scholarly journals The Effects of Suboptimal Eggshell Temperature During Incubation on Broiler Chick Quality, Live Performance, and Further Processing Yield

2006 ◽  
Vol 85 (5) ◽  
pp. 932-938 ◽  
Author(s):  
N.S. Joseph ◽  
A. Lourens ◽  
E.T. Moran
Keyword(s):  
Broiler Chick ◽  
Live Performance ◽  
Chick Quality

scholarly journals Investigating the Effects of Commercial Probiotics on Broiler Chick Quality and Production Efficiency

2006 ◽  
Vol 85 (10) ◽  
pp. 1855-1863 ◽  
Author(s):  
E.E. O’Dea ◽  
G.M. Fasenko ◽  
G.E. Allison ◽  
D.R. Korver ◽  
G.W. Tannock ◽  
...  
Keyword(s):  
Production Efficiency ◽  
Broiler Chick ◽  
Chick Quality ◽  
Commercial Probiotics

scholarly journals Vitamin E and selenium in broiler breeder diets: Effect on live performance, hatching process, and chick quality

2015 ◽  
Vol 94 (5) ◽  
pp. 976-983 ◽  
Author(s):  
U.R.A. Urso ◽  
F. Dahlke ◽  
A. Maiorka ◽  
I.J.M. Bueno ◽  
A.F. Schneider ◽  
...  
Keyword(s):  
Vitamin E ◽  
Live Performance ◽  
Broiler Breeder ◽  
Hatching Process ◽  
Chick Quality

scholarly journals EMBRYONIC MORTALITY AND BROILER CHICK QUALITY (Gallus gallus) FROM GLASS-SHELLED EGGS

2019 ◽  
Vol 20 ◽  
Author(s):  
Maria Julia Macedo Franco ◽  
Otávio Cintra Lemos Olivieri ◽  
Evandro De Abreu Fernandes ◽  
Paulo Lourenço da Silva ◽  
Raphael Ribeiro Fonseca ◽  
...  
Keyword(s):  
Incubation Period ◽  
Storage Period ◽  
Gallus Gallus ◽  
Embryonic Mortality ◽  
Broiler Chick ◽  
Egg Weight ◽  
Breeder Hens ◽  
Egg Storage ◽  
Chick Quality

Abstract The glass-shelled egg has various points on the surface with light gray coloration, which becomes more visible with the passage of egg storage period. The objective of this work was to evaluate the stage of embryonic mortality, egg weight during the incubation period, hatch window, and quality of chicks at hatch from glass-shelled egg. The research was divided into two parts. In the first part, 80 eggs from 45 weeks old hens were incubated, being half normal eggs and half glass-shelled eggs, while in the second part, 80 eggs from 70 weeks old hens from the same flock as the previous one were incubated. Again, half were normal shelled and half were glass-shelled eggs. No differences were observed for embryonic mortality, egg weight, hatch quality (hatch weight, uniformity, and navel quality), and hatch window between normal and glass-shelled eggs from hens of 45 and 70 weeks of age. However, there was higher contamination in glass-shelled egg from 70-week-old breeder hens. The results show that the presence of glass-shelled egg does not seem to interfere with the quality of the chick at hatch in the breed, ages, and studied conditions, but causes higher contamination in glass-shelled egg from 70-week-old breeder hens.

Effects of lead on live performance due to its accumulation in tissue

2003 ◽  
Vol 107 ◽  
pp. 997-1000
Author(s):  
D. Ozcelik ◽  
M. C. Akyolcu ◽  
S. Dursun ◽  
S. Toplan ◽  
R. Kahraman ◽  
...  
Keyword(s):  
Live Performance

Zaskia Gotik (live performance Jawa Tengah)

2020 ◽  
Author(s):  
Adib Rifqi Setiawan
Keyword(s):  
Live Performance

Zaskia Gotik (live performance Jawa Tengah) https://www.youtube.com/playlist?list=PLKcI-GhA_IdgYuX61faYe_c6n_YA5wvSC

Fail Better

2018 ◽  
Author(s):  
Janet O'Shea
Keyword(s):  
Martial Arts ◽  
Live Performance ◽  
And Gender

This chapter examines martial arts practice as an encounter with failure, in which a practitioner withstands both getting hit and launching shots that do not land. Martial arts practice signals the possibilities of failure but also admits its painful consequences, literally and metaphorically. Therefore, this chapter suggests, martial arts provide an opportunity to rethink cultural associations of failure in a society that would deny it. Even the current celebration of failure in the form of “failing up” and “soft landings” focuses only on instances when failure becomes transmuted into success, disavowing its consequences and ignoring the conditions from which it emerges. This chapter includes a consideration of the differing race, class, and gender associations with failure. It also puts forward a theory of the live—as in live training and live weapon but also live performance—as predicated upon failure.

Diversifying Greek Tragedy on the Contemporary US Stage

2018 ◽  
Author(s):  
Melinda Powers
Keyword(s):  
Cross Section ◽  
Performance Studies ◽  
Greek Tragedy ◽  
Live Performance ◽  
Greek Drama ◽  
The Us ◽  
Social Concerns ◽  
Performance Context ◽  
Historical Identity ◽  
Ancient Drama

Demonstrating that ancient drama can be a powerful tool in seeking justice, this book investigates a cross section of live theatrical productions on the US stage that have reimagined Greek tragedy to address political and social concerns. To address this subject, it engages with some of the latest research in the field of performance studies to interpret not dramatic texts in isolation from their performance context, but instead the dynamic experience of live theatre. The book’s focus is on the ability of engaged performances to pose critical challenges to long-standing stereotypes that have contributed to the misrepresentation and marginalization of under-represented communities. Yet, in the process, it also uncovers the ways in which performances can inadvertently reinforce the very stereotypes they aim to challenge. This book thus offers a study of the live performance of Greek drama and its role in creating and reflecting social, cultural, and historical identity in contemporary America.

Beyond Sculpture

2017 ◽  
Author(s):  
John Stokes
Keyword(s):  
Georg Wilhelm Friedrich Hegel ◽  
Walter Pater ◽  
Live Performance ◽  
Dramatic Theory ◽  
Theatrical Space ◽  
Classical Training ◽  
John Addington Symonds

In the 1880s, Wilde responded with enthusiasm to reconstructions of classical Greek theatre staged in Oxford, Cambridge, and London, and his published reviews draw extensively on his own classical training together with ideas taken from Georg Wilhelm Friedrich Hegel, Walter Pater, and John Addington Symonds. He took a similar interest in contemporary plays based on classical subjects, such as Alfred Lord Tennyson’s The Cup and John Todhunter’s Helena in Troas. This chapter describes how Wilde’s experience of Greek theatre and its offshoots in live performance contributed to his fascination with the art of the actor, with theatrical space, with the deployment of scenery, and with the relation of archaeology to architecture. It concludes by tracing an underlying shift in his dramatic theory from ‘plasticity’ to ‘psychology’.

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