Mothers of the Novel: 100 Good Women Writers before Jane Austen. Dale SpenderFetter'd or Free? British Women Novelists, 1670-1815. Mary Anne Schofield , Cecilia MacheskiThe Celebrated Mary Astell: An Early English Feminist. Ruth Perry

Signs ◽  
1987 ◽  
Vol 12 (4) ◽  
pp. 801-804
Author(s):  
Judith Phillips Stanton
Keyword(s):  
Women Writers ◽  
Jane Austen ◽  
The Novel ◽  
Women Novelists ◽  
Mary Astell ◽  
Early English

Mothers of the Novel: 100 Good Women Writers Before Jane Austen.

1988 ◽  
Vol 21 (4) ◽  
pp. 495
Author(s):  
Anne K. Mellor ◽  
Dale Spender ◽  
Jane Spencer
Keyword(s):  
Women Writers ◽  
Jane Austen ◽  
The Novel

Mothers of the Novel: 100 Good Women Writers before Jane Austen

1987 ◽  
Vol 6 (2) ◽  
pp. 338
Author(s):  
Betty Rizzo ◽  
Dale Spender
Keyword(s):  
Women Writers ◽  
Jane Austen ◽  
The Novel

Satire and Realism in Jane Austen’s Pride and Prejudice: an Interpretative Analysis

2019 ◽  
Vol 3 (1) ◽  
Keyword(s):  
Jane Austen ◽  
The Novel ◽  
Pride And Prejudice ◽  
Rigorous Analysis ◽  
Literary Life ◽  
Interpretative Analysis

Jane Austen is acknowledged for the application of realism and satire in her novels. This paper focuses on the analysis of realism and satire in Jane Austen’s Pride and Prejudice; however, her entire oeuvre spotlights the features (of satire and realism) alongside robust feminism: typical of her literary taste and temperament, not necessarily of the Romantic Age which she lived in. Rigorous analysis and realistic observation reveals that the employment of realism and satire in Pride and Prejudice, are quite obvious, in all sorts of aspects including narrative, settings, themes and characters. Analysis of the novel under study leads to the observation that satire and realism go hand in hand in the said novel—intermittently—and thoughtfully. Conclusively, it is observed that Jane Austen’s literary life had a tremendous influence on how to subsume realism (primarily through matrimonies) of age and satire on a romantic society (whereby ideals collapse headlong), in Pride and Prejudice.

TYPES OF HEDONISM ON THE MAIN CHARACTER SIR WALTER ELLIOT IN THE NOVEL PERSUASION BY JANE AUSTEN

2020 ◽  
Vol 8 (1) ◽  
pp. 30-43
Author(s):  
Enggin Valufi ◽  
Retno Budi Astuti
Keyword(s):  
Qualitative Method ◽  
Jane Austen ◽  
18Th Century ◽  
The Novel ◽  
Main Character ◽  
Philosophical Approach ◽  
High Culture ◽  
Descriptive Qualitative

Hedonism is a view of life in philosophy that seeks to avoid pain and make pleasure as the main goal in life. People who embrace hedonism tend to over-pursue pleasure. The hedonism lifestyle is mostly carried out by 18th century people especially the nobles who live in high culture. They are as close to hedonism as they are in the Persuasion novel by Jane Austen. Sir Walter Elliot the main character is a nobleman who did a lot of hedonism. Hedonism which is seen as too glorifying personal pleasure to ignore others. The purpose of this study was to find out the types of hedonism done by Sir Walter Elliot in Persuasion. This research uses descriptive qualitative method because all data are in the form of sentences. The researcher uses a philosophical approach and analyzes data using Weijers' theory as the main theory. The results of this study found that Sir Walter Elliot performed two types of hedonism, namely aesthetic hedonism and selfish hedonism.

Inference of Personality Projected onto Fictional Characters Having an Author's First Name

2001 ◽  
Vol 89 (3) ◽  
pp. 705-706 ◽  
Author(s):  
Herbert Barry
Keyword(s):  
Social Communication ◽  
Jane Austen ◽  
Personality Characteristics ◽  
Fictional Characters ◽  
The Novel ◽  
Pride And Prejudice

Jane Austen projected some of her personality characteristics onto her fictional namesakes Jane Bennet in the novel Pride and Prejudice and Jane Fairfax in the novel Emma. Wishful fantasy seems satisfied by two attributes of both Janes. They are very beautiful, and they marry rich men they love. A feeling of inferiority was expressed by two attributes of both Janes, depicted as deficient in social communication and subordinate to the heroine of the novel.

Elizabeth Bowen and Eudora Welty: Selected Correspondence

2021 ◽  
Vol 51 (1) ◽  
pp. 137-161
Author(s):  
Allan Hepburn
Keyword(s):  
Jane Austen ◽  
Gustave Flaubert ◽  
Second World War ◽  
Contemporary Fiction ◽  
Eudora Welty ◽  
The Novel ◽  
Elizabeth Bowen ◽  
World War ◽  
Comprehensive Theory ◽  
Second World

Over her career, Elizabeth Bowen published ten novels, yet she left no comprehensive theory of the novel. This essay draws especially upon ‘Notes on Writing a Novel’ (1945), ‘The Technique of the Novel’ (1953), and ‘Truth and Fiction’ (1956), as well as opinions that Bowen expressed in her weekly book columns for The Tatler, to formulate her key perceptions of, and rules for, writing a novel. Bowen defined her ideas by drawing upon the empirical evidence of novels by Elizabeth Taylor, Olivia Manning, H.E. Bates, Jane Austen, Gustave Flaubert, and numerous others. She gave particular thought to ‘situation’, by which she means the central problematic or the crux of the story. The situation precedes and fuels plot. The Second World War, Bowen claimed in her essays and reviews, had a decisive influence on heroism and contemporary fiction by heightening its scale and its repertory of situations.

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