Patronage over Literature, Translation and Print: Some Remarks on 1809 Edition of the Dabestān-e mazāheb Published in Print with the Support of the East India Company

Dabestān-e mazāheb is an interesting example of a 17th century text on various faiths and creeds of the Indian subcontinent. The present case study looks at possible explanations for its popularity claimed for it in the editorial note found in the first printed edition (1809) while simultaneously analysing reasons behind selection of this particular text for a print publication in the light of patronage extended by the East India Company to translation and printing of selected Indian writings. The process in this case is well documented in the correspondence of British officials such as Sir William Jones, but as to the reasons for the printing even more may be deduced from the highly ornate Persian peritext appended at the end of the 1809 edition by the book’s editor, Nazar Ashraf. The note provides an interesting testimony to the evolving fusion of the long tradition of manuscript writing and the advancements in printing which the paper explores.

Publishing Misfortunes: Recording Performance at the Inns of Court

This essay investigates the motivation behind the print publication of The Misfortunes of Arthur, privileging its functionality as a record of court performance rather than the political significance of its circulation. Examination of the playbook’s distinctive and extensive paratextual apparatus reveals the authors’ involvement with print publication. In considering the bibliographic presentation of the dumbshows, this essay finds overlooked parallels between Misfortunes and Stuart court masques and thus repositions the role which Misfortunes, and Inns drama more broadly, played in the developing relationship between early modern English print and performance.

A Family of Books: The Damascene Shaṭṭīs and Textual Transmission

The article explores continuities between manuscript and print culture by way of an investigation into the book-related practice of three members of the Ḥanbalī al-Shaṭṭī family. By using a diverse set of sources, it presents a view on the turn from manuscript to print during the late nineteenth and early twentieth century that moves beyond technological determinism. By examining authorship, manuscript collections, and print publication, it proposes to include the institution of the family as well as the emerging global market for Arabic manuscripts into research of this medial shift.

The Oxford Handbook of Spectral Music

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The Oxford Handbook of South Korean Politics

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The Oxford Handbook of Indigenous Sociology

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The Oxford Handbook of Irish Song, 1100-1850

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The Oxford Handbook of Digital Ethics

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The Oxford Handbook of the Sociology of Disability

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The Oxford Handbook of Public Music Theory

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