Perceived lateral position of narrow-band noise in hearing-impaired and normal-hearing listeners under conditions of equal sensation level and sound-pressure level

1997 ◽  
Vol 102 (3) ◽  
pp. 1821-1826 ◽  
Author(s):  
Helen J. Simon ◽  
Inna Aleksandrovsky
Keyword(s):  
Sound Pressure Level ◽  
Sound Pressure ◽  
Narrow Band ◽  
Lateral Position ◽  
Normal Hearing ◽  
Pressure Level ◽  
Hearing Impaired ◽  
Sensation Level ◽  
Narrow Band Noise ◽  
Band Noise

Lateralization of Narrow-Band Noise by Blind and Sighted Listeners

Perception ◽  
10.1068/p3338 ◽  
2002 ◽  
Vol 31 (7) ◽  
pp. 855-873 ◽  
Author(s):  
Helen J Simon ◽  
Pierre L Divenyi ◽  
Al Lotze
Keyword(s):  
Narrow Band ◽  
Lateral Displacement ◽  
Spatial Hearing ◽  
Binaural Hearing ◽  
Center Frequency ◽  
Intensity Difference ◽  
Sensation Level ◽  
Individual Subject ◽  
Narrow Band Noise ◽  
Band Noise

The effects of varying interaural time delay (ITD) and interaural intensity difference (IID) were measured in normal-hearing sighted and congenitally blind subjects as a function of eleven frequencies and at sound pressure levels of 70 and 90 dB, and at a sensation level of 25 dB (sensation level refers to the pressure level of the sound above its threshold for the individual subject). Using an ‘acoustic’ pointing paradigm, the subject varied the IID of a 500 Hz narrow-band (100 Hz) noise (the ‘pointer’) to coincide with the apparent lateral position of a ‘target’ ITD stimulus. ITDs of 0, ±200, and ±400 μs were obtained through total waveform delays of narrow-band noise, including envelope and fine structure. For both groups, the results of this experiment confirm the traditional view of binaural hearing for like stimuli: non-zero ITDs produce little perceived lateral displacement away from 0 IID at frequencies above 1250 Hz. To the extent that greater magnitude of lateralization for a given ITD, presentation level, and center frequency can be equated with superior localization abilities, blind listeners appear at least comparable and even somewhat better than sighted subjects, especially when attending to signals in the periphery. The present findings suggest that blind listeners are fully able to utilize the cues for spatial hearing, and that vision is not a mandatory prerequisite for the calibration of human spatial hearing.

scholarly journals The Onomatopoetic Expression of Each Frequency Sound from the Pure Tone Audiometer in Normal Hearing Persons： (2) About the Narrow-Band Noise

2007 ◽  
Vol 18 (1) ◽  
pp. 65-71
Author(s):  
Kyong-Myong Chon ◽  
Eui-Kyung Goh ◽  
Soo-Keun Kong ◽  
Jung-Hoon Lee ◽  
Jin-Dong Kim
Keyword(s):  
Pure Tone ◽  
Narrow Band ◽  
Normal Hearing ◽  
Frequency Sound ◽  
Narrow Band Noise ◽  
Band Noise

Suprathreshold Auditory Adaptation in Normal and Pathologic Ears

1968 ◽  
Vol 11 (2) ◽  
pp. 268-278 ◽  
Author(s):  
Fred Harbert ◽  
Betty Goldman Weiss ◽  
Chester R. Wilpizeski
Keyword(s):  
Sound Pressure Level ◽  
Clinical Setting ◽  
Sound Pressure ◽  
Diagnostic Information ◽  
Pressure Level ◽  
Balance Method ◽  
Sensation Level ◽  
Frequency Sound ◽  
Auditory Adaptation ◽  
Consistent Relationship

The Wood delayed loudness balance method was studied in normal and pathologic ears to determine the characteristics of suprathreshold auditory adaptation in three groups of subjects. No consistent relationship could be established between the amount and direction of the loudness change with the frequency, sound pressure level, or sensation level of the adapting signal. Suprathreshold adaptation, as measured by the Wood method, does not provide sufficient diagnostic information to be useful in a clinical setting.

Temporal Resolution in Normal-Hearing and Hearing-Impaired Listeners Using Frequency-Modulated Stimuli

1992 ◽  
Vol 35 (2) ◽  
pp. 436-442 ◽  
Author(s):  
John P. Madden ◽  
Lawrence L. Feth
Keyword(s):  
Temporal Resolution ◽  
Sound Pressure ◽  
Discrimination Performance ◽  
Frequency Discrimination ◽  
Normal Hearing ◽  
Pressure Level ◽  
Hearing Impaired ◽  
The Other ◽  
The Difference ◽  
The Individual

This study compares the temporal resolution of frequency-modulated sinusoids by normal-hearing and hearing-impaired subjects in a discrimination task. One signal increased linearly by 200 Hz in 50 msec. The other was identical except that its trajectory followed a series of discrete steps. Center frequencies were 500, 1000, 2000, and 4000 Hz. As the number of steps was increased, the duration of the individual steps decreased, and the subjects’ discrimination performance monotonically decreased to chance. It was hypothesized that the listeners could not temporally resolve the trajectory of the step signals at short step durations. At equal sensation levels, and at equal sound pressure levels, temporal resolution was significantly reduced for the impaired subjects. The difference between groups was smaller in the equal sound pressure level condition. Performance was much poorer at 4000 Hz than at the other test frequencies in all conditions because of poorer frequency discrimination at that frequency.

