scholarly journals Peter Brian Medawar, 28 February 1915 - 2 October 1987

1990 ◽  
Vol 35 ◽  
pp. 281-301 ◽  

Peter Brian Medawar was born in 1915 in Rio de Janeiro. His father, Nicholas Agnatius, was a Brazilian businessman of Lebanese extraction, and his mother Edith Muriel Dowling, British. He was educated at Marlborough College and Magdalen College, Oxford, where he took a first-class degree in zoology in 1936 and D.Sc. in 1947. At Oxford he was successively a Christopher Welch Scholar and senior-demi of Magdalen, a senior research fellow of St John’s, and a fellow by special election of Magdalen. From 1947 to 1951 he was Mason Professor of Zoology in the University of Birmingham, from 1951 to 1962 Jodrell Professor of Zoology and Comparative Anatomy in University College London, and from 1962 to 1971 Director of the National Institute for Medical Research, Mill Hill. From 1971 to 1986 he worked in the Medical Research Council (MRC) Clinical Research Centre, Harrow. He was elected to the Royal Society in 1949; he was awarded a C.B.E. in 1958, a knighthood in 1965, a C.H. in 1972, and an O.M. in 1981, as well as honorary degrees too numerous to mention. In 1960, jointly with MacFarlane Burnet, he received the Nobel Prize for Medicine, for the discovery of immunological tolerance. Medawar enjoyed great fame as a popularizer and philosopher of science, through his books, numerous articles (cited here only as the collected volumes which contain a selection) and broadcasts. He had a powerfully dramatic presence, much wit, and deep insight into the hopes of his audience.

1924 ◽  
Vol 23 (1) ◽  
pp. 23-63 ◽  
Author(s):  
E. G. D. Murray ◽  
R. Ayrton

Every bacteriologist is only too well aware of the many problems presented by the preparation of culture media for the growth of bacteriain vitro.


2009 ◽  
Vol 25 (4) ◽  
pp. 303-305
Author(s):  
Maria Shevtsova

The co-editors of New Theatre Quarterly take time out here to reflect on the milestone of the journal reaching its hundredth consecutive issue, in succession to the forty of the original Theatre Quarterly. Simon Trussler was one of the founding editors of the ‘old’ Theatre Quarterly in 1971. He is the author of numerous books on drama and theatre, including New Theatre Voices of the Seventies (1981), Shakespearean Concepts (1989), the award-winning Cambridge Illustrated History of British Theatre (1993), The Faber Guide to Elizabethan and Jacobean Drama (2006), and Will's Will (2007). Formerly Reader in Drama in the University of London, he is now Professor and Senior Research Fellow at Rose Bruford College. Maria Shevtsova, who has been co-editor of New Theatre Quarterly since 2003, is Professor of Drama and Theatre Arts and Director of Graduate Studies at Goldsmiths, University of London. The author of more than one hundred articles and chapters in collected volumes, her books include Dodin and the Maly Drama Theatre: Process to Performance (2004), Fifty Key Theatre Directors (co-edited with Shomit Mitter, 2005), Robert Wilson (2007), Directors/Directing: Conversations on Theatre (with Christopher Innes, 2009), and Sociology of Theatre and Performance (2009).


Sign in / Sign up

Export Citation Format

Share Document