The Persistence of Memory

2021 ◽  
pp. 413-433
Author(s):  
Ron Rodman
Keyword(s):  
Structural Similarity ◽  
Television Advertising ◽  
First Century ◽  
Musical Structure ◽  
Popular Song ◽  
State Farm ◽  
Popular Songs ◽  
Late Twentieth ◽  
Good Neighbor ◽  
American Popular Song

Though out of vogue in the twenty-first century, the jingle was a mainstay of radio and television advertising in the late twentieth century. What made it so popular was its affinity with popular music with which it was contemporaneous. This chapter draws upon linear diagram analysis to highlight the structural similarities of commercial jingles with American popular songs. Citing works on form in American popular song by Allen Forte and John Covach, and the “beginning-middle-ending” paradigms of William Caplin and Kofi Agawu, the chapter demonstrates how the musical structure of jingles such as “See the U.S.A. in Your Chevrolet,” “Like a Good Neighbor, State Farm Is There,” and others resemble American popular songs of their time. The success of these jingles lies not only in their structural similarity with these popular songs but also in the audience’s ability to reimagine the complete structure of the tunes and to draw upon a collective cultural memory of intertextuality—what Papson calls “alreadyness”—to these advertising texts.

The Music of Alec Wilder

2017 ◽  
Author(s):  
Philip Lambert
Keyword(s):  
Musical Language ◽  
Popular Song ◽  
Concert Hall ◽  
Popular Songs ◽  
Harmonic Language ◽  
American Popular Song

This concluding chapter evaluates Alec Wilder's music. Listeners are often struck by the tunefulness of Wilder's creations, whether a popular song or a concerto or sonata. Indeed, many of his melodies, in music of all types, easily satisfy one of his own standards of measurement in his book, American Popular Song (1972): that a good tune should be capable of standing alone, without accompaniment or any other contextualizing factors. At the same time, Wilder was equally devoted to a melody's harmonic setting. As he explained in American Popular Song, some effective melodies are “conceived in terms of harmony” and may not work so well in isolation. To his popular songs he brought the harmonic language of late romanticism. To his music for the concert hall he brought the language of jazz harmony. The personality and distinction of his musical language in general are as much determined by his chord constructions and progressions as by the melodies they support.

Popular Song and Working-Class Culture

2020 ◽  
pp. 408-434
Author(s):  
Gillian M. Rodger
Keyword(s):  
United States ◽  
Working Class ◽  
The United States ◽  
Popular Song ◽  
Sheet Music ◽  
Social Hierarchies ◽  
Class Culture ◽  
Daily Newspapers ◽  
Popular Songs ◽  
American Popular Song

This chapter considers the ways that popular songs, circulated via inexpensive sheet music and as printed song sheets that contained only lyrics, reflect the worldview and aspirations of working-class populations in the United States. It shows that when read against theatrical trade newspapers, men’s sporting newspapers, and daily newspapers catering to working men, a richer and more complex view of working-class culture emerges from these songs. Songs reinforced a sense of class cohesion, and articulated class values and working-class gender construction. They also reflected the integration of ethnic groups such as Germans and Irish into American culture, and reinforced social hierarchies based on race, gender, immigrant status, and proficiency with language. While the characters depicted in American popular song were often unique to the United States, the fact that they came from a shared tradition of English humor allowed them to travel globally.

Korngold and His World

2019 ◽  
Keyword(s):  
Chamber Music ◽  
Musical Theater ◽  
Musical Language ◽  
American Film ◽  
Popular Song ◽  
Film Scores ◽  
Hollywood Film ◽  
English Translations ◽  
Erich Wolfgang Korngold ◽  
American Popular Song

Erich Wolfgang Korngold (1897–1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947. From his prewar operas in Vienna to his pathbreaking contributions to American film, this book provides a substantial reassessment of Korngold's life and accomplishments. Korngold struggled to reconcile the musical language of his Viennese upbringing with American popular song and cinema, and was forced to adapt to a new life after wartime emigration to Hollywood. The book examines Korngold's operas and film scores, the critical reception of his music, and his place in the milieus of both the Old and New Worlds. It also features numerous historical documents—many previously unpublished and in first-ever English translations—including essays by the composer as well as memoirs by his wife, Luzi Korngold, and his father, the renowned music critic Julius Korngold.

Continuing Visions

2018 ◽  
Author(s):  
Linda Freedman
Keyword(s):  
Social Activism ◽  
William Blake ◽  
First Century ◽  
Ridley Scott ◽  
American Novel ◽  
Early Twenty ◽  
Protest Group ◽  
Late Twentieth ◽  
Twenty First Century ◽  
Dead Man

The questions that drove Blake’s American reception, from its earliest moments in the nineteenth century through to the explosion of Blakeanism in the mid-twentieth century, did not disappear. Visions of America continued to be part of Blake’s late twentieth- and early twenty-first century American legacy. This chapter begins with the 1982 film Blade Runner, which was directed by the British Ridley Scott but had an American-authored screenplay and was based on a 1968 American novel, Do Androids Dream of Electric Sheep? It moves to Jim Jarmusch’s 1995 film, Dead Man and Paul Chan’s twenty-first century social activism as part of a protest group called The Friends of William Blake, exploring common themes of democracy, freedom, limit, nationhood, and poetic shape.

