Jesuits and Islam in Early Modern Europe

2018 ◽  
pp. 348-378
Author(s):  
Emanuele Colombo
Keyword(s):  
Early Modern ◽  
Society Of Jesus ◽  
Early Modern Europe ◽  
History Of ◽  
Jesuit Missionaries ◽  
Ignatius Of Loyola ◽  
Modern Europe ◽  
Willingness To Engage

This chapter discusses Jesuit narratives of Islam and the Jesuits’ approaches to Muslims in early modern Europe. It argues that the Jesuits’ interaction with Islam was a key component of the Society’s identity, despite the fact that the order was not celebrated for the success of this interaction. It explores the desire of Ignatius of Loyola and the first Jesuits to convert Muslims; the history of Muslims who converted to Catholicism and joined the Society of Jesus; the Jesuits’ tension between a polemical attitude and a missionary approach to Muslims; and, finally, the Jesuits’ willingness to engage Islam and their attempts to study Arabic during this period. The chapter sheds new light on the presence of Islam in early modern Europe and helps our understanding of views that also influenced early modern Jesuit missionaries overseas, most of whom undertook their formation in Europe.

Jesuit Theater and Drama

2016 ◽  
Author(s):  
Kevin J. Wetmore
Keyword(s):  
Early Modern ◽  
Society Of Jesus ◽  
Spiritual Exercises ◽  
Audience Member ◽  
Early Modern Europe ◽  
Educational Theater ◽  
Ignatius Of Loyola ◽  
Modern Europe ◽  
Key Aspects ◽  
Didactic Theater

The historic Jesuit theater represents two centuries of didactic theater in which the Society of Jesus, following both the organizational instructions andSpiritual Exercisesof founder Ignatius of Loyola, used theater to inculcate virtue in both performer and audience member while teaching Latin, dance, poise, rhetoric, oratory, and confidence to the students who performed. Jesuit spirituality is inherently theatrical, and conversely Jesuit theater was intended to also be highly spiritual. The dramaturgy and scenography was spectacular and designed to draw audiences who would delight in them and learn the moral lessons the Jesuits hoped to teach while simultaneously drawing them away from a corrupt public theater. This essay considers Jesuit drama and theater in four key aspects: (1) Jesuit spirituality and performative practice; (2) the historic Jesuit educational theater of early modern Europe; (3) Jesuit drama in the missions outside of Europe; and (4) contemporary Jesuits involved in theater.

scholarly journals Cultural History, Ritual and Performance: George L. Mosse in Context

2021 ◽  
pp. 002200942094003
Author(s):  
Peter Burke
Keyword(s):  
Political Culture ◽  
Early Modern ◽  
Cultural History ◽  
Performance Studies ◽  
Early Modern Europe ◽  
History Of ◽  
Nineteenth And Twentieth Centuries ◽  
Modern Europe ◽  
And Performance ◽  
Cultural Turn

George L. Mosse took a ‘cultural turn’ in the latter part of his career, but still early enough to make a pioneering contribution to the study of political culture and in particular what he called political ‘liturgy’, including marches, processions, and practices of commemoration. He adapted to the study of nationalism in the nineteenth and twentieth centuries the approach to the history of ritual developed by historians of medieval and early modern Europe, among them his friend Ernst Kantorowicz. More recently, the concept of ritual, whether religious or secular, has been criticized by some cultural historians on the grounds that it implies a fixed ‘script’ in situations that were actually marked by fluidity and improvisation. In this respect cultural historians have been part of a wider trend that includes sociologists and anthropologists as well as theatre scholars and has been institutionalized as Performance Studies. Some recent studies of contemporary nationalism in Tanzania, Venezuela and elsewhere have adopted this perspective, emphasizing that the same performance may have different meanings for different sections of the audience. It is only to be regretted that Mosse did not live long enough to respond to these studies and that their authors seem unaware of his work.

Lost (and Found) in Translation: A Cultural History of Translators and Translating in Early Modern Europe

2007 ◽  
Vol 15 (1) ◽  
pp. 83-94 ◽  
Author(s):  
PETER BURKE
Keyword(s):  
Early Modern ◽  
Cultural History ◽  
Translation Studies ◽  
Early Modern Europe ◽  
General Phenomenon ◽  
Lost And Found ◽  
History Of ◽  
Modern Europe ◽  
Special Case ◽  
Made In

Attempting to combine cultural history with translation studies, this article examines translation between languages as a special case of a more general phenomenon, translation between cultures. It surveys printed translations made in Europe between 1500 and 1700, discussing which kinds of people translated which kinds of book from and into which languages. Particular attention is given to the reconstruction of the early modern ‘regime’ of translation, in other words the manner (free or literal, domesticating or ‘foreignizing’) in which translations were made.

scholarly journals Freethinking and Humanism: Abbasid Moods and Universal Motifs

Hawliyat ◽  
2018 ◽  
Vol 18 ◽  
pp. 15-31
Author(s):  
Aziz AL-AZMEH
Keyword(s):  
Early Modern ◽  
Early Modern Europe ◽  
Age Of Reason ◽  
History Of ◽  
Modern Europe ◽  
Basic Ideas

This article proposes that the history of freethinking, especially the cognitive, ethical and political critiques of religion, contained a number of basic ideas and motifs which persisted through Antiquity, Abbasid times, early modern Europe in the Age of Reason, and the Renaissance. It describes these ideas, especially in the form they took in the Abbasid era, with some indications of context, and certain elements intended to help trace the complex history of interconnections between different times and different continents.

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