Critical Theory and Organization Studies

2014 ◽  
Author(s):  
Paul Adler ◽  
Paul du Gay ◽  
Glenn Morgan ◽  
Mike Reed ◽  
Edward Granter
Keyword(s):  
Critical Theory ◽  
Organization Studies

scholarly journals Adorno’s grey, Taussig’s blue: Colour, organization and critical affect

Organization ◽  
2017 ◽  
Vol 24 (1) ◽  
pp. 59-78 ◽  
Author(s):  
Timon Beyes ◽  
Christian De Cock
Keyword(s):  
Critical Theory ◽  
Affect Theory ◽  
Organizational Life ◽  
Blue Colour ◽  
Organization Studies ◽  
Critical Potential ◽  
Organizational Scholarship ◽  
Primary Phenomenon

In this article, we seek to open up the study of affect and organization to colour. Often simply taken for granted in organizational life and usually neglected in organizational thought, colour is an affective force by default. Deploying and interweaving the languages of affect theory, critical theory and organization studies, we discuss colour as a primary phenomenon for the study of ‘critical affect’. We then trace colour’s affect in conditioning the unfolding of organization in two particular ‘colour/spaces’ – Adorno’s grey and Taussig’s blue of our title – and discuss both its ambiguity and critical potential. Finally, we ponder what colour might do to the style of an organizational scholarship attuned to affect, where sentences blur with things and forces more than they seek to represent them.

scholarly journals The Spectacle and Organization Studies

2017 ◽  
Vol 38 (11) ◽  
pp. 1625-1643 ◽  
Author(s):  
Mikkel Flyverbom ◽  
Juliane Reinecke
Keyword(s):  
Critical Theory ◽  
Brand Image ◽  
Visual Images ◽  
Discursive Practices ◽  
Organizational Life ◽  
Organization Studies ◽  
The Real ◽  
Society Of The Spectacle ◽  
Theatrical Performances

The aim of this essay is to revisit Guy Debord’s critical theory of the spectacle as formulated 50 years ago in the ‘Society of the Spectacle’ in light of the contemporary production of spectacles. Debord’s arguments about appearance, visibility and celebrity are echoed in the way organizations increasingly focus on their brand, image, impression, and reputation. Yet, the role of spectacles in organizational life has remained under-researched in organization studies. As the boundaries between fact and fiction, reality and representation, substance and appearance become increasingly blurred, questions about the production and effects of spectacles seem more pertinent than ever. Are representations faithful mirrors of reality, or attempts to conceal reality? Do they replace reality, or bring new realities into being? By articulating three possible understandings of the spectacle, as fetishism, hyper-reality or performativity, this essay invites organization scholars to examine the organization of the real and the making of organizations through processes of spectacular representation including discursive practices, visual images and theatrical performances.

Kritik der Politischen Ökonomie im 21. Jahrhundert.

2017 ◽  
Vol 47 (188) ◽  
pp. 453-470 ◽  
Author(s):  
Hans-Peter Büttner
Keyword(s):  
Political Economy ◽  
Critical Theory ◽  
Scientific Community ◽  
New World ◽  
Neoclassical Economics ◽  
Price Theory ◽  
Transformation Problem ◽  
Iron Cage ◽  
Analytical Tools

While the majority of the scientific community holds Marxian Value and Price Theory to be internally inconsistent because of the so-called “transformation problem”, these claims can be sufficiently refuted. The key to the solution of the “transformation problem” is quite simple, so this contribution, because it requires the rejection of simultanism and physicalism, which represent the genuine method of neoclassical economics, a method that is completely incompatible with Marxian Critique of Political Economy. Outside of the iron cage of neoclassical equilibrium economics, Marxian ‘Capital’ can be reconstructed without neoclassical “pathologies” and offers us a whole new world of analytical tools for a critical theory of capitalist societies and its dynamics.

Critical theory, the left and media policy: The Latin American progressive governments case study

2015 ◽  
Vol 0 (24) ◽  
pp. 95-126
Author(s):  
Ángel Badillo ◽  
◽  
Guillermo Mastrini ◽  
Patricia Marenghi ◽  
◽  
...  
Keyword(s):  
Critical Theory ◽  
Latin American ◽  
Media Policy

Veiled Theory: The Transmutation of Anthropology in T. S. Eliot's Critical Method

Paragraph ◽  
2006 ◽  
Vol 29 (3) ◽  
pp. 77-94 ◽  
Author(s):  
Adam Trexler
Keyword(s):  
Critical Theory ◽  
Literary Criticism ◽  
Literary Theory ◽  
Institutional Framework ◽  
Philosophical Investigation ◽  
Institutional History ◽  
Human History ◽  
Critical Practice ◽  
The Absolute ◽  
Historical Moment

While literary criticism is often seen as an unself-reflective forerunner to literary theory, this article argues that T.S. Eliot's theory of critical practice was a philosophically informed methodology of reading designed to create a disciplinary and institutional framework. To reconstruct this theory, it enriches theoretical methodology with intellectual and institutional history. Specifically, the article argues that Eliot's early critical theory depended on the paradigms of anthropology and occultism, developed during his philosophical investigation of anthropology and Leibniz. From this investigation, Eliot created an occult project that used spiritual monads as facts to progress toward the Absolute. The article goes on to argue that Eliot's methodology of reading was shaped by anthropology's and occultism's paradigms of non-academic, non-specialist reading societies that sought a super-historic position in human history through individual progress. The reconstruction of Eliot's intellectual and institutional framework for reading reveals a historical moment with sharp differences and surprising similarities to the present.

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