The comparative effects of signal sensation level and sound‐pressure level on interaural time discrimination

1985 ◽  
Vol 78 (3) ◽  
pp. 908-915 ◽  
Author(s):  
Marion F. Cohen ◽  
Janet Koehnke ◽  
Anne E. McClave ◽  
Patricia Gregorio Pallanck
Keyword(s):  
Sound Pressure Level ◽  
Sound Pressure ◽  
Pressure Level ◽  
Sensation Level ◽  
Time Discrimination

Suprathreshold Auditory Adaptation in Normal and Pathologic Ears

1968 ◽  
Vol 11 (2) ◽  
pp. 268-278 ◽  
Author(s):  
Fred Harbert ◽  
Betty Goldman Weiss ◽  
Chester R. Wilpizeski
Keyword(s):  
Sound Pressure Level ◽  
Clinical Setting ◽  
Sound Pressure ◽  
Diagnostic Information ◽  
Pressure Level ◽  
Balance Method ◽  
Sensation Level ◽  
Frequency Sound ◽  
Auditory Adaptation ◽  
Consistent Relationship

The Wood delayed loudness balance method was studied in normal and pathologic ears to determine the characteristics of suprathreshold auditory adaptation in three groups of subjects. No consistent relationship could be established between the amount and direction of the loudness change with the frequency, sound pressure level, or sensation level of the adapting signal. Suprathreshold adaptation, as measured by the Wood method, does not provide sufficient diagnostic information to be useful in a clinical setting.

Some observations on the masking and post-masking effects of tinnitus

1984 ◽  
Vol 98 (S9) ◽  
pp. 150-156 ◽  
Author(s):  
Richard S. Tyler ◽  
Richard W. Babin ◽  
Diane P. Niebuhr
Keyword(s):  
Sound Pressure Level ◽  
Sound Pressure ◽  
Pressure Level ◽  
Broadband Noise ◽  
Minimum Level ◽  
Sensation Level ◽  
Masker Level ◽  
Different Types ◽  
Masker Duration ◽  
Percep Tion

AbstractThe symptom of tinnitus is likely shared by several underlying pathologies. It is funda-mental to the investigation and treatment of tinnitus to be able to reliably quantify different types of tinnitus. In one experi-ment we required patients to increase the level of a broadband noise until it just masked their tinnitus. Regardless of where in the head they perceive their tinnitus, in most patients the minimum level (in sound pressure level or sensation level) required to mask the tinnitus is similar in both ears. In a few other patients, the tinnitus cannot be masked or requires high levels in the contra-lateral ear. We have found this masking procedure valuable in measuring tinnitus following the administration of tocainide. In some patients the tocainide seemed to reduce the magnitude of the tinnitus (required lower masker levels to mask the tinnitus) whereas in others there was some evidence that the tinnitus got worse (higher masker levels were required). In another experiment, we quantified tinnitus percep-tion following the termination of a masker. Several different patterns were evident. After the termination of the masker, the tinnitus either (a) returned to normal immediately, (b) returned immediately but was at a softer loudness, (c) was absent for a time before gradually returning to normal, (d) was absent for a time before abruptly returning to normal, or (e) was louder than normal before gradually returning to normal. Increasing masker duration and masker level prolonged the effects.

Contributions of Voice and Nonverbal Communication to Perceived Masculinity–Femininity for Cisgender and Transgender Communicators

2020 ◽  
Vol 63 (4) ◽  
pp. 931-947
Author(s):  
Teresa L. D. Hardy ◽  
Carol A. Boliek ◽  
Daniel Aalto ◽  
Justin Lewicke ◽  
Kristopher Wells ◽  
...  
Keyword(s):  
Fundamental Frequency ◽  
Sound Pressure Level ◽  
Sound Pressure ◽  
Vocal Tract ◽  
Presentation Mode ◽  
Pressure Level ◽  
Presentation Modes ◽  
Audiovisual Stimuli ◽  
Vocal Tract Resonance ◽  
Point Light

Purpose The purpose of this study was twofold: (a) to identify a set of communication-based predictors (including both acoustic and gestural variables) of masculinity–femininity ratings and (b) to explore differences in ratings between audio and audiovisual presentation modes for transgender and cisgender communicators. Method The voices and gestures of a group of cisgender men and women ( n = 10 of each) and transgender women ( n = 20) communicators were recorded while they recounted the story of a cartoon using acoustic and motion capture recording systems. A total of 17 acoustic and gestural variables were measured from these recordings. A group of observers ( n = 20) rated each communicator's masculinity–femininity based on 30- to 45-s samples of the cartoon description presented in three modes: audio, visual, and audio visual. Visual and audiovisual stimuli contained point light displays standardized for size. Ratings were made using a direct magnitude estimation scale without modulus. Communication-based predictors of masculinity–femininity ratings were identified using multiple regression, and analysis of variance was used to determine the effect of presentation mode on perceptual ratings. Results Fundamental frequency, average vowel formant, and sound pressure level were identified as significant predictors of masculinity–femininity ratings for these communicators. Communicators were rated significantly more feminine in the audio than the audiovisual mode and unreliably in the visual-only mode. Conclusions Both study purposes were met. Results support continued emphasis on fundamental frequency and vocal tract resonance in voice and communication modification training with transgender individuals and provide evidence for the potential benefit of modifying sound pressure level, especially when a masculine presentation is desired.

Case study: Theoretical calculation model and variable condition analysis research on the water-splashing noise for natural draft wet cooling towers

2020 ◽  
Vol 68 (2) ◽  
pp. 137-145
Author(s):  
Yang Zhouo ◽  
Ming Gao ◽  
Suoying He ◽  
Yuetao Shi ◽  
Fengzhong Sun
Keyword(s):  
Theoretical Model ◽  
Sound Pressure Level ◽  
Water Droplet ◽  
Water Distribution ◽  
Sound Pressure ◽  
Cooling Tower ◽  
Distribution Patterns ◽  
Calculation Model ◽  
Pressure Level ◽  
Cooling Towers

Based on the basic theory of water droplets impact noise, the generation mechanism and calculation model of the water-splashing noise for natural draft wet cooling towers were established in this study, and then by means of the custom software, the water-splashing noise was studied under different water droplet diameters and water-spraying densities as well as partition water distribution patterns conditions. Comparedwith the water-splashing noise of the field test, the average difference of the theoretical and the measured value is 0.82 dB, which validates the accuracy of the established theoretical model. The results based on theoretical model showed that, when the water droplet diameters are smaller in cooling tower, the attenuation of total sound pressure level of the water-splashing noise is greater. From 0 m to 8 m away from the cooling tower, the sound pressure level of the watersplashing noise of 3 mm and 6 mm water droplets decreases by 8.20 dB and 4.36 dB, respectively. Additionally, when the water-spraying density becomes twice of the designed value, the sound pressure level of water-splashing noise all increases by 3.01 dB for the cooling towers of 300 MW, 600 MW and 1000 MW units. Finally, under the partition water distribution patterns, the change of the sound pressure level is small. For the R s/2 and Rs/3 partition radius (Rs is the radius of water-spraying area), when the water-spraying density ratio between the outer and inner zone increases from 1 to 3, the sound pressure level of water-splashing noise increases by 0.7 dB and 0.3 dB, respectively.

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