Dewey and Pragmatist Feminist Philosophy

2017 ◽  
pp. 270-290
Author(s):  
Lisa Heldke
Keyword(s):  
Political Philosophy ◽  
Philosophy Of Education ◽  
Family Members ◽  
Value Theory ◽  
Feminist Epistemology ◽  
First Century ◽  
Feminist Philosophy ◽  
Small Field ◽  
Early Twenty ◽  
Late Twentieth

John Dewey’s record as a feminist and an advocate of women is mixed. He valued women intellectual associates whose influences he acknowledged, but did not develop theoretical articulations of the reasons for women’s subordination and marginalization. Given his mixed record, this chapter asks, how useful is Dewey’s work as a resource for feminist philosophy? It begins with a survey of the intellectual influences that connect Dewey with a set of women family members, colleagues, and students. It then discusses Dewey’s influence on the work of late twentieth- and early twenty-first-century pragmatist feminist philosophers. Dewey’s influence has been strongest in the fields of feminist epistemology, philosophy of education, and social and political philosophy. Although pragmatist feminist philosophy remains a small field within feminist philosophy, this chapter argues that its conceptual resources could be put to further good use, particularly in feminist metaphysics, epistemology, and value theory.

scholarly journals The evolution of Darwinian sexualities

BJHS Themes ◽  
2021 ◽  
pp. 1-23
Author(s):  
Erika Lorraine Milam
Keyword(s):  
Gay Rights ◽  
First Century ◽  
Sexual Practices ◽  
Past Century ◽  
Sexual Preferences ◽  
The Past ◽  
Sexual Behaviours ◽  
Late Twentieth ◽  
New Generation ◽  
Descent Of Man

Abstract Charles Darwin's Descent of Man was suffused with questions of courtship, mating and sex. Following in his footsteps, biologists throughout the twentieth century interrogated the sexual behaviour of humans and animals. This paper charts the fate of evolutionary theories of sexuality to argue that – despite legal and social gains of the past century – when biologists used sexual selection as a tool for theorizing the evolution of homosexual behaviour (which happened only rarely), the effect of their theories was to continuously reinscribe normative heterosexuality. If, at the end of the nineteenth century, certain sex theorists viewed homosexuality as a marker of intermediate sex, by the late twentieth a new generation of evolutionary theorists idealized gay men as hyper-masculine biological males whose sexual behaviours were uncompromised by the necessity of accommodating women's sexual preferences. In both cases, normative assumptions about gender were interwoven with those about sexuality. By the twenty-first century, animal exemplars were again mobilized alongside data gathered about human sexual practices in defence of gay rights, but this time by creating the opportunity for naturalization without recourse to biological determinism.

The Revival of Quantification: Reflections on Old New Histories

2021 ◽  
Vol 45 (1) ◽  
pp. 1-25
Author(s):  
Steven Ruggles
Keyword(s):  
Twentieth Century ◽  
Social History ◽  
Economic History ◽  
Historical Analysis ◽  
The United States ◽  
First Century ◽  
Third Wave ◽  
Late Twentieth ◽  
The 1960S ◽  
Second Wave

AbstractQuantitative historical analysis in the United States surged in three distinct waves. The first quantitative wave occurred as part of the “New History” that blossomed in the early twentieth century and disappeared in the 1940s and 1950s with the rise of consensus history. The second wave thrived from the 1960s to the 1980s during the ascendance of the New Economic History, the New Political History, and the New Social History, and died out during the “cultural turn” of the late twentieth century. The third wave of historical quantification—which I call the revival of quantification—emerged in the second decade of the twenty-first century and is still underway. I describe characteristics of each wave and discuss the historiographical context of the ebb and flow of quantification in history.

scholarly journals Evaluation of flood damage reduction throughout Japan from adaptation measures taken under a range of emissions mitigation scenarios

2021 ◽  
Vol 165 (3-4) ◽  
Author(s):  
Tao Yamamoto ◽  
So Kazama ◽  
Yoshiya Touge ◽  
Hayata Yanagihara ◽  
Tsuyoshi Tada ◽  
...  
Keyword(s):  
Twentieth Century ◽  
Flood Damage ◽  
First Century ◽  
Mitigation Measures ◽  
Damage Cost ◽  
Adaptation Measures ◽  
Inundation Depth ◽  
Late Twentieth ◽  
Twenty First Century ◽  
Late Twentieth Century

AbstractThis study aimed to evaluate the impact of climate change on flood damage and the effects of mitigation measures and combinations of multiple adaptation measures in reducing flood damage. The inundation depth was calculated using a two-dimensional unsteady flow model. The flood damage cost was estimated from the unit evaluation value set for each land use and prefectures and the calculated inundation depth distribution. To estimate the flood damage in the near future and the late twenty-first century, five global climate models were used. These models provided daily precipitation, and the change of the extreme precipitation was calculated. In addition to the assessment of the impacts of climate change, certain adaptation measures (land-use control, piloti building, and improvement of flood control level) were discussed, and their effects on flood damage cost reduction were evaluated. In the case of the representative concentration pathway (RCP) 8.5 scenario, the damage cost in the late twenty-first century will increase to 57% of that in the late twentieth century. However, if mitigation measures were to be undertaken according to RCP2.6 standards, the increase of the flood damage cost will stop, and the increase of the flood damage cost will be 28% of that in the late twentieth century. By implementing adaptation measures in combination rather than individually, it is possible to keep the damage cost in the future period even below that in the late twentieth century. By implementing both mitigation and adaptation measures, it is possible to reduce the flood damage cost in the late twenty-first century to 69% of that in the late twentieth century.

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