Theresa M. DiPasquale. Refiguring the Sacred Feminine: The Poems of John Donne, Aemilia Lanyer, and John Milton. Pittsburgh: Duquesne University Press, 2008. x + 392 pp. index. bibl. $60. ISBN: 978–0–8207–0405–0.

2009 ◽  
Vol 62 (1) ◽  
pp. 324-326
Author(s):  
Jeanne Shami
Author(s):  
Erin A. McCarthy

Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England focuses on early modern publishers’ efforts to identify and accommodate new readers of verse that had previously been restricted to particular social networks in manuscript. Focusing on the period between the maturing of the market for printed English literature in the 1590s and the emergence of the professional poet following the Restoration, this study shows that poetry was shaped by—and itself shaped—strong print publication traditions. By reading printed editions of poems by William Shakespeare, Aemilia Lanyer, John Donne, and others, this book shows how publishers negotiated genre, gender, social access, reputation, literary knowledge, and the value of English literature itself. It uses literary, historical, bibliographical, and quantitative evidence to show how publishers’ strategies changed over time. Ultimately, Doubtful Readers argues that although—or perhaps because—publishers’ interpretive and editorial efforts are often elided in studies of early modern poetry, their interventions have had an enduring impact on our canons, texts, and literary histories.


2018 ◽  
Vol 5 (2) ◽  
pp. 82-87
Author(s):  
Suruchi Kumari ◽  
Ashish Alexander

Generally, it is not obvious to people that theology has contributed a lot in the formation of English literature. So, this paper tries to picture and convince how the writings of English Literature writers have impacts and influences in themselves from the biblical theology. Writers like William Shakespeare uses the theology of grace in his play All’s Well that’s End Well. John Milton pens theology of Freedom of Choice. John Donne writes Trinitarian Theology. Christopher Marlowe shows the theology of Doctor Faustus, which shines under the title like purgatory the highest junction. Alexander Pope reflects the theology of participation in self Salvation and shows theodicy in his work. Theology and English literature go together. They are inseparable. Theology is interwoven in English Literature. It appears convincingly that William Shakespeare, John Milton, John Donne, Christopher Marlowe, and Alexander Pope have sufficiently left grains in their writings which compel to justify the significance of theology in English Literature. Thus, a high degree of significance the biblical theology immerges within the arena of English Literature which may be taught to the English literature readers with a well stuff of biblical theology which is very much beneficial for the understanding of English literature knower.


2006 ◽  
Vol 99 (4) ◽  
pp. 469-486
Author(s):  
Constance Furey

There is something right about the hoary old claim that Protestantism spawned individualism. It has been challengedfrom all sides: by those who argue the reverse, by historians of religion who point out that introspective piety was not unique to the early modern period, and by scholars who demonstrate that early Protestants were deeply invested in ecclesiology and communal rituals. Yet this claim—even though clunky and inadequate—remains important, not least because it highlights an enduring link between the way we interpret early Protestant texts and the way we understand individualism today. Consider John Donne's famous denial of isolation, written nearly four hundred years ago: “No man is an Iland, intire of it selfe.” This statement compels us because it refutes what often feels irrefutable: that each person is, essentially, a solitary being, and that, while this existential state may be ameliorated, it is an unavoidable fact of life.


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