Evaluation of neutron pulse width in laser-driven neutron source using organic scintillator

Author(s):  
H. Tanaka ◽  
S. Kurosawa ◽  
A. Yamaji ◽  
S. Yamato ◽  
R. Hanayama ◽  
...  
2014 ◽  
Vol 4 ◽  
pp. 327-331 ◽  
Author(s):  
Masayuki Hagiwara ◽  
Hiroshi Iwase ◽  
Yosuke Iwamoto ◽  
Daiki Satoh ◽  
Tetsuro Matsumoto ◽  
...  

2010 ◽  
Vol 81 (3) ◽  
pp. 035502 ◽  
Author(s):  
V A Gribkov ◽  
S V Latyshev ◽  
R A Miklaszewski ◽  
M Chernyshova ◽  
K Drozdowicz ◽  
...  

2002 ◽  
Author(s):  
Aureliano Carrillo-Nuñez
Keyword(s):  

2020 ◽  
Vol 1 (1) ◽  
pp. 44-74
Author(s):  
Blake Troise

The 1-bit sonic environment (perhaps most famously musically employed on the ZX Spectrum) is defined by extreme limitation. Yet, belying these restrictions, there is a surprisingly expressive instrumental versatility. This article explores the theory behind the primary, idiosyncratically 1-bit techniques available to the composer-programmer, those that are essential when designing “instruments” in 1-bit environments. These techniques include pulse width modulation for timbral manipulation and means of generating virtual polyphony in software, such as the pin pulse and pulse interleaving techniques. These methodologies are considered in respect to their compositional implications and instrumental applications.


2013 ◽  
Vol 133 (2) ◽  
pp. 32-37 ◽  
Author(s):  
Akira Nakagawa ◽  
Hitoshi Hatayama ◽  
Koichi Takaki ◽  
Shoji Koide ◽  
Yukio Kawamura

2012 ◽  
Vol 132 (1) ◽  
pp. 1-9 ◽  
Author(s):  
Satoshi Maruyama ◽  
Muneki Nakada ◽  
Makoto Mita ◽  
Takuya Takahashi ◽  
Hiroyuki Fujita ◽  
...  

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