A Widely Acknowledged Work of ‘Robert Greene’

2018 ◽  
Vol 65 (1) ◽  
pp. 27-29
Author(s):  
Ronald A Tumelson
Keyword(s):  
Development ◽  
1988 ◽  
Vol 103 (Supplement) ◽  
pp. 61-62
Author(s):  
S. E. Wedden

The discussion following the session on evolution and morphogenesis of the head and face concentrated upon two major issues: (1) How can one test models of development, particularly at biochemical and molecular levels? (2) Are the cell populations of the early facial primordia heterogeneous and when might this heterogeneity arise? The Chairman, J. Z. Young (London), had suggested in his introductory remarks that research into craniofacial development was at last becoming more specialized, having previously dealt with principles and model systems rather than with issues of practical importance. The ensuing lectures clearly demonstrated the direction and advances in current research, both in evolutionary aspects and at the level of morphogenesis. Robert Greene (Philadelphia) opened the general discussion. He emphasized the need to examine biochemical and molecular aspects of craniofacial development. In his view, the conceptual chasm between the gene and metazoan embryogenesis was wide and deep and had remained so in recent years.


1954 ◽  
Vol 199 (mar) ◽  
pp. 104-108
Author(s):  
Edwin Haviland Miller
Keyword(s):  

2006 ◽  
Vol 53 (4) ◽  
pp. 432-436
Author(s):  
A. Ide
Keyword(s):  

Author(s):  
Stanley Wells

Both drama and theatre were developing rapidly in Shakespeare’s early years. ‘Theatre in Shakespeare’s time’ explains how Shakespeare followed in the footsteps of the first great wave of stage writers known as the University Wits—John Lyly, Thomas Lodge, Christopher Marlowe, George Peele, Thomas Nashe, and Robert Greene—learning from them and collaborating with them. It describes the London theatrical scene, the playing spaces, and the actors of the time before outlining Shakespeare’s early career, the narrative poems that kept him afloat financially, and introducing the Lord Chamberlain’s, and later King’s Men, the acting company that formed in 1594.


1972 ◽  
Vol 2 ◽  
pp. 256
Author(s):  
Stanley Wells ◽  
Tetsumaro Hayashi
Keyword(s):  

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