Queer Jurisprudence: Reparative Practice in International Law

Queer theory's commitments are radical and disruptive. They have operated to interrogate the definition and reinforcement of sexuality and gender categories, and to expose and problematize normalized relations of power and privilege in the institutional structures and systems in which we live and operate. Queer's deconstructive and anti-normative (or non-conformist) tendencies, however, can be antithetical to international LGBTQIA+ law reform projects. In much of queer scholarship, human rights activism is framed as reinforcing heteronormative structures of knowledge and power and promoting fixed ideas of monogamy, social reproductivity, and gender identity. In this essay, I work with the tension between queer theory and the law to frame the continued pursuit of human rights by LGBTQIA+ people as queer jurisprudence. I do so by drawing on the methodological tools provided by Eve Sedgwick's technique of reparative reading and Michel Foucault's ethics of care of the self to focus on the lived experience of LGBTQIA+ people. What emerges through the stories of LGBTQIA+ commitments to human rights and legal activism are not themes of naivety, compliance, or assimilation, as often charged, but ongoing efforts toward disruption, creativity, and hope.

‘IN ANY CASE WE ARE SUFIS’: THE CREATION OF HIJRA SPIRITUAL IDENTITY IN SOUTH ASIA

Providing spiritual ‘safe spaces’, the Sufi shrine-world throughout the Indian Subcontinent is generally open to those who do not identify with conventional gender categories. Ajmer Sharif Shrine (dargāh) in the northern Indian town of Ajmer in Rajasthan is renowned for being particularly ‘inclusive’. It accepts all pilgrims without discrimination, including the so-called ‘third gender’, often referred to as hijras or kinnars, terms that transgress the socially-defined binary gender divide. Marginalized, and often socially stigmatized, these groups are naturally drawn towards liminal spaces such as Sufi dargāhs which encourage the transcendence of socio-religious boundaries. This paper explores certain typological aspects of traditional Sufi ritual and belief that make it particularly receptive to hijras, and the way in which hijras in turn appropriate and reconfigure Sufi religious belief to negotiate the tension between the liminality of their lived experience and the exclusive duality of the society around them. As well as utilizing fieldwork undertaken at the 808th

Readings Behind the Early Christian Queer Experiences

This paper deals with the ideas of queer experiences in the Early Christian movement, seen through early Christian epistemologies of gender and patristic thought focused on sex differences. The lives and passions of transgender nuns are used in discussing various aspects of gender fluidity in early Christianity. Theoretically, the paper rests on the idea of the performativity of gender, that is, on the ways gender was constructed and how body modifications enabled renegotiation of gender categories. It also focuses on the social context of queer experiences in the late antique period with regard to Roman social norms.

Keadilan Sosial Feminis: Interupsi terhadap Universalisme, Abstraksi dan Imparsialitas

This paper is a theoretical study of the concept of justice from philosophical theories which tend to exclude feminist perspectives. Since the era of Ancient Greek philosophy, the question of justice has been a core concern of social theory. Justice is a concept at the core of moral and political theory. Furthermore, the understanding of justice is very important because it determines how political, social, and economic practices occur in a society. Accordingly, the discussion of justice must start with concrete problems of injustice. But ironically, injustices due to gender discrimination tend to be omitted from the analyses of mainstream justice theories, even though in a society, sex and gender categories intertwine with one’s status, power, opportunity, and position in their society. This paper emphasizes the principles of interactive universalism to ensure justice is inseparable from the ethics of care. This paper finds that the feminist social justice approach is a proper approach to respond to the current situation.

Egalitarianism to gender inequality: Cross-cultural exploration of gender relations, in economic systems

Gender inequality has generated a lot of debates among scholars across disciplines. Much of these studies have not explored a robust scholarship on the historical development of gender inequality by comparing different human societies and their subsistence strategies. This review study is designed to fill this gap, thereby contributing to corpus of literature on gender inequality in economic relations. As a historical research, the study uses secondary materials. These materials are mainly ethnographies of the societies under comparison. The study compares the roles of each of the gender categories in subsistence activities, in economic systems, to trace the sources of gender inequality in economic relations. Data available suggest egalitarian gender and economic relations. However, as societies evolved, there became a gradual decline in egalitarianism, leading to marked inequality. The inequality is relative to the complexity of social structure peculiar to the societies under review.

According to the Promise

This article analyses Paul’s argument regarding the reception of the Spirit and the creation of a new covenantal identity in Galatians 3:1–6:10 so as to illumine the provocative declaration in Gal. 3:28. Some scholars (e.g., Douglas Campbell) read Paul’s words in Gal. 3:28 as a pronouncement of the dissolution of ethnic, social, or gender categories. However, the pneumatological framework spanning from Gal. 3:1–6:10, within which Gal. 3:28 appears, suggests that Paul’s proclamation is concerned with the new covenantal identity forged through the reception of the Spirit which, rather than abolishing, relativises these categories. Thus, when we consider the structure of Paul’s polemic surrounding Gal. 3:28, we find that Paul’s primary concern is the new identity shared in Christ by all believers through the Spirit, not the removal of distinction or dissolution of ethnic, social, or gender categories.

