Stratigraphie details of a 17th century oil painting on canvas revealed by terahertz imaging

Author(s):  
Junliang Dong ◽  
Alexandre Loequet ◽  
Anne Adrian ◽  
Claire Meunier ◽  
Kevin Kazek ◽  
...  
2020 ◽  
Vol 18 (1) ◽  
pp. 247-257
Author(s):  
Sandra Sustic ◽  
Ivan Rezic ◽  
Mario Cvetkovic

This study is related to the major recovery project of an 18th century oil painting on canvas depicting Our Lady of the Rosary, the patron saint of the parish community of Vrlika and its surroundings. During the Croatian War of Independence in 1992 it was taken off the main altar and vandalized by the paramilitary units. This resulted in termination of a century long tradition of annual feasts in Vrlika in which the painting was publicly displayed and carried by the townsmen. Based on the available visual materials: a high resolution old black and white photograph and the low resolution coloured one, respectfully, using the computer colorization algorithm, and also relying on detailed visual analysis of the original paint layer, a major reconstruction was carried out in 2017. This research has demonstrated that the recovery of the artworks with dramatic losses is an extremely complex social phenomenon difficult to characterize by any general factor or based on any general approach.


2001 ◽  
Vol 19 (3) ◽  
pp. 513-546 ◽  
Author(s):  
Deborah A. Rosen

Less than two years after the United States occupied New Mexico, Acoma Pueblo accused its neighbors in Laguna Pueblo of misappropriating a painting of Saint Joseph. The Indians of Acoma claimed that they had loaned the picture to the pueblo of Laguna for the purpose of celebrating Holy Week, but Laguna had subsequently refused to return it. The large oil painting on canvas, which portrayed the standing figure of Joseph holding the baby Jesus, was said to have been sent to New Mexico by Carlos II, king of Spain from 1665 to 1700. Both pueblos claimed rightful ownership of the picture, both said that missionaries with the early Spanish conquerors had brought them the oil painting from Spain, and both asserted that the painting was necessary for their religious worship. It was believed that the painting of Saint Joseph, or San José, as he was referred to throughout the legal documents, worked miracles for its possessor. Most important to the pueblos was the belief that the painting brought life-sustaining rain to the parched agricultural lands that provided their main source of food.


Aerobiologia ◽  
2012 ◽  
Vol 29 (2) ◽  
pp. 301-314 ◽  
Author(s):  
M. López-Miras ◽  
G. Piñar ◽  
J. Romero-Noguera ◽  
F. C. Bolívar-Galiano ◽  
J. Ettenauer ◽  
...  

2021 ◽  
Vol 1866 (1) ◽  
pp. 012004
Author(s):  
Sergei Sirro ◽  
Evgeniy Odlyanitskiy ◽  
Alessia Portieri ◽  
Phil Taday ◽  
Donald D. Arnone ◽  
...  

PLoS ONE ◽  
2013 ◽  
Vol 8 (11) ◽  
pp. e80198 ◽  
Author(s):  
María del Mar López-Miras ◽  
Inés Martín-Sánchez ◽  
África Yebra-Rodríguez ◽  
Julio Romero-Noguera ◽  
Fernando Bolívar-Galiano ◽  
...  

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