Speculations

Author(s):  
Paul Earlie

This chapter addresses the vexed relationship between deconstruction and science. ‘Speculation’ is a term common both to Derrida’s early reading of Hegelian speculative philosophy and to his extensive reflection on psychoanalysis in texts such as La Carte postale (The Post Card). In its account of Freud’s singular synthesis of concrete observation and fictive speculation in Beyond the Pleasure Principle, La Carte postale provides an unexpectedly rich interrogation of the logic of scientific discovery, one at odds with recent caricatures of Derrida’s thought by proponents of a ‘speculative’ materialism. Freud’s speculations on the pleasure principle allow Derrida to explore psychoanalysis’s status as a ‘positive’ science, its relationship to technology (or technoscience), as well as the limits of psychoanalysis’s own self-delimitation vis-à-vis its various others: metaphysics, religion, and literature or fiction. Positive science’s structural dependency on ‘speculative fictions’ has implications for our understanding of both science and fiction, but it also has implications for recent calls by neuropsychoanalysts to do away with the speculative dimensions of psychoanalytic inquiry.

2017 ◽  
Vol 39 (2) ◽  
pp. 246-264
Author(s):  
Monique David-Ménard

This paper considers Freud's 1920 text, Beyond the Pleasure Principle, in light of Jacques Derrida's critical commentary on it in The Post Card. Against the deconstructive reading that highlights the performative aspects of Freud's speculative remarks, David-Ménard reads Freud's theory of the death drive as an epistemological and experimental hypothesis necessary for giving an account of the complexity and diversity of the clinical phenomenon of repetition in psychoanalysis. Though the death drive never appears locatable as such in the various examples given by Freud, it is nonetheless accessible in the constellation of differences produced by traumatic dreams, children's games, etc.


Derrida Today ◽  
2012 ◽  
Vol 5 (1) ◽  
pp. 69-91 ◽  
Author(s):  
Robert Trumbull

This essay explores Derrida's work on repetition in psychoanalysis and what Freud, in Beyond the Pleasure Principle, called the ‘compulsion to repeat’. Revising the model of the psyche that had to that point dominated his theory, Freud began in 1920 to ascribe greater significance to experiences of trauma and unpleasure, and to their recurrence in the analytic treatment. This type of repeated repetition ultimately suggested to Freud the existence of a ‘death drive’ antithetical to life. I examine here how Derrida re-reads Beyond in The Post Card, analysing the way uncontrollable effects of repetition repeatedly undo Freud's efforts to make any progress on what lies beyond the pleasure principle. Another ‘logic’ of repetition, other than the one Freud invokes, inhabits Freud's text, threatening the fundamental opposition between the life drives and the death drive. But in reading Freud in this way, Derrida himself cannot quite ‘do justice to’ Freud, to the ambivalence at work in Freud's text. At certain key moments in his reading of Beyond the Pleasure Principle, I show, Derrida seems to restrict an ambiguity in Freud's thinking around the relation between life and death. What Derrida's reading makes legible in part, then, is Derrida's resistance to psychoanalysis, the tension inhabiting Derrida's dealings with Freud in The Post Card and beyond.


Derrida Today ◽  
2019 ◽  
Vol 12 (1) ◽  
pp. 59-79
Author(s):  
Mauro Senatore

In the essay ‘To Speculate – On “Freud’”, which is published in The Postcards: From Socrates to Freud and Beyond (1980) and draws upon the last part of his unedited lecture course on La Vie la mort (taught in 1975), Jacques Derrida engages a close reading of Sigmund Freud's Beyond the Pleasure Principle. This article focuses on the deconstruction of the Freudian concept of drive (Trieb) that Derrida unfolds across his reading. It traces the analysis of the movement of autotelicity (auto-télie) that, according to Derrida, underpins the drive's relation to itself, and argues that the French philosopher interprets a specific drive evoked (but not thematized) by Freud, the drive to power (Bemächtigungstrieb), as the figure of the deconstruction of that autotelicity. Furthermore, the article suggests that the implications of this argument extend beyond Derrida's early reading of Freud, since they cast a new light on the argument for replacing the concept of sovereignty with that of the drive to power, which Derrida elaborates in his late political analyses.


Author(s):  
José I. Latorre ◽  
María T. Soto-Sanfiel

We reflect on the typical sequence of complex emotions associated with the process of scientific discovery. It is proposed that the same sequence is found to underlie many forms of media entertainment, albeit substantially scaled down. Hence, a distinct theory of intellectual entertainment is put forward. The seemingly timeless presence of multiple forms of intellectual entertainment finds its roots in a positive moral approval of the self of itself.


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