Dexterity and Spirit: The Peter Kiewit Concert Hall at the Holland Performing Arts Center

2008 ◽  
Vol 123 (5) ◽  
pp. 2975-2975
Author(s):  
Dawn Schuette
Keyword(s):  
Performing Arts ◽  
Concert Hall

All Things New in Singapore: On creativity, complexity, and usage associations in Englishes

English Today ◽  
2021 ◽  
pp. 1-11
Author(s):  
Edgar W. Schneider
Keyword(s):  
Performing Arts ◽  
Special Program ◽  
High Quality ◽  
Concert Hall

In January 2021, Singapore's national performing arts center ‘Esplanade – Theatres on the Bay’, known especially for the high-quality acoustics of its concert hall, ran a special program called ‘All Things New’, featuring concerts and other art performances. It was advertised on location (see Figure 1), by a leaflet (Figure 2), and in a one-minute video (https://www.esplanade.com/festivals-and-series/all-things-new/2021) also shared on YouTube (https://www.youtube.com/watch?v=7U-7Yw9sTPs), and introduced young artists and bands who performed on the institution's ‘Concourse’ and its open stage called ‘Outdoor Theatre’ (for an example, see Figure 3).

Constructing the Public Concert Hall

2021 ◽  
pp. 1-27
Author(s):  
NEIL THOMAS SMITH
Keyword(s):  
Public Space ◽  
Performing Arts ◽  
Classical Music ◽  
Extensive Literature ◽  
Concert Hall ◽  
Arts Policy ◽  
The Public ◽  
Outreach Work ◽  
Recent Developments ◽  
Using Data

Abstract In the current discourse surrounding classical music institutions, issues of inclusion and diversity are regularly to the fore. There is pressure to prove the relevance of orchestras and ensembles to wider society, with outreach work in educational settings and in communities already an established part of their output. Using data gathered from a research project with the International Music and Performing Arts Charitable Trust Scotland (IMPACT Scotland), which is responsible for planning a new concert hall in Edinburgh to be called the Dunard Centre, this article extends these debates by relocating them to a new arena: the buildings classical institutions inhabit. First, the public nature of the concert hall is explored by examining three ‘strategies for publicness’ identified in concert-hall projects: the urbanistic strategy, the living building strategy and the ‘art for all’ strategy. These will be discussed in relation to the extensive literature on public space. The second part of the article examines recent developments in musicology and arts policy which encourage more ‘democratic’ arts practice. These will be used as the basis for asking how the concert hall (and its primary tenant, the orchestra) might better achieve the publicness that is so often promised on their behalf.

Shakespeare and the Performing Arts

2019 ◽  
pp. 1803-1860 ◽  
Author(s):  
Solange Ribeiro de Oliveira
Keyword(s):  
Performing Arts

Concert hall design: Some considerations.

2015 ◽  
Vol 25 (3) ◽  
pp. 181-186
Author(s):  
Leo L. Beranek
Keyword(s):  
Concert Hall

Emerging patterns of artistic organizations in Portugal: A three case studies analysis

2020 ◽  
pp. 84-107
Author(s):  
Vera Borges ◽  
Luísa Veloso
Keyword(s):  
Labour Market ◽  
Economic Crisis ◽  
Performing Arts ◽  
Work Organization ◽  
The Arts ◽  
Emerging Patterns ◽  
New Models ◽  
Organizational Patterns ◽  
New Forms Of Work ◽  
Anal Yses

In the wake of the 2008 global financial and economic crisis, new forms of work organization emerged in Europe. Following this trend, Portugal has undergone a reconfiguration of its artistic organizations. In the performing arts, some organiza-tions seem to have crystalized and others are reinventing their artistic mission. They follow a plurality of organizational patterns and resilient profiles framed by cyclical, structural and occupational changes. Artistic organizations have had to adopt new models of work and seek new opportunities to try out alternatives in order to deal, namely, with the constraints of the labour market. The article anal-yses some of the restructuring processes taking place in three Portuguese artistic organizations, focusing on their contexts, individual trajectories and collective missions for adapting to contemporary challenges of work in the arts. We conclude that organizations are a key domain for understanding the changes taking place.

Interrelation of Architectural Concepts and Principles of Artificial Lighting in the Moscow Concert Hall Zaryadye

2019 ◽  
pp. 4-13
Author(s):  
Maria M. Ilyevskaya
Keyword(s):  
Concert Hall ◽  
Distinctive Features ◽  
Artificial Lighting ◽  
Building Type ◽  
Concert Halls ◽  
Architectural Language ◽  
The Creation ◽  
Architectural Planning ◽  
The Individual ◽  
Formal Features

The article is focused on the analysis of the Zaryadye Concert Hall building in Moscow in terms of the significance of artificial lighting for the creation of the imagery and perception of this facility within the typology of entertainment music-oriented buildings. Through the example of modern places of entertainment, the author reveals a number of formal features (typological attributes), which, being common to buildings of this function, constitute the basis of their image and become obvious due to the realized lighting concept. The interpretation of these attributes in the interaction of architectural planning and lighting concepts in the Zaryadye Concert Hall is traced. In conclusion, the distinctive features of the building under consideration are determined. At the same time, they reflect a new understanding of concert halls as a building type, the changes related to the overall development of architecture, as well as the elements of the individual architectural language.

A Study on Increasing Profits of Performing Arts Merchandise via Online Platforms

2020 ◽  
Vol 42 (11) ◽  
pp. 403-443
Author(s):  
Seungweon Chung ◽  
Sunyoung Kim
Keyword(s):  
Performing Arts ◽  
Online Platforms
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