Writing as Resistance: A Reading of Mohsin Hamid’s Select Novels

Mohsin Hamid, one of the powerful voices to emerge from Pakistan engages with themes that go beyond the partition of India and Pakistan in 1947 and portrays contemporary issues relevant to Pakistan. In the process, Hamid consciously performs the role of the mediator and attempts to explain his country to the readers. In his two novels, Moth Smoke and The Reluctant Fundamentalist Hamid not only represents modern-day Pakistan but also offer resistance to the association of Pakistan with terrorism thereby replicating the postcolonial tendency to “write back” and reclaim one’s identity. Furthermore, he offers a nuanced understanding of the hostilities that prevail between India and Pakistan. Fictional representations of Islam and Muslim identities by writers of Pakistani origin have received increased attention, especially in the post 9/11 political climate with its attendant reductive representations of Islamic fundamentalism. The ‘war on terror’ which has had the effect of equating Islam and Muslims with terrorism has become a dominant political narrative in Europe and the US over the last decade. It is such diffused representation of Muslim identity which has evoked criticism in the ‘orient’ and Hamid shines bright in this regard.

Introduction

The introductory chapter provides the historical and cultural contexts to situate the discussions on Victorian women’s travel writing on Meiji Japan in the wider academic debate on the British Empire, Victorian literature, and female travel writing. It provides an overview of Anglo–Japanese relations between 1854 and 1912 to trace shifts in the bilateral relationship and foreground its singularity in a multitude of East–West encounters. It then examines travel writings by both male and female travellers to Meiji Japan and fictional representations of the country in Victorian literature and theatre. It surveys travelogues by a group of female travellers alongside those by diplomats and journalists like Kipling, Japan-related writings by Wilde and Stevenson, and theatrical pieces such as The Mikado. The chapter considers the literary invention of Japan and analyses how women travellers negotiated discursive constraints due to gender and colonialism and challenged mainstream representations of Japan and Japanese people.

The Dialogic Expansion of Garcia’s We: Chronotopes, Ethics, and Politics in The Expanse Series

Popular culture could be understood as a political battleground where conflicting meanings are inscribed into the “ordinary objects” that constitute that public sphere. This is also true for science fiction television series. This article critically examines how political matters and ethical agencies are represented within The Expanse, a series that takes place within a speculative twenty-fourth century milky way. Firstly, I will situate The Expanse within its generic “system of reference.” Then, I will illustrate how political matters are represented as conjoined with the ethical. While the ethical refers to actions of persons, politics refers to fictional conceptions of what Tristan Garcia’s terms we-ourselves, understood as conflicting and overlapping conceptions of “we.” The conjunction between the political and the ethical in The Expanse is spatiotemporal: the characters, the events they are entangled in, and the spaces that connect discrete events develop through fictional and literal time. I argue that the science fictional representations of “we-ourselves,” and the specific spatiotemporal representational capacities of the television series format, can be understood through the application of Mikhail Bakhtin’s concepts of the chronotope and the dialogic. That is, The Expanse’s we-representations are chronotopic and the refractive rhetoric of television is dialogic.

Unseen City

In Unseen City: The Psychic Lives of the Urban Poor, Ankhi Mukherjee offers a magisterial work of literary and cultural criticism which examines the relationship between global cities, poverty, and psychoanalysis. Spanning three continents, this hugely ambitious book reads fictional representations of poverty with each city's psychoanalytic and psychiatric culture, particularly as that culture is fostered by state policies toward the welfare needs of impoverished populations. It explores the causal relationship between precarity and mental health through clinical case studies, the product of extensive collaborations and knowledge-sharing with community psychotherapeutic initiatives in six global cities. These are layered with twentieth- and twenty-first-century works of world literature that explore issues of identity, illness, and death at the intersections of class, race, globalisation, and migrancy. In Unseen City, Mukherjee argues that a humanistic and imaginative engagement with the psychic lives of the dispossessed is key to an adapted psychoanalysis for the poor, and that seeking equity of the unconscious is key to poverty alleviation.

Of dragons and dinosaurs: How children’s toys and games create ideas of the past, of history and of fiction

This article outlines a trend in popular historical culture which has seen the increasing replacement of a concept of history that rests on some form of evidence base by visions of fictional pasts, or – to put it more precisely – by an ambiguous blend of the past and fictional pasts. Drawing on ethnographic research focused on the contents of Austrian children’s rooms, this paper explores traceable manifestations of history and historical fiction, particularly toy dragons and dinosaurs, in their properties as objects and as focuses of their owners’ interpretations as ascertained in interviews. The research finds little clear demarcation in the minds of the children interviewed (all between 8 and 12 years old) between imaginings and cognitive attempts to reconstruct the past. The article examines the influence of these factual–fictional representations on historical thinking from a history education perspective.