Meter
2019 ◽
pp. 206-233
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This chapter presents a sketch of an analytical model of musical meter, focused on sound rather than notation. A meter is defined as a set of pulses, and classified as an ordered set of adjacent pulse pairs, or minimal meters. The model encourages a view of meter as ever-changing and form-shaping. Metric change is defined as pulse substitution. Scripts of metric change are illustrated through analyses of brief passages of Schumann, Glass, and Ghanian dance-drumming. Hypermeter and quasi-meter (that is, non-isochronous or additive meter) are conceived as complementary ways to generalize meter.
1997 ◽
Vol 48
(10)
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pp. 978-987
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1990 ◽
Vol 137
(4)
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pp. 291
1988 ◽
Vol 49
(C8)
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pp. C8-911-C8-912
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2014 ◽
Vol 5
(1-4)
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pp. 121-128
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Keyword(s):
Keyword(s):
2019 ◽
Vol 10
(1)
◽
pp. 31-48
2008 ◽
Vol 67
(16)
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pp. 1449-1457