Unpublished Letter of Horace Walpole

2017 ◽  
Vol 7 (2) ◽  
pp. 87-98
Author(s):  
Reggie Weems
Keyword(s):  

In a 6 September, 1959 unpublished letter to Reverend Alan Fairhurst, C.S. Lewis clearly denies Universalism. In a second unpublished letter to Fairhurst dated 9 September, 1959, Lewis offered evidence that he was not an Annihilationist. Both letters are unusual because Lewis was normally hesitant to discuss eschatology, particularly the nature of hell. This essay presents both previously unpublished letters in their entirety, discusses the reasons for their importance, sets them in the context of Lewis' other writings on hell and renders a conclusion, based on Lewis' own words, about his positions on Universalism and Annihilationism.


Think India ◽  
2019 ◽  
Vol 22 (2) ◽  
pp. 512-514
Author(s):  
K. SUVARNA LAKSHMI ◽  
M. RAVICHAND ◽  
V. B. CHITHRA

Mosses Herzog is a disappointed middle-aged person. He always led his life in illusion. He is expecting more from his life and wants to lead a happy life with family.  But the things come to pass in his life are entirety fluctuate from his expectations. He spends the majority of his life time in illusion only. He has two wives and he predictable more affection and love from them, he disillusioned when he not get his expectations from them. At one stage he planned to murder his former wife. The protagonist, Professor Mosses Herzog has a tendency to write letters that will never be sent to the famous, the dead, his friends, and his family. A prolific Nobel Laureate Saul Bellow inspected the Moses mind with his unpublished letter. The writer exhibits the dissimilarity linking the expectations and reality of the protagonist life with his notable work Herzog.


Author(s):  
Sean Moreland

This essay examines Poe’s conception and use of the Gothic via his engagements with the work of earlier writers from Horace Walpole through Ann Radcliffe, William Godwin, Charles Brockden Brown, Mary Shelley, and E. T. A. Hoffmann. Poe’s uses of the Gothic, and his relationship with the work of these writers, was informed by his philosophical materialism and framed by his dialogue with the writings of Sir Walter Scott. Tracing these associations reveals Poe’s transformation of the idea of “Gothic structure” from an architectural model, the ancestral pile of the eighteenth-century Gothic, to one of energetic transformation, the electric pile featured in many of Poe’s tales.


1869 ◽  
Vol s4-IV (87) ◽  
pp. 175-175
Author(s):  
J. Yeowell
Keyword(s):  

1976 ◽  
Vol 7 (1) ◽  
pp. 13-16 ◽  
Author(s):  
Nicholas A. Joukovsky
Keyword(s):  

1977 ◽  
Vol CCXXII (may) ◽  
pp. 238-b-239
Author(s):  
D. H. WEINGLASS

1879 ◽  
Vol s5-XI (283) ◽  
pp. 425-425
Author(s):  
A. C. S

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