scholarly journals Psychological Anthropology

Anthropology ◽  
2013 ◽  
Author(s):  
Andrew Beatty

Psychological anthropology is the study of psychological topics using anthropological concepts and methods. Among the areas of interest are personal identity, selfhood, subjectivity, memory, consciousness, emotion, motivation, cognition, madness, and mental health. Considered thus, hardly a topic in the anthropological mainstream does not offer grist for the analytical mill. Like economic or political anthropology, psychological anthropology can be seen as a perspective on the social as well as being a subfield of the broader discipline. The overlap in subject matter with the related discipline of psychology is obvious, but the approach, grounded in ethnographic fieldwork and comparativism, is usually quite different. Moreover, as a reflexive endeavor, psychological anthropology shines a light not only on the cultural vehicles of thought (language, symbolism, the body) but also on the concepts we use to think about those means. Psychological anthropologists are concerned, for example, not merely with emotional practices in diverse cultures (what angers people? how do they express it?), but in the shape and cross-cultural validity of the concept of emotion. To the ethnographic question, “How do the Nuaulu classify animals?” they add, “How is their classification structured and what does that structure reveal about broader processes of cognition?” Some of the basic categories of psychology—self, mind, emotion—turn out, in cross-cultural perspective, to be less self-evident, less transparently objective than expected. While rough equivalents can often be found in other linguistic traditions, the scholar soon finds that English (or French or Malay) is not a neutral inventory of psychological universals. Comparison can be corrosive of confidence. And perhaps more than in other subfields, in psychological anthropology there is a full spectrum from the hard scientific to the soft interpretive. Indeed, a divergence between a scientific, positivist psychology—confident in its categories and methods, bent on universals—and a relativist, meaning-oriented, often doubt-ridden constructionism is one of the productive tensions that animate inquiry. Until recently, the subfield has fared very differently on either side of the Atlantic. With some exceptions, anthropologists in Britain and France until at least the 1960s pursued strongly sociological or structuralist agendas unsympathetic to psychological anthropology. American anthropologists, with their broader conception of culture and interest in individual experience, led the way with culture and personality studies, a diverse body of work that has a recent reinvention in person-centered anthropology. Parallel endeavors in psychoanalytic anthropology and cognitive anthropology drew on different intellectual traditions. These complementary, sometimes rival, approaches span and crosscut in surprising ways the scientific-humanistic division that characterizes anthropology generally. Psychiatric anthropology has, from the beginning, formed an important strand of psychological anthropology besides having some overlap with medical anthropology.

1994 ◽  
Vol 78 (3) ◽  
pp. 744-746 ◽  
Author(s):  
Delores E. Smith ◽  
Carolyn Cogswell

The purpose of the study was to examine the body perception of 122 Jamaican adolescent girls. The study is a part of a larger project investigating the psychosocial adjustment of these adolescents. Included in the survey were items asking for demographic information such as height, weight, and age. In addition, subjects were asked to indicate whether they were pregnant and whether they considered themselves under- or overweight. Using the standard system of desirable weight the subjects' perceptions of whether they were under- or overweight were compared with their actual weights. In general, Jamaican adolescent girls had accurate perceptions of their body size and weight.


Author(s):  
Norbert Meskó ◽  
András Láng

Abstract In recent years, the popularity of surgical cosmetic procedures has dramatically increased in the Western world. The Acceptance of Cosmetic Surgery Scale (ACSS) provides a measure of psychological acceptance of cosmetic surgery. The original instrument (ACSS) contains three subscales (Interpersonal, Social, and Consider). Since its publication, the ACSS has been adapted for many languages. The primary objective of the present study was to develop the Hungarian version of the ACSS. Furthermore, focus was laid on whether the original factor structure could be replicated with a Hungarian sample despite expectable cultural differences from other national samples. To obtain cross-culturally comparable data, the same scales were used for psychometric analysis as those used in the development of the original ACSS and its various national versions. The Hungarian sample included 482 female participants aged between 18 and 68 years (M = 29.02, SD = 10.71), who completed a questionnaire battery. Validity of the Hungarian version was tested with the following measures: the Rosenberg Self-Esteem Scale (RSES), the Sociocultural Attitudes Towards Appearance Questionnaire-3 (SATAQ-3), the Satisfaction with Life Scale (SWLS), the Body Appreciation Scale (BAS), and the Photographic Figure Rating Scale (PFRS) developed for women. The results show that the obtained Hungarian version of the ACSS is a reliable and valid measure, which enables researchers in the field to study Hungarian samples. Furthermore, the factor structure of the Hungarian scale is identical with that of the original ACSS, which enables reliable cross-cultural comparisons. For these reasons, the authors expect that the Hungarian ACSS will stimulate more in-depth quantitative research on attitudes towards cosmetic surgery within the Hungarian context, and it will also contribute to a better understanding of acceptance of cosmetic surgery from a cross-cultural perspective.


2017 ◽  
Vol 27 ◽  
pp. 93-97
Author(s):  
Renzo Filinich Orozco

This article reviews the compositional practice of Peruvian electroacoustic music in the 1960s, to investigate the methods and sources of influence on music and new technologies of that time. It therefore explores local expressions and national and regional identities through elements of folk and traditional music used in these practices. The analysis of this repertoire, from a cross-cultural perspective, sheds new light on the history and originality of experimental art and music in Peru, as well as on Peruvian ethnomusicology.


2008 ◽  
Author(s):  
Robert M. Klassen ◽  
Mimi Bong ◽  
Ellen L. Usher ◽  
Wan Har Chong ◽  
Vivien S. Huan ◽  
...  

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