The ‘bricolage’ of travel writing: a Bakhtinian reading of nineteenth-century women's travel writings about Italy

2012 ◽  
Vol 16 (2) ◽  
pp. 107-121 ◽  
Author(s):  
Betty Hagglund
2021 ◽  
pp. 1-52
Author(s):  
Tomoe Kumojima

The introductory chapter provides the historical and cultural contexts to situate the discussions on Victorian women’s travel writing on Meiji Japan in the wider academic debate on the British Empire, Victorian literature, and female travel writing. It provides an overview of Anglo–Japanese relations between 1854 and 1912 to trace shifts in the bilateral relationship and foreground its singularity in a multitude of East–West encounters. It then examines travel writings by both male and female travellers to Meiji Japan and fictional representations of the country in Victorian literature and theatre. It surveys travelogues by a group of female travellers alongside those by diplomats and journalists like Kipling, Japan-related writings by Wilde and Stevenson, and theatrical pieces such as The Mikado. The chapter considers the literary invention of Japan and analyses how women travellers negotiated discursive constraints due to gender and colonialism and challenged mainstream representations of Japan and Japanese people.


Feminismo/s ◽  
2020 ◽  
pp. 49
Author(s):  
Swati Moitra

Kailashbashini Debi’s Janaika Grihabadhu’r Diary (The Diary of a Certain Housewife; written between 1847 and 1873, serialised almost a century later in the monthly Basumati in 1952) chronicles her travels along the waterways of eastern Bengal. Her travels are firmly centred around her husband’s work; in his absence, she is Robinson Crusoe, marooned in the hinterlands of Bengal with only her daughter.Bearing in mind the gendered limitations on travel in the nineteenth century for upper-caste Bengali women, this essay investigates Kailashbashini Debi’s narration of her travels and the utopic vision of the modern housewife that Kailashbashini constructs for herself. The essay looks into the audacious nature of Kailashbashini’s effort: to claim a space in public memory alongside her husband. In the process, the essay seeks to address the restructuring of domestic life made possible by the experience of travel, and explore the contours of women’s travel writing in nineteenth-century India


Feminismo/s ◽  
2020 ◽  
pp. 49
Author(s):  
Swati Moitra

Kailashbashini Debi’s Janaika Grihabadhu’r Diary (The Diary of a Certain Housewife; written between 1847 and 1873, serialised almost a century later in the monthly Basumati in 1952) chronicles her travels along the waterways of eastern Bengal. Her travels are firmly centred around her husband’s work; in his absence, she is Robinson Crusoe, marooned in the hinterlands of Bengal with only her daughter.Bearing in mind the gendered limitations on travel in the nineteenth century for upper-caste Bengali women, this essay investigates Kailashbashini Debi’s narration of her travels and the utopic vision of the modern housewife that Kailashbashini constructs for herself. The essay looks into the audacious nature of Kailashbashini’s effort: to claim a space in public memory alongside her husband. In the process, the essay seeks to address the restructuring of domestic life made possible by the experience of travel, and explore the contours of women’s travel writing in nineteenth-century India


The book is the first print publication of Henrietta Liston’s Turkish Journals, a significant yet virtually unknown work of women’s travel writing. It is composed of the full text of the 1812-1814 journal and some further writings, such a significant 1813 letter from Liston to her nephew, Dick Ramage and extracts from other journals, and these are preceded by an extensive critical introduction. The journals reveal that as the wife of the British Ambassador to the Ottoman Empire, Liston had privileged access to the Ottoman elite and to the diplomatic corps. They reflect on British-Ottoman relations, combining Orientalist perspectives with a human-centred version of the picturesque. Liston offers astute commentaries on people, places, and events – including a plague-ridden Constantinople, the harem of the Grand Vizier’s deputy, the presentation of ambassadors in the Seraglio and the departure of pilgrims on the hajj. The introduction includes sections on Liston’s life and the diplomatic context of her writings, and the Ottoman social and political context of the period. Liston’s writings are considered in relation to the discourses of travel writing, to British-Ottoman relations, to Orientalism and the picturesque, and to other eighteenth-and nineteenth-century women travellers and their works on the Ottoman Empire. There is also discussion of the manuscripts on which the book is based, and of issues such as their composition, revision, and transcription.


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