Racial Differences in Marriage and Childbearing: Oral History Evidence from the South in the Early Twentieth Century

1996 ◽  
Vol 101 (6) ◽  
pp. 1694-1718 ◽  
Author(s):  
Deanna L. Pagnini ◽  
S. Philip Morgan
2011 ◽  
Vol 11 (4) ◽  
pp. 78-85
Author(s):  
Michelle Tolini Finamore

From the early twentieth century through the 1960s, three generations of the Tolini family participated in culinary expositions organized by the Epicurean Society of Boston and Les Amis d'Escoffier. The French gastronomic traditions of Auguste Escoffier and Antonin Carême informed the creation of the elaborate and highly decorative tallow sculptures that were the centerpieces of these displays. Drawing upon an extensive family archive of photographs, menus, and ephemera, the author delves into the history of these extraordinaires, or pièces montées. The article explores the fabrication techniques and aesthetics of the centerpieces through oral history and seminal nineteenth- and twentieth-century culinary books such as The Escoffier Cook Book: A Guide to the Fine Art of Cookery and more obscure works such as Escoffier's Les Fleurs en Cire. The investigation uncovers the original sources of inspiration for the annual competitions, as well as a unique tradition of craftsmanship that was handed down from father to son to grandson.


Author(s):  
Riaan Oppelt

This chapter offers an historical reading of injustices in South Africa. Drawing on South African fiction as well as the medium of film, it documents the injustice of the sociohistorical constellation after the South African War on to the one during apartheid. The chapter analyses C. Louis Leipoldt's novel The Mask, a depiction of perceived injustice on the part of early twentieth-century Afrikaners in South Africa, along with the book A Human Being Died That Night by Pumla Gobodo-Madikizela and the film Invictus for their contributions to the concept of African humanism. The chapter also discusses the legacy of Nelson Mandela's humanism, with its emphasis on the communal effort against mass injustice.


1992 ◽  
Vol 33 (2) ◽  
pp. 132-143 ◽  
Author(s):  
Addell Austin Anderson

The Ethiopian Art Theatre was founded in response to the racial strife of early twentieth-century Chicago. From 1910 to 1920, the migration of Southern blacks to Chicago more than doubled the black population from 44,103 to 109,458. White citizens felt threatened by the influx, fearing unemployment and epidemics in crime and health. Racial tensions increased from 1917 to 1919 as white gangs openly assaulted blacks. So-called “neighborhood improvement societies” bombed black homes and realty offices suspected of attempting to break up white residential areas. The Chicago Association of Commerce and the Chicago Tribune encouraged blacks to return to the South.


2020 ◽  
Vol 34 (1) ◽  
pp. 71-90
Author(s):  
Boris Heersink ◽  
Jeffery A. Jenkins

In the post-Reconstruction South, two Republican factions vied for control of state party organizations. The Black-and-Tans sought to keep the party inclusive and integrated, while the Lily-Whites worked to turn the GOP into a whites-only party. The Lily-Whites ultimately emerged victorious, as they took over most state parties by the early twentieth century. Yet no comprehensive data exist to measure how the conflict played out in each state. To fill this void, we present original data that track the racial composition of Republican National Convention delegations from the South between 1868 and 1952. We then use these data in a set of statistical analyses to show that, once disfranchising laws were put into place, the “whitening” of the GOP in the South led to a significant increase in the Republican Party's vote totals in the region. Overall, our results suggest that the Lily-White takeover of the Southern GOP was a necessary step in the Republican Party's reemergence—and eventual dominance—in the region during the second half of the twentieth century.


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