Cognitivism at the Movies
Chapter 7 explores cognitivism as an alternative to realist and semiotic theories of the nature of film. The chapter develops a diagnostic recognition framework for film derived from a biased competition theory of attention and research on the role played by situation models in narrative comprehension.
1987 ◽
Vol 26
(2)
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pp. 165-187
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Keyword(s):
1989 ◽
Vol 28
(3)
◽
pp. 292-312
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2010 ◽
Vol 104
(3)
◽
pp. 1649-1660
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1995 ◽
Vol 6
(5)
◽
pp. 292-297
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Keyword(s):