Hell in the Holy Land: World War-I in the Middle East. By David R. Woodward. (Lexington, Ky.: The University Press of Kentucky, 2006. Pp. xiii, 253. $29.95.)

Historian ◽  
2007 ◽  
Vol 69 (3) ◽  
pp. 517-518
Author(s):  
Neil M. Heyman
Author(s):  
Odile Moreau

This chapter explores movement and circulation across the Mediterranean and seeks to contribute to a history of proto-nationalism in the Maghrib and the Middle East at a particular moment prior to World War I. The discussion is particularly concerned with the interface of two Mediterranean spaces: the Middle East (Egypt, Ottoman Empire) and North Africa (Morocco), where the latter is viewed as a case study where resistance movements sought external allies as a way of compensating for their internal weakness. Applying methods developed by Subaltern Studies, and linking macro-historical approaches, namely of a translocal movement in the Muslim Mediterranean, it explores how the Egypt-based society, al-Ittihad al-Maghribi, through its agent, Aref Taher, used the press as an instrument for political propaganda, promoting its Pan-Islamic programme and its goal of uniting North Africa.


2021 ◽  
pp. 096777202110121
Author(s):  
Peter D Mohr ◽  
Stephanie Seville

George Archibald Grant Mitchell, OBE, TD, MB, ChB, ChM, MSc, DSc, FRCS (1906–1993) was a professor of anatomy at the University of Manchester from 1946 to 1973. He is mainly remembered for his research in neuroanatomy, especially of the autonomic nervous system. He studied medicine at the Aberdeen University, and after qualifying in 1929 he held posts in surgery and anatomy and worked as a surgeon in the Highlands. In 1939, he joined the Royal Army Medical Corps. He was based in Egypt and the Middle East, where he carried out trials of sulphonamides and penicillin on wounded soldiers; in 1943, he returned to England as Adviser in Penicillin Therapy for 21 Army Group, preparing for the invasion of Europe.


2014 ◽  
Vol 46 (4) ◽  
pp. 791-793
Author(s):  
Dina Rizk Khoury

I write this piece as Iraq, following Syria, descends into a civil war that is undermining the post–World War I state system and reconfiguring regional and transnational networks of mobilization and instrumentalizations of violence and identity formation. That the Middle East has come to this moment is not an inevitable product of the artificiality of national borders and the precariousness of the state system. It is important to avoid this linear narrative of inevitability, with its attendant formulations of the Middle East as a repository of a large number of absences, and instead to locate the current wars in a specific historical time: the late and post–Cold War eras, marked by the agendas of the Washington Consensus and the globalization of neoliberal discourses; the privatization of the developmental and welfare state; the institutional devolution and multiplication of security services; and the entrenchment of new forms of colonial violence and rule in Israel and Palestine and on a global scale. The conveners of this roundtable have asked us to reflect on the technopolitics of war in the context of this particular moment and in light of the pervasiveness of new governmentalities of war. What I will do in this short piece is reflect on the heuristic and methodological possibilities of the study of war as a form of governance, or what I call the “government of war,” in light of my own research and writing on Iraq.


2021 ◽  
Vol 88 (3) ◽  
pp. 525-568
Author(s):  
Johann Strauss

This article examines the functions and the significance of picture postcards during World War I, with particular reference to the war in the Ottoman Lands and the Balkans, or involving the Turkish Army in Galicia. After the principal types of Kriegspostkarten – sentimental, humorous, propaganda, and artistic postcards (Künstlerpostkarten) – have been presented, the different theatres of war (Balkans, Galicia, Middle East) and their characteristic features as they are reflected on postcards are dealt with. The piece also includes aspects such as the influence of Orientalism, the problem of fake views, and the significance and the impact of photographic postcards, portraits, and photo cards. The role of postcards in book illustrations is demonstrated using a typical example (F. C. Endres, Die Türkei (1916)). The specific features of a collection of postcards left by a German soldier who served in Turkey, Syria, and Iraq during World War I will be presented at the end of this article.


Sign in / Sign up

Export Citation Format

Share Document