Complexity optimization technique for sound synthesis on digital sound processing architectures

2002 ◽  
Author(s):  
H. Mori ◽  
K. Sakamura
Keyword(s):  
Optimization Technique ◽  
Sound Synthesis ◽  
Sound Processing ◽  
Processing Architectures ◽  
Digital Sound

Development of skills to work with digital sound in the school informatics course

2021 ◽  
pp. 30-33
Author(s):  
N. Yu. Koroleva
Keyword(s):  
Digital Content ◽  
Sound Processing ◽  
Processing Technologies ◽  
Elective Course ◽  
Digital Competencies ◽  
Information Text ◽  
Video And Audio ◽  
Types Of Information ◽  
Digital Sound

The development of digital competencies of students is currently one of the main pedagogical tasks. The solution of this task is possible by paying attention to issues related to the skills of students to create their own digital content, for example, multimedia, combining various types of information (text, graphics, video and audio). The article provides a brief analysis of the content of teaching issues related to the study of digital sound processing technologies in a school informatics course. Taking into account the relevance of this issue, a thematic module "Digital Sound" is proposed, the content of which does not require binding to specific software. When  studying the module, the emphasis is on mastering specific technologies for processing sound information. The module can be implemented as an optional course for students in 7–9th grades and/or as an elective course for students in 10–11th grades. At the same time, particular blocks of the module can be used at various stages of teaching informatics at school

Digital sound processing using arduino and MATLAB

2015 ◽  
Author(s):  
Sergio Silva ◽  
Salviano Soares ◽  
Antonio Valente ◽  
Sylvain T. Marcelino
Keyword(s):  
Sound Processing ◽  
Digital Sound

scholarly journals Exploring the motivations for building new digital musical instruments

2018 ◽  
Vol 24 (3) ◽  
pp. 313-329 ◽  
Author(s):  
Gina Emerson ◽  
Hauke Egermann
Keyword(s):  
Electronic Music ◽  
Interview Study ◽  
Musical Instruments ◽  
Sound Synthesis ◽  
Responsive Systems ◽  
The Past ◽  
Music Making ◽  
Digital Sound

Over the past four decades, the number, diversity and complexity of digital musical instruments (DMIs) has increased rapidly. There are very few constraints on DMI design as such systems can be easily reconfigured, offering near limitless flexibility for music-making. Given that new acoustic musical instruments have in many cases been created in response to the limitations of available technologies, what motivates the development of new DMIs? We conducted an interview study with ten designers of new DMIs, in order to explore (a) the motivations electronic musicians may have for wanting to build their own instruments; and (b) the extent to which these motivations relate to the context in which the artist works and performs (academic vs club settings). We found that four categories of motivation were mentioned most often: M1 – wanting to bring greater embodiment to the activity of performing and producing electronic music; M2 – wanting to improve audience experiences of DMI performances; M3 – wanting to develop new sounds, and M4 – wanting to build responsive systems for improvisation. There were also some detectable trends in motivation according to the context in which the artists work and perform. Our results offer the first systematically gathered insights into the motivations for new DMI design. It appears that the challenges of controlling digital sound synthesis drive the development of new DMIs, rather than the shortcomings of any one particular design or existing technology.

Digital sound processing preservation

2012 ◽  
Author(s):  
Guillaume Boutard ◽  
Catherine Guastavino ◽  
James M. Turner
Keyword(s):  
Sound Processing ◽  
Digital Sound
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