Muslim American Speculative Fiction: Figuring feminist epistemologies, religious histories, and genre traditions

2021 ◽  
Vol 111 (2) ◽  
pp. 167-190
Author(s):  
Noor Hashem
Author(s):  
Muna Ali

This book explores the identities, perspectives, and roles of the second and subsequent generations of Muslim Americans of both immigrant and convert backgrounds. As these younger Muslims come of age, and as distant as they are from historical processes that shaped their parents’ generations, how do they view themselves and each other? What role do they play in the current chapter of Islam in a post-9/11 America? Will they be able to cross intra-community divides and play a pivotal role in shaping their community? Culture figures prominently in the discussions about and among Muslims and is centered on four dominant narratives: 1) culture is thought to be the underlying cause of an alleged “identity crisis,” 2) it presumably contaminates a “pure/true” Islam, 3) it is the cause for all that divides Muslim American immigrants and converts, which could be remedied by creating an American Muslim community and culture, and 4) some Americans fear an “Islamization of America” through a Muslim cultural takeover. In this ethnographic study, Muna Ali explores these questions through these four dominant narratives, which are both part of the public discourse and themes that emerged from interviews, a survey, social and traditional media, and participant observation. Situating these questions and narratives in identity studies in a pluralistic yet racialized society, as well as in the anthropology of Islam and in the process and meaning of cultural citizenship, Ali examines how younger Muslims see themselves and their community, how they negotiate fault lines of ethnicity, race, class, gender, and religious interpretation within their communities, and how their faith informs their daily lives and how they envision a future for themselves in post-911 America.


2021 ◽  
Vol 52 (3) ◽  
pp. 259-274
Author(s):  
Sadie S. Amini ◽  
Angela-MinhTu D. Nguyen

Religious-minority immigrants must negotiate both their religious and host cultural (e.g., American) identities; however, the duality of these identities is rarely examined in relation to adjustment. In this study, we tested whether a religious-American identity centrality could predict better adjustment over and above religious identity centrality and American identity centrality. Moreover, based on the Integrative Psychological Model of Biculturalism, we investigated whether the harmony perceived between one’s religious and American identities could mediate the relationship between religious-American identity centrality and adjustment, and between perceived discrimination and adjustment. With data from 130 first-generation Muslim American and Jewish American participants, we found support for most hypotheses. Although a more central religious-American identity predicted better adjustment, it did not predict better adjustment over and above religious identity centrality and American identity centrality. More importantly, religious-American harmony mediated the positive association between religious-American identity centrality and adjustment, and the negative association between perceived discrimination and adjustment. Implications of our findings for research on dual identities are discussed.


2010 ◽  
Vol 84 (3) ◽  
pp. 42-42
Author(s):  
Paul Di Filippo
Keyword(s):  

2018 ◽  
Vol 92 (3) ◽  
pp. 60-61
Author(s):  
The Editors of <i>WLT</i>

2018 ◽  
Vol 26 (2) ◽  
pp. 177-194 ◽  
Author(s):  
Robert A. Saunders

Novelists and other cultural producers have long employed the African continent as a palimpsest to construct fantastical tales. From Sir John Mandeville to Joseph Conrad, Africa’s blank spaces on the map have been filled with monstrous creatures that fuel the western imagination. As a consequence, this constant othering of the so-called ‘Dark Continent’ has had a deleterious impact for African states and their citizenries, as spectacularly evidenced in U.S. President Donald Trump’s now-infamous labelling of the entire continent as a host of ‘shithole countries’. This article wrestles with the continuation of this trend in popular culture via an empirical examination of the speculative fiction of the British novelist and performance artist, B. Catling. Publishing in 2015, The Vorrh is the first of the three novels set in a parallel Africa, specifically a former German colony that is home to remnants of the Garden of Eden. Focusing on the enchanted forest known as the Vorrh and the colony’s (fictional) capital, Essenwald, this article employs methods drawn from geocriticism and popular geopolitics to interrogate Catling’s built-world. This is done with the aim of connecting structures of iteration in the representation of fictional ‘Africas’ to the West’s imperially inflected geopolitical codes towards the actual physical and human geographies that constitute the world’s second largest and most populous continent.


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