Reflexivity in 'Tristram Shandy': An Essay in Phenomenological Criticism; Confinement and Flight: An Essay on English Literature of the Eighteenth Century

1978 ◽  
Vol 27 (128-129) ◽  
pp. 191-196 ◽  
Author(s):  
M. Sinfield
PMLA ◽  
1916 ◽  
Vol 31 (2) ◽  
pp. 264-325
Author(s):  
C. A. Moore

One of the notable changes in English literature during the eighteenth century is a growth in altruism. It is a change which involves not only a breaking down of the old aristocratic indifference to the lower classes of society during the Restoration, but the establishment of a new ethical theory; literature displayed a broader human interest and assigned a new reason for its sympathy. It is usually assumed that the difference is due principally to the influx of French philosophy. This assumption at least minimizes the importance of a development which had taken place in the literature of England itself before the general interest in Rousseau. (The change, especially in poetry, is to be traced largely, I think, to the Characteristics (1711) of Lord Shaftesbury, whose importance as a literary influence in England has never been duly recognized. It has long since been established that his system of philosophy constitutes a turning-point in the history of pure speculation, especially in ethics; it has more recently been shown also that he is responsible for many of the moral ideas which inform the popular literature of Germany from Haller to Herder. But his influence upon the popular writers of his own country has received scant notice.


1980 ◽  
Vol 34 (2) ◽  
pp. 91-97
Author(s):  
Richard H. Dammers ◽  
Earl A. Reitan

2013 ◽  
Vol 123 (1) ◽  
pp. 23-52 ◽  
Author(s):  
Anders Engberg-Pedersen

This essay examines the role of geometry in military theory around 1700 and its critical reception in Laurence Sterne’s Tristram Shandy. Juxtaposing literature, maps, and war games, the essay outlines a poetics of war in the eighteenth century and traces the decline of the geometrical order that governs it. A forged continuation of Sterne’s novel written in the immediate aftermath of the Napoleonic Wars reveals the development of a new poetics and the installment of a military order based on topography and chance.


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