The Art of Staying Neutral: The Netherlands in the First World War, 1914–1918. By Maartje M. Abbenhuis. Amsterdam: Amsterdam University Press, 2006. Distributed by University of Chicago Press. Pp. 423. $55.00.

2009 ◽  
Vol 81 (2) ◽  
pp. 460-462
Author(s):  
Jay Winter

2020 ◽  
pp. 131-148
Author(s):  
Maarten J. Aalders

This article dives into a part of the life and personal history of J.P.Ph. Clinge Fledderus (1870-1946), consul of the Kingdom of the Netherlands, who played a crucial role in organizing relief for Hungary in the Interbellum and the organization of the possibilities for Hungarian children to recover from the effects of post-war famine and malaise after the First World War by giving them a holiday of some months in the Netherlands. A commemorative marble plaque for him still can be found on the front of the building at the Üllői út 4 in Budapest.



2012 ◽  
Vol 71 (3) ◽  
pp. 233-256
Author(s):  
Bruno Yammine

Voor het voeren van zijn Flamenpolitik tijdens de Eerste Wereldoorlog, deed het Duitse Rijk beroep op een omvangrijke propaganda. Daarmee wilde het de Vlaamsgezinden er onder andere van overtuigen dat er in het buitenland een anti-Vlaamse hetze woedde. In vrijwel de hele literatuur over Flamenpolitik en activisme werd (en wordt) het aangenomen dat de wallingant Buisset, een liberale volksvertegenwoordiger uit Henegouwen, al bij de eerste gouverneur-generaal was gaan aandringen op de afschaffing van het Nederlands. Nader onderzoek leert ons echter dat het verhaal over Buisset op een Duitse propagandafabel berust, ons vooral overgeleverd via een bewuste Hineinterpretierung van oud-activist A.L. Faingnaert. Het verhaal moet ook in samenhang gezien worden met de propaganda van de Duitse stromannen in Nederland die medio 1915 de Flamenpolitik een versnelling hoger deden schakelen.________“The Walloons tried to convince us hundreds of times that there were no more Flemings left …” The story about Buisset and the German propaganda (1914-1915)During the First World War, the German Empire called upon an extensive propaganda for the propagation of its Flamenpolitik. In this way, it tried to convince the Pro-Flemish among other things of the existence of an anti-Flemish witch-hunt abroad. Practically the entire literature about the Flamenpolitik and activism assumed (and still assumes) that the wallingant Buisset, a liberal Member of Parliament from Hainault, had already approached the first governor-general to urge the abolishment of the Dutch language. However, further research indicates that the story about Buisset is based on German propaganda fiction, and has in particular been handed down by an intentional Hineinterpretierung by former activist A.L. Faingnaert. The story also needs to be viewed in context with the propaganda of the German front men in the Netherlands who cranked up the Flamenpolitik around the middle of 1915.



2006 ◽  
Vol 65 (3) ◽  
pp. 174-195
Author(s):  
Yves Geenen ◽  
Antoon Vrints

De taalmilitant Jozef Van de Broeck (1870-1938) ontwikkelde zijn flamingantisch parcours vanuit de radicale, democratische sfeer van de Nederduitsche Bond, door hemzelf samengevat met de leuze Belgicam esse delendam, een parafase van een citaat van de Romeinse redenaar Cato. Yves Geenen en Antoon Vrints beschrijven hoe Van den Broeck tijdens de Eerste Wereldoorlog evolueerde naar het activisme, als secretaris van de Raad van Vlaanderen. Zijn kennis van het activistisch milieu en zijn ervaring als contactpersoon met de overheid, kwamen van pas toen hij, terdoodveroordeeld na de oorlog, politiek asiel genoot in Nederland. Hij trad daar op als bemiddelaar tussen de Nederlandse overheid en de gevluchte activisten.________Jozef Van den Broeck, Supporter of the Flemish Movement and Informer (1870-1938)The militant for language rights Jozef Van den Broeck (1870-1938) developed his Flemish radical itinerary departing from the radical democratic atmosphere of the Low German Alliance, which he himself summarised with the slogan Belgicam esse delendam, paraphrasing a quotation of the Roman orator Cato. Yves Geenen and Antoon Vrints describe how Van den Broeck evolved during the First World War towards activism, as the secretary of the Council of Flanders. His knowledge of the circle of activists and his experience as a contact person with the authorities served him well, when he was granted political asylum in the Netherlands after he had been sentenced to death after the war. There he acted as a mediator between the Dutch authorities and the refugee activists.





Author(s):  
Michaël Amara

The German invasion of Belgium in August-October 1914 led to the flight of more than 1.5 million Belgian civilians. The vast majority sought asylum in the Netherlands, France and Britain. In total, more than 600,000 Belgians – some 10 percent of the Belgian population at the time – settled abroad during the First World War. In France, they received financial support throughout the war, enabling the poorest refugees to avoid utter destitution. In Britain, committees sprang up to help resettle refugee families. In the Netherlands, where large camps were set up to house refugees, support for the refugees remained more limited. The war saw a gradual dwindling of the support offered to refugees. Many had no other choice but to find a job. In France, thousands were put to work in factories and farms. In Britain, 30,000 Belgian refugees, nearly one-quarter of them women, played an important role in the manufacture of munitions. Most refugees kept to themselves. Recreational activities strengthened the bonds to their homeland. Anxious to prevent them from permanently settling in their host countries, the Belgian authorities in exile promoted a strong sense of national identity among the refugees. By mid-1919, most Belgian refugees had returned home.



Muzikologija ◽  
2002 ◽  
pp. 157-169 ◽  
Author(s):  
der van

The article consists of three parts. In the first part the author gives a survey of the large artistic renewal that took place in the Netherlands around 1900. Special attention is given to "de beweging van Tachtig"(the movement of the "Tachtigers"), a renewal movement in literature in which the composer Alphons Diepenbrock was involved. In the second part a short description of the life and work of this most important Dutch composer of the end of the nineteenth century is given. In his early years Diepenbrock orientated himself to composers like Wagner, especially around the First World War (in which the Netherlands remained a neutral country), and he became a fervent admirer of French art. His music is a unique synthesis of Wagner's chromaticism, the word-bound rhythms of plain-chant and the polyphonic music of the old Flemish schools of Ockeghem and Josquin. In the third part the author deals with a couple of Diepenbrock's (artistic) contacts. There are highlights on Mahler, Sch?nberg and Debussy, primarily based on their correspondence.



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