African American Religion and the Civil Rights Movement in Arkansas. By Johnny E.  Williams. Jackson: University of Mississippi Press, 2003. Pp. vii+177.

2006 ◽  
Vol 111 (4) ◽  
pp. 1239-1241
Author(s):  
Belinda Robnett
Author(s):  
Aniko Bodroghkozy

This book explores the crucial role of network television in reconfiguring new attitudes in race relations during the civil rights movement. Due to widespread coverage, the civil rights revolution quickly became the United States' first televised major domestic news story. This important medium unmistakably influenced the ongoing movement for African American empowerment, desegregation, and equality. The book brings to the foreground television news treatment of now-famous civil rights events including the 1965 Selma voting rights campaign, integration riots at the University of Mississippi, and the March on Washington, including Martin Luther King's “I Have a Dream” speech. It also examines the most high-profile and controversial television series of the era to feature African American actors—East Side/West Side, Julia, and Good Times—to reveal how entertainment programmers sought to represent a rapidly shifting consensus on what “blackness” and “whiteness” meant and how they now fit together.


2020 ◽  
Vol 42 (2) ◽  
pp. 78-100
Author(s):  
Benjamin Houston

This article discusses an international exhibition that detailed the recent history of African Americans in Pittsburgh. Methodologically, the exhibition paired oral history excerpts with selected historic photographs to evoke a sense of Black life during the twentieth century. Thematically, showcasing the Black experience in Pittsburgh provided a chance to provoke among a wider public more nuanced understandings of the civil rights movement, an era particularly prone to problematic and superficial misreadings, but also to interject an African American perspective into the scholarship on deindustrializing cities, a literature which treats racism mostly in white-centric terms. This essay focuses on the choices made in reconciling these thematic and methodological dimensions when designing this exhibition.


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