The Death and Legacy of a Renaissance Man

Author(s):  
Howard Pollack

This final chapter discusses Latouche’s sudden death at age forty-one of a heart attack, and the suspicions of foul play surrounding his death. This chapter includes an overview of tributes made at the time of his death, including Carson McCullers’s eulogy, and considers the fate of his effects. Some consideration is given to the general reception of his work, both among musicians and academics, as well as to his legacy with regard to musical theater.

2019 ◽  
pp. 225-235
Author(s):  
Erin M. Kamler
Keyword(s):  

The final chapter examines the way artist participants in “Land of Smiles” began to undergo the passage from rupture to “hospitality”—an ethical contract formed not around “sameness,” but rather, around “encounters with the unknown.” By articulating their experiences of rupture and its complementary process of hospitality, the artist narratives reveal the power of musical theater as a means of breaking down preconceptions and opening new pathways to empathy and trust. It is here that we see the tenets of liberation unfold most dramatically, illuminating DAR’s transformative essence.


2019 ◽  
Vol 1235 ◽  
pp. 012044
Author(s):  
Poltak Sihombing ◽  
Mangasa Manullang ◽  
Dahlan Sitompul ◽  
Imelda Sri Dumayanti

2019 ◽  
Vol 19 (Suppl 2) ◽  
pp. s71-s71
Author(s):  
Hazel Turner
Keyword(s):  

2021 ◽  
pp. 204-216
Author(s):  
Gillian Kelly

This final chapter uses extrafilmic material, such as fan magazines, to explore the construction and development of Power’s off-screen image throughout his career. The careful manufacture of star images was a device used by studios to attract audiences to films, and ultimately sell tickets and Power received extensive publicity from early on, fan magazines depicting his off-screen life in ways that often resonated with his on-screen persona, particularly in the 1930s. This chapter explores the development of Power’s off-screen image in fan magazines from his bachelor days in the 1930s, his marriage to French actress Annabella and subsequent divorce when he returned from active war duty. His high-profile romance with Lana Turner preceded his marriage to Mexican actress Linda Christian and the birth of their two daughters, before another divorce and remarriage just before his death in 1958. Magazines then ran stories of his sudden death and subsequent birth of his only son, Tyrone Power Jr, a few months later for months to come. Additionally, while Power’s professional acting career began in the theatre in 1933, he returned to regular stage work in the 1950s in a move that was mostly well received by critics as the chapter discusses.


2011 ◽  
Vol 44 (13) ◽  
pp. 32
Author(s):  
MARY ANN MOON
Keyword(s):  

2006 ◽  
Vol 5 (1) ◽  
pp. 76-77
Author(s):  
Q TIMOUSCHAH ◽  
D BELHANI ◽  
P TSIBIRIBI ◽  
A TABIB ◽  
L FANTON ◽  
...  
Keyword(s):  

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