Introduction

Author(s):  
Craig Griffiths

This introduction briefly places the 1970s into a longer history of homosexual emancipation in Germany, before moving onto the different ways historians have conceptualized gay liberation. The chapter calls into question the significance of the Stonewall Riots in New York City in 1969. For West Germans, the partial decriminalization of male homosexuality that same year was more important. Even so, 1969 was not a clear-cut turning-point. This introduction sets out the book’s central lens of analysis, ambivalence—the simultaneous attachment to conflicting feelings and attitudes. Drawing on queer, sociological, and psychoanalytic theory, the introduction advances three axes of ambivalence: pride/shame, normal/different, and hope/fear. This framework allows us to explore the tensions and complexities of the 1970s, as well as appreciate continuities in homosexual politics. Gay liberation was never simply the result of the more radical or the more confrontational outlook winning out over the forces of respectability and moderation.

2020 ◽  
Vol 73 (3) ◽  
pp. 66-78
Author(s):  
Vince Schleitwiler ◽  
Abby Sun ◽  
Rea Tajiri

This roundtable grew out of conversations between filmmaker Rea Tajiri, programmer Abby Sun, and scholar Vince Schleitwiler about a misunderstood chapter in the history of Asian American film and media: New York City in the eighties, a vibrant capital of Asian American filmmaking with a distinctively experimental edge. To tell this story, Rea Tajiri contacted her artist contemporaries Shu Lea Cheang and Roddy Bogawa as well as writer and critic Daryl Chin. Daryl had been a fixture in New York City art circles since the sixties, his presence central to Asian American film from the beginning. The scope of this discussion extends loosely from the mid-seventies through the late nineties, with Tajiri, Abby Sun, and Vince Schleitwiler initiating topics, compiling responses, and finalizing its form as a collage-style conversation.


1984 ◽  
Vol 18 (1) ◽  
pp. 126
Author(s):  
Olga Jimenez Wagenheim ◽  
Virginia Sanchez Korrol

2018 ◽  
Vol 12 (1) ◽  
pp. 103-106
Author(s):  
Thomas Wide
Keyword(s):  
New York ◽  

AbstractThomas Wide visits a recent exhibition on the history of New York City


1976 ◽  
Vol 81 (2) ◽  
pp. 453
Author(s):  
Gert H. Brieger ◽  
John Duffy ◽  
Robert Stevens ◽  
Rosemary Stevens ◽  
Lloyd C. Taylor. Jr.

Author(s):  
Rachel Schreiber

The New York City Women’s Peace Party (NYC-WPP) published the first issue of Four Lights: An Adventure in Internationalism on 27 January 1917. The inaugural issue opened with the founders’ mission to ‘voice the young, uncompromising woman’s peace movement in America’ and declared the publication’s anti-war and anti-militarist position to be ‘daring and immediate’. In the short span of the nine months between January and October that Four Lights issued fortnightly numbers, its editors staked and held onto the staunch anti-war stance and Four Lights braided pacifism together with feminism. Their entwined anti-capitalist perspectives on gender, labour, class and race can be understood as anticipating intersectional feminism. Not nearly as well known as The Woman Citizen, The Suffragist and other publications of the women’s national suffrage and Progressive presses, Four Lights offers a fascinating glimpse into the thinking of the most ardent pacifists of the 1910s. This study of Four Lights illuminates this history and situates the journal’s critical place in the history of radical American periodicals.


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