Review: Kathryn Walchester, `Our Own Fair Italy': Nineteenth Century Women's Travel Writing and Italy 1800—1844, Peter Lang: Bern, 2007; 266 pp.; 9783039110285, £33.00 (pbk)

2009 ◽  
Vol 39 (3) ◽  
pp. 551-552
Author(s):  
Simon Macdonald
Feminismo/s ◽  
2020 ◽  
pp. 49
Author(s):  
Swati Moitra

Kailashbashini Debi’s Janaika Grihabadhu’r Diary (The Diary of a Certain Housewife; written between 1847 and 1873, serialised almost a century later in the monthly Basumati in 1952) chronicles her travels along the waterways of eastern Bengal. Her travels are firmly centred around her husband’s work; in his absence, she is Robinson Crusoe, marooned in the hinterlands of Bengal with only her daughter.Bearing in mind the gendered limitations on travel in the nineteenth century for upper-caste Bengali women, this essay investigates Kailashbashini Debi’s narration of her travels and the utopic vision of the modern housewife that Kailashbashini constructs for herself. The essay looks into the audacious nature of Kailashbashini’s effort: to claim a space in public memory alongside her husband. In the process, the essay seeks to address the restructuring of domestic life made possible by the experience of travel, and explore the contours of women’s travel writing in nineteenth-century India


Feminismo/s ◽  
2020 ◽  
pp. 49
Author(s):  
Swati Moitra

Kailashbashini Debi’s Janaika Grihabadhu’r Diary (The Diary of a Certain Housewife; written between 1847 and 1873, serialised almost a century later in the monthly Basumati in 1952) chronicles her travels along the waterways of eastern Bengal. Her travels are firmly centred around her husband’s work; in his absence, she is Robinson Crusoe, marooned in the hinterlands of Bengal with only her daughter.Bearing in mind the gendered limitations on travel in the nineteenth century for upper-caste Bengali women, this essay investigates Kailashbashini Debi’s narration of her travels and the utopic vision of the modern housewife that Kailashbashini constructs for herself. The essay looks into the audacious nature of Kailashbashini’s effort: to claim a space in public memory alongside her husband. In the process, the essay seeks to address the restructuring of domestic life made possible by the experience of travel, and explore the contours of women’s travel writing in nineteenth-century India


The book is the first print publication of Henrietta Liston’s Turkish Journals, a significant yet virtually unknown work of women’s travel writing. It is composed of the full text of the 1812-1814 journal and some further writings, such a significant 1813 letter from Liston to her nephew, Dick Ramage and extracts from other journals, and these are preceded by an extensive critical introduction. The journals reveal that as the wife of the British Ambassador to the Ottoman Empire, Liston had privileged access to the Ottoman elite and to the diplomatic corps. They reflect on British-Ottoman relations, combining Orientalist perspectives with a human-centred version of the picturesque. Liston offers astute commentaries on people, places, and events – including a plague-ridden Constantinople, the harem of the Grand Vizier’s deputy, the presentation of ambassadors in the Seraglio and the departure of pilgrims on the hajj. The introduction includes sections on Liston’s life and the diplomatic context of her writings, and the Ottoman social and political context of the period. Liston’s writings are considered in relation to the discourses of travel writing, to British-Ottoman relations, to Orientalism and the picturesque, and to other eighteenth-and nineteenth-century women travellers and their works on the Ottoman Empire. There is also discussion of the manuscripts on which the book is based, and of issues such as their composition, revision, and transcription.


Feminismo/s ◽  
2020 ◽  
pp. 181
Author(s):  
Mirja Riggert

This paper intends to track the development of traditional feminist ideas through the analysis of three contemporary travel blogs. These traditional feminist concepts are to be seen in the construction of a collective female identity that enables transnational and transgenerational solidarity: by receiving and transmitting inspiration, shelter and encouragement among female travellers, the narrators in the blogs create a system of female authority. Within this system, female role models as well as maternal figures become points of reference that help to revalue female attributes. This concept shows allusions to the theory of difference feminism as it is presented in the «symbolic order of the mother» by Luisa Muraro. A similar approach of revaluating femininity happens through the orientation towards ‘Mother Nature’. By staging women’s ability to give birth, cultural ecofeminists like Susan Griffin intend to affirm a close bond between women and nature. This representation of an emphasised femininity becomes a central marker in the narratives of the blogs. While this agenda might be designed to counter gendered spaces and the traditional alienation of women within travel discourse, it is problematised by exclusionary and essentialist definitions of femininity that harden engendered binaries like masculinity/femininity or nature/culture.


Author(s):  
Małgorzata Rutkowska

The purpose of the present paper is to analyse epistolary and descriptive conventions in Journal and Letters, from France and Great Britain (1833) by Emma Willard. The article argues that Willard attempts to combine the standards of 18th-century travelogue with its emphasis on instruction with a new type of autobiographical travel narrative which puts the persona of a traveller in the foreground. In this respect, Willard’s Journal and Travels, for all its didacticism, testifies to an increasing value attached to subjective experience, which was to become one of the distinguishing features of nineteenth-century travel writing.


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