Conducting

2019 ◽  
pp. 464-481
Author(s):  
Jessica Nápoles ◽  
Jared R. Rawlings
Keyword(s):  
Preservice Teachers ◽  
Nonverbal Communication ◽  
Ad Hoc ◽  
Music Teachers ◽  
Music Educators ◽  
Music Teacher ◽  
Teacher Education Programs ◽  
Music Teacher Education ◽  
Conducting Pedagogy ◽  
Communication Modes

This chapter provides a thorough review of the literature related to conducting, including its role in the broader language of nonverbal communication, the relationship between the gesture and sound, comparisons between verbal and nonverbal communication modes, and tools for assessing conducting in preservice music teacher education programs. Following the literature review, there are practical considerations for a research-based approach to conducting pedagogy. Elements for consideration include knowledge and skills for conducting (as well as a possible sequence for teaching them) and the importance of providing preservice teachers with opportunities for conducting, both in prescribed ways in methods and rehearsal technique courses and through ad hoc opportunities. Finally, a musicianship-based framework for preservice music teachers permeates decisions related to conducting instruction. All excellent music educators must also be excellent musicians.

Characteristics of Early Childhood and Elementary General Music Methods Coursework for Preservice Music Teachers

2021 ◽  
pp. 105708372110245
Author(s):  
Karen Salvador ◽  
Mara E. Culp
Keyword(s):  
Early Childhood ◽  
Teacher Candidates ◽  
Music Teachers ◽  
Music Educators ◽  
Music Teacher ◽  
Teacher Education Programs ◽  
General Music ◽  
Music Teacher Education ◽  
Music Methods ◽  
Elementary General Music

Although many music teacher candidates begin university studies planning to teach secondary ensembles, most will ultimately be certified to teach younger children and may be called to do so. The purpose of this study was to examine how music teacher education programs prepare preservice music educators to teach music to children from birth through elementary school through coursework. We emailed survey invitations to representatives from 512 institutions accredited by the National Association of Schools of Music to prepare music educators. We received 134 usable responses (response rate = 26%). Nearly all respondents offered elementary general music methods (EGMM), and over three quarters required EGMM for all students in initial licensure programs. Only about one in ten responding institutions offered early childhood music methods (ECMM). We describe findings on EGMM and ECMM course structures, content, and materials as well as the employment status, degree background, and other qualifications of the person who typically taught this coursework

Music Teacher Education Program Practices: Preparing Teachers to Work With Diverse Learners

2021 ◽  
Vol 30 (2) ◽  
pp. 51-64
Author(s):  
Mara E. Culp ◽  
Karen Salvador
Keyword(s):  
Teacher Education ◽  
Preservice Teachers ◽  
Music Education ◽  
Teacher Educators ◽  
Teacher Education Program ◽  
Music Educators ◽  
Diverse Learners ◽  
Music Teacher ◽  
Music Teacher Education ◽  
Education Programs

Music educators must meet the needs of students with diverse characteristics, including but not limited to cultural backgrounds, musical abilities and interests, and physical, behavioral, social, and cognitive functioning. Music education programs may not systematically prepare preservice teachers or potential music teacher educators for this reality. The purpose of this study was to examine how music teacher education programs prepare undergraduate and graduate students to structure inclusive and responsive experiences for diverse learners. We replicated and expanded Salvador’s study by including graduate student preparation, incorporating additional facets of human diversity, and contacting all institutions accredited by National Association of Schools of Music to prepare music educators. According to our respondents, integrated instruction focused on diverse learners was more commonly part of undergraduate coursework than graduate coursework. We used quantitative and qualitative analysis to describe course offerings and content integration.

Music Teacher Education and Students with Autism

2020 ◽  
pp. 199-208
Author(s):  
Alice M. Hammel ◽  
Ryan M. Hourigan
Keyword(s):  
Music Education ◽  
Music Teachers ◽  
Autism Spectrum ◽  
Music Educators ◽  
Music Teacher ◽  
Music Teacher Education ◽  
Knowledge And Skills ◽  
Education Community ◽  
Students With Autism ◽  
Department Of Music

As of the publication of this book, 1 in 59 children are diagnosed with autism. Therefore, it is most likely that music teachers will teach a student who is challenged by Autism Spectrum Disorder. It is well known throughout the music education community that often preservice music educators receive knowledge and skills through coursework outside the school or department of music. This chapter is designed to provide the tools and structure for music teachers to learn through well-crafted fieldwork experiences that include time in class with students on the spectrum.

Preparing Preservice Music Teachers to Teach in PreK Settings through the Use of Service Learning

2018 ◽  
Vol 105 (1) ◽  
pp. 28-32
Author(s):  
Roy M. Legette
Keyword(s):  
Teacher Education ◽  
Service Learning ◽  
Music Teachers ◽  
Field Experiences ◽  
Student Growth ◽  
Music Teacher ◽  
Teacher Education Programs ◽  
Music Teacher Education ◽  
Education Programs ◽  
Teachers Perceptions

Teacher education programs have long recognized field experience as an essential part of the professional development of aspiring teachers. While much attention has been given to providing preservice music teachers with rich and varied field experiences in grades K through 12, experiences in prekindergarten field settings are much less common. This article discusses the need for preK field experiences in music teacher education programs, the value of service learning as an integral part of these experiences, and preservice music teachers’ perceptions regarding their experiences in a prekindergarten service-learning practicum. While the challenges of service learning are acknowledged, its capability of promoting student growth while providing service to the community is underscored.