Queer Capital: Transgender Representation in Contemporary American Cinema

<p>From The Crying Game’s shocking gender reveal in 1993, to the resounding success of Pose in 2018, trans characters and narratives have become increasingly visible across media platforms. Most significantly, trans characters have become a key part of American Indiewood cinema. Films like Dallas Buyers Club, The Danish Girl, Stonewall, and 3 Generations demonstrate the growing visibility of these roles within the American independent tradition. Moreover, these films’ critical and financial successes, in particular those of Dallas Buyers Club, signal the potential value these characters offer studios as a marker of cultural progressiveness. However, while trans characters in Indiewood films inspire more mainstream conversations about queer identity and community, interrogating these representations reveals how these depictions may reinforce harmful myths about trans identities and experiences. Analysing these representational practices through textual, generic, and industrial analyses, I will demonstrate how trans performances benefit the wider film industry, and question the impact of cis-gender casting on these films’ representational strategies. The purpose of this project is thus to examine performances of transgender identity in contemporary indie and Indiewood films, spotlighting industrial influences on transgender representations. By using Dallas Buyers Club as a case study to explore how queer Indiewood films appeal to mainstream audiences; and using Tangerine to illustrate alternative representational strategies, this thesis demonstrates how contemporary Indiewood cinema excludes most trans writers, directors, and actors, how this process benefits cis-gender industry elites, and how paratexts mitigate the potential threat that trans identities pose to gender categories. More specifically, I pose the questions: how are filmic performances of transgender identity informed by industrial power relations; and, what are the cultural implications of the dynamic between the two.</p>

Queer Capital: Transgender Representation in Contemporary American Cinema

<p>From The Crying Game’s shocking gender reveal in 1993, to the resounding success of Pose in 2018, trans characters and narratives have become increasingly visible across media platforms. Most significantly, trans characters have become a key part of American Indiewood cinema. Films like Dallas Buyers Club, The Danish Girl, Stonewall, and 3 Generations demonstrate the growing visibility of these roles within the American independent tradition. Moreover, these films’ critical and financial successes, in particular those of Dallas Buyers Club, signal the potential value these characters offer studios as a marker of cultural progressiveness. However, while trans characters in Indiewood films inspire more mainstream conversations about queer identity and community, interrogating these representations reveals how these depictions may reinforce harmful myths about trans identities and experiences. Analysing these representational practices through textual, generic, and industrial analyses, I will demonstrate how trans performances benefit the wider film industry, and question the impact of cis-gender casting on these films’ representational strategies. The purpose of this project is thus to examine performances of transgender identity in contemporary indie and Indiewood films, spotlighting industrial influences on transgender representations. By using Dallas Buyers Club as a case study to explore how queer Indiewood films appeal to mainstream audiences; and using Tangerine to illustrate alternative representational strategies, this thesis demonstrates how contemporary Indiewood cinema excludes most trans writers, directors, and actors, how this process benefits cis-gender industry elites, and how paratexts mitigate the potential threat that trans identities pose to gender categories. More specifically, I pose the questions: how are filmic performances of transgender identity informed by industrial power relations; and, what are the cultural implications of the dynamic between the two.</p>

Getting into the Schwing of Things: Hunter x Hunter’s Progressive Gender Depictions and Exploration of Non-Binary Possibilities

<p>This thesis investigates the depiction of gender in Madhouse’s 2011 television anime adaptation of Hunter x Hunter; a commercially successful ongoing manga (comic) series with a multitude of incarnations. The thesis examines three groups of characters across three chapters, respectively: androgynous men who embody conflicting attributes of hegemonic and homosexual masculinities; masculine women who defy traditional stereotypes via their association of domesticity with violence; and gender ambiguous characters who potentially challenge the established gender binary model by demonstrating loyalty to neither category. These characters are studied in relation to both Japanese and western gender norms to highlight cultural differences, however emphasis is placed on western interpretation through the application of western theories to the text and incorporation of western fan discourse into my own textual analysis. I assess the characters with an understanding that gender is not a biological prescription but a social construction and observe how characters are easily able to adopt masculine and feminine qualities regardless of their implied sex. I additionally aim to shed light on how Hunter x Hunter (2011) refreshingly tests the notion that mainstream shōnen (boys’) series are necessarily conservative in their alignment with normative gender ideals; on the contrary, Hunter x Hunter (2011) fearlessly challenges its viewers to question established gender norms and encourages discussion about the legitimacy of binary gender categories. Overall, I posit anime is an important area of study due to its growing popularity in the west, signalling a need to better understand the texts in relation to our own ideological perspective.</p>

Getting into the Schwing of Things: Hunter x Hunter’s Progressive Gender Depictions and Exploration of Non-Binary Possibilities

<p>This thesis investigates the depiction of gender in Madhouse’s 2011 television anime adaptation of Hunter x Hunter; a commercially successful ongoing manga (comic) series with a multitude of incarnations. The thesis examines three groups of characters across three chapters, respectively: androgynous men who embody conflicting attributes of hegemonic and homosexual masculinities; masculine women who defy traditional stereotypes via their association of domesticity with violence; and gender ambiguous characters who potentially challenge the established gender binary model by demonstrating loyalty to neither category. These characters are studied in relation to both Japanese and western gender norms to highlight cultural differences, however emphasis is placed on western interpretation through the application of western theories to the text and incorporation of western fan discourse into my own textual analysis. I assess the characters with an understanding that gender is not a biological prescription but a social construction and observe how characters are easily able to adopt masculine and feminine qualities regardless of their implied sex. I additionally aim to shed light on how Hunter x Hunter (2011) refreshingly tests the notion that mainstream shōnen (boys’) series are necessarily conservative in their alignment with normative gender ideals; on the contrary, Hunter x Hunter (2011) fearlessly challenges its viewers to question established gender norms and encourages discussion about the legitimacy of binary gender categories. Overall, I posit anime is an important area of study due to its growing popularity in the west, signalling a need to better understand the texts in relation to our own ideological perspective.</p>