New Directions for a Critical Theory of Work: Reading Honneth Through Deranty

2018 ◽  
Vol 19 (2) ◽  
pp. 111-124
Author(s):  
Timothy Boston
2000 ◽  
Vol 7 (1) ◽  
pp. 80-99 ◽  
Author(s):  
Dieter Freundlieb

1994 ◽  
Vol 48 (2) ◽  
pp. 190
Author(s):  
Mike Lueker ◽  
Laurel Black ◽  
Donald A. Daiker ◽  
Jeffrey Sommers ◽  
Gail Stygall

2017 ◽  
Vol 17 (4) ◽  
pp. 342-360 ◽  
Author(s):  
Francesco Callegaro

The article reconstructs the double movement of departure and return to Emile Durkheim’s sociology that Jürgen Habermas realized in his work in order to define the theoretical paradigm of communicative action and revive the original project of Critical Theory. It highlights, in the first part, how Habermas first used Durkheim’s The Elementary Forms of Religious Life to assign a phylogenetic function to ritual practices and explain modernity, from an evolutionist perspective, as the final result of a progressive linguistification of the sacred, having substituted the communion of minds in rites with the communication of reasons in the public sphere. After having discussed the two main objections that Habermas addressed to Durkheim at the time of The Theory of Communicative Action, the second part shows how he recently revised his rationalist framework through a new anthropological reading of The Elementary Forms, aimed at demonstrating, in the context of a more complex account of evolution, why the requirement of justice discloses, even in modernity, the active presence of the sacred in language and orientates the critical work of reason in the search of solidarity. Pointing out the new directions in which the hypothesis of a linguistification of the sacred must be seriously revised, it ends by suggesting how the question of social justice may open the path to a positive cooperation between sociology and Critical Theory.


2019 ◽  
Vol 19 (3) ◽  
Author(s):  
Hilde Kjerland ◽  
Candice Bain ◽  
Maevon Gumble

Queer theory is a post-structuralist critical theory that destabilizes sexuality and gender categories and challenges the concept of normal, fixed, and binary identities. This approach to understanding identities has evolved into a verb, “queering,” to encapsulate an action or method of challenging a range of systems of oppression. Literature on the application of queer theory to the field of music therapy is developing, particularly the expansion of queer theory to identities beyond sexuality and gender in the clinical space. For example, how does queer theory apply to music therapy with clients of multiple, intersecting marginalized identities, such as those who are disabled, ethnic minorities, etc. How do we move beyond fixed categories, attend to intersectionality, and resist the pathologization of those we work with? Ultimately, queer theory offers opportunities to push us in new directions for how we understand therapists, therapy participants, the therapeutic relationship, and radically inclusive practice.


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