Broadway Baby
This chapter discusses Tommy Tune’s dance and theater training in his native Texas and his early career in New York, where he immediately found work as a dancer. He appeared in the ensemble of three Broadway shows while also traveling out of town to dance and choreograph on the thriving summer stock circuit. He learned to work fast and efficiently, in every style of musical theater dance. Roles in movies and television convinced Tune that singing and dancing in front of live audiences suited him better than performing for a camera. His friend and early mentor, Michael Bennett, provided Tune with both his first opportunity to choreograph on Broadway and his breakthrough as a performer. Originally hired to choreograph two numbers for the struggling musical Seesaw, Tune was also promoted by Bennett to a featured role in the show as a gay choreographer. It was one of musical theater’s first attempts to portray gays as more than stereotypes. Tune’s showstopping Seesaw number, “It’s Not Where You Start,” which he also choreographed, served as a template for much of his later work. It drew on early show business performing styles and tropes and infused them with contemporary energy and attitude. In both his staging and performance, Tune blended the old and the new into something fresh and original.