Gender and Sexual Diversity in Music Teacher Education

2019 ◽  
pp. 574-601
Author(s):  
Erin M. Hansen ◽  
Colleen A. Q. Sears
Keyword(s):  
Preservice Teachers ◽  
Sexual Orientation ◽  
Music Education ◽  
Teacher Educators ◽  
Music Teachers ◽  
Music Teacher ◽  
Diversity Education ◽  
Music Teacher Education ◽  
Sexual Diversity ◽  
Music Classrooms

In music education, issues related to gender and sexual orientation are numerous and complex, and they have significant implications for EC-12 students, teachers, and curricula. By making preservice teachers aware of common issues related to gender and sexual orientation in music education, and equipping them with strategies to help navigate unexpected and teachable moments, preservice music teachers may better facilitate discussions about gender and sexual orientation in a way that will yield equitable, safe, democratic, and open music classrooms. This chapter will (a) provide music teacher educators with an overview of the current political and social climate for LGBTQ students and teachers, (b) present rationale for the inclusion of gender and sexual diversity education within music education, (c) illustrate different approaches to incorporating this topic into the curriculum, (d) identify common concerns of preservice music students regarding gender identity and sexual orientation, and (e) provide resources for further study.

Technology in PerspectiveWho is in Control?

2017 ◽  
pp. 310-316
Author(s):  
Patricia Gonzales
Keyword(s):  
Music Education ◽  
Music Teachers ◽  
Music Educators ◽  
Learning Technologies ◽  
Music Teacher ◽  
Traditional Teaching ◽  
Music Teacher Education ◽  
Innovative Teaching ◽  
Use Of Technology ◽  
Teaching Learning

It is commonly known that the assimilation and use of technology that is vertically mandated, without a critical consideration of final users, presents various risks such as an inadequate and unreflective use of technology. For instance, new technological tools tend to be used only to facilitate aspects of traditional teaching practices, without changing previous pedagogical paradigms. One of the main causes is that many teachers have not acquired the expertise to take full advantage of innovative teaching/learning technologies. For adequate music education provision, music educators must respond distinctively and effectively by considering the sociocultural and educational context. This chapter argues that music teacher education and professional initiatives must be focused on empowering music teachers to critically decide the degree of technological assimilation and distinction in order to meet the standards of quality education.

Striving for Justice with Determination and Hope

2015 ◽  
pp. 657-668
Author(s):  
Janet R. Barrett
Keyword(s):  
Social Justice ◽  
Culturally Responsive ◽  
Teaching And Learning ◽  
Music Teachers ◽  
Music Educators ◽  
Music Teacher ◽  
Music Teacher Education ◽  
Imaginative Thinking ◽  
The Times ◽  
Persuasive Arguments

Social justice is an intellectual ideal and an educational movement, as well as a fervent desire held by individuals committed to respecting the worth of persons. This epilogue situates music educators within this broad landscape of theories, perspectives, and practices. For the field to embrace socially just practices as commonplace—answering the call with determination—good work must be initiated on many fronts. Music educators can draw on the clear and persuasive arguments offered here for expanding visions of music teaching and learning, while grappling with multidimensional challenges that attend social justice. This professional transformation will depend upon imaginative thinking and critical awakening, especially in contradistinction to the pervasive neoliberal milieu of the times. Music teacher education holds special promise for developing and strengthening teachers’ commitments to equitable, culturally responsive, and liberatory practices, especially when focused on dispositions that cultivate music teachers’ sense of agency and caring.

Music Teacher Education: Crossing Generational Borders

2012 ◽  
pp. 256-272
Author(s):  
Jody L. Kerchner ◽  
Carlos R. Abril
Keyword(s):  
Teacher Education ◽  
Music Education ◽  
Teacher Educators ◽  
Music Teachers ◽  
Music Teacher ◽  
Teacher Education Programs ◽  
Community Music ◽  
Music Majors ◽  
Music Teacher Education ◽  
Developmental Theories

One challenge in the education of music teachers is helping them prepare to teach students beyond the traditional school years in a variety of settings. In so doing, music teacher educators should consider: (a) how they can prepare all music majors to engage with community adults through music; (b) how they can better prepare teachers to teach people of all ages in a diverse array of settings in and beyond schools; (c) how they might infuse a lifespan perspective in existing music education courses, from introduction to music education to methods and graduate courses in philosophy; (d) how community music can become a specialized track in music education, at the undergraduate and/or graduate levels; and (e) how they may incorporate additional resources (e.g., personnel, materials, field experience locations) to realize the aforementioned possibilities. This article considers adult characteristics and developmental theories in relation to a lifespan perspective in music teacher education programs.

Courses for Secondary Instruments

2019 ◽  
pp. 344-363
Author(s):  
Molly A. Weaver
Keyword(s):  
Music Education ◽  
Music Teachers ◽  
Music Teacher ◽  
Promising Practices ◽  
Education Curriculum ◽  
Music Teacher Education ◽  
Teaching Activities ◽  
School Based ◽  
Secondary Instrument ◽  
Institutional Model

The main purpose of this chapter is to synthesize the literature regarding courses for secondary instruments in the interest of making recommendations for promising practices. The chapter also is intended to “push boundaries from within the system” of music teacher education. That is, it is intended to be a resource for those who prepare preservice music teachers (PMTs) for the realities of P-12 school-based music education and who aspire to instill in these new colleagues a disposition toward change. The chapter is divided into six sections: importance of secondary instrument courses, characteristics and configurations of secondary instrument courses, focus and content of secondary instrument courses, peer teaching activities and field experiences within secondary instrument courses, recommendations for promising practices (including professional development beyond the preservice music education curriculum and an institutional model for secondary instrument courses), and future considerations.

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