description associated with “dirty, lurid, treacherous, suspect, diseased, weak, lazy, melancholy, unproductive” appeared in natural science publications, frequently representing maladies and infectious afflictions to biological and human (European Man) health and reproduction. The images evade scientific conventions of pictorial accuracy that typify botanical illustrations and instead present the colour yellow as medium in non linear, non-teleological “mutations”—present and willfully unproductive, like withdrawal from the descriptive apparatus mapping “yellow” to infection, foreignness and invasion.