The French Revolution: A History in Three Volumes by Thomas Carlyle, Vol. 1: The Bastille

Author(s):  
Thomas Carlyle
Author(s):  
Ruth Scurr

Thomas Carlyle claimed that his history of the French Revolution was ‘a wild savage book, itself a kind of French Revolution …’. This chapter considers his stylistic approaches to creating the illusion of immediacy: his presentation of seemingly unmediated fact through the transformation of memoir and other kinds of historical record into a compelling dramatic narrative. Closely examining the ways in which he worked biographical anecdote into the fabric of his text raises questions about Carlyle’s wider historical purposes. Pressing the question of what it means to think through style, or to distinguish expressive emotive writing from abstract understanding, is an opportunity to reconsider Carlyle’s relation to his predecessors and contemporaries writing on the Revolution in English.


2021 ◽  
Vol 38 (1) ◽  
pp. 102-107
Author(s):  
David Paroissien

1939 ◽  
Vol 1 (4) ◽  
pp. 382-399
Author(s):  
Francis G. Wilson

“THEORIES of Government!” exclaims Thomas Carlyle in the early pages of The French Revolution. “Such has been, and will be; in ages of decadence. Acknowledge them in their degree; as processes of Nature, who does nothing in vain; as steps in her great process.” The social theorist of today takes more seriously than Carlyle the existence of ideology, for ideology is an expression of spiritual unrest in the face of history-making issues. In turn, ideology itself becomes a problem, and we are led to examine its nature. Especially is this true today, which is a time of passionate affirmation of ambiguous positions rather than the observation of political behavior.


1995 ◽  
Vol 27 (3) ◽  
pp. 419-443 ◽  
Author(s):  
Maurice Milne

Archibald Alison is perhaps more widely remembered from a brief-and disguised—reference in Coningsby than from any direct usage of his own voluminous writings: “Finally, Mr. Rigby impressed on Coningsby to read the Quarterly Review with great attention; and to make himself master of Mr. Wordy's History of the late War, in twenty volumes, a capital work, which proves that Providence was on the side of the Tories.” The dubbing of Alison as “Mr. Wordy” was one of Disraeli's most unerring shafts. Alison's History of Europe, covering the period 1789-1815, would have earned him that sobriquet on its own, to say nothing of the other books, pamphlets, and articles that flowed from his inexhaustible pen. The various editions of his History, most commonly in sets of twelve volumes, made Alison a quite celebrated historian in his own day. Long neglected in the twentieth century, the History has recently received some critical attention. Without seeking unduly to resurrect a departed reputation, Hedva Ben-Israel does at least acknowledge the History's earlier success: “It was by far the best-selling history of the French Revolution in England and America almost to the end of the century, and was translated into most European and several oriental languages.” Some fruitful comparisons between Alison's work and the more enduring classic by Thomas Carlyle have been drawn by Clare Simmons.


Author(s):  
William Doyle

‘Echoes’ examines the legacy of the French Revolution in the Western world through the lens of late 18th-century and 19th-century literature and culture. It considers writing by Edmund Burke and Thomas Carlyle, but it is Charles Dickens’s A Tale of Two Cities (1859) that offers the most influential image that posterity has of the French Revolution. It took as its main theme the contrast between violent Paris and tranquil London. The images of this book define the French Revolution for many, and were reinforced elsewhere, for example in The Scarlet Pimpernel (1905). Despite enjoying all the romance of the French Revolution in books and plays, did people really know what caused it?


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