The comparative effects of signal sensation level and sound‐pressure level on interaural time discrimination

1985 ◽  
Vol 78 (3) ◽  
pp. 908-915 ◽  
Author(s):  
Marion F. Cohen ◽  
Janet Koehnke ◽  
Anne E. McClave ◽  
Patricia Gregorio Pallanck
Keyword(s):  
Sound Pressure Level ◽  
Sound Pressure ◽  
Pressure Level ◽  
Sensation Level ◽  
Time Discrimination

Multichannel loudness compensation method based on segmented sound pressure level for digital hearing aids

2017 ◽  
Vol 31 (19-21) ◽  
pp. 1740059 ◽  
Author(s):  
Ruiyu Liang ◽  
Ji Xi ◽  
Yongqiang Bao
Keyword(s):  
Sound Pressure Level ◽  
Hearing Aids ◽  
Filter Bank ◽  
Sound Pressure ◽  
Pressure Level ◽  
Hearing Impaired ◽  
Compensation Method ◽  
Digital Hearing Aids ◽  
Gain Compensation ◽  
Adjacent Channels

To improve the performance of gain compensation based on three-segment sound pressure level (SPL) in hearing aids, an improved multichannel loudness compensation method based on eight-segment SPL was proposed. Firstly, the uniform cosine modulated filter bank was designed. Then, the adjacent channels which have low or gradual slopes were adaptively merged to obtain the corresponding non-uniform cosine modulated filter according to the audiogram of hearing impaired persons. Secondly, the input speech was decomposed into sub-band signals and the SPL of every sub-band signal was computed. Meanwhile, the audible SPL range from 0 dB SPL to 120 dB SPL was equally divided into eight segments. Based on these segments, a different prescription formula was designed to compute more detailed gain to compensate according to the audiogram and the computed SPL. Finally, the enhanced signal was synthesized. Objective experiments showed the decomposed signals after cosine modulated filter bank have little distortion. Objective experiments showed that the hearing aids speech perception index (HASPI) and hearing aids speech quality index (HASQI) increased 0.083 and 0.082 on average, respectively. Subjective experiments showed the proposed algorithm can effectively improve the speech recognition of six hearing impaired persons.

Some observations on the masking and post-masking effects of tinnitus

1984 ◽  
Vol 98 (S9) ◽  
pp. 150-156 ◽  
Author(s):  
Richard S. Tyler ◽  
Richard W. Babin ◽  
Diane P. Niebuhr
Keyword(s):  
Sound Pressure Level ◽  
Sound Pressure ◽  
Pressure Level ◽  
Broadband Noise ◽  
Minimum Level ◽  
Sensation Level ◽  
Masker Level ◽  
Different Types ◽  
Masker Duration ◽  
Percep Tion

AbstractThe symptom of tinnitus is likely shared by several underlying pathologies. It is funda-mental to the investigation and treatment of tinnitus to be able to reliably quantify different types of tinnitus. In one experi-ment we required patients to increase the level of a broadband noise until it just masked their tinnitus. Regardless of where in the head they perceive their tinnitus, in most patients the minimum level (in sound pressure level or sensation level) required to mask the tinnitus is similar in both ears. In a few other patients, the tinnitus cannot be masked or requires high levels in the contra-lateral ear. We have found this masking procedure valuable in measuring tinnitus following the administration of tocainide. In some patients the tocainide seemed to reduce the magnitude of the tinnitus (required lower masker levels to mask the tinnitus) whereas in others there was some evidence that the tinnitus got worse (higher masker levels were required). In another experiment, we quantified tinnitus percep-tion following the termination of a masker. Several different patterns were evident. After the termination of the masker, the tinnitus either (a) returned to normal immediately, (b) returned immediately but was at a softer loudness, (c) was absent for a time before gradually returning to normal, (d) was absent for a time before abruptly returning to normal, or (e) was louder than normal before gradually returning to normal. Increasing masker duration and masker level prolonged the effects.

Factors Influencing the Masking Level Difference in Cochlear Hearing-Impaired and Normal-Hearing Listeners

1984 ◽  
Vol 27 (1) ◽  
pp. 145-154 ◽  
Author(s):  
Joseph W. Hall ◽  
Richard S. Tyler ◽  
Mariano A. Fernandes
Keyword(s):  
Narrow Band ◽  
Wide Band ◽  
Normal Hearing ◽  
Temporal Coding ◽  
Hearing Impaired ◽  
Frequency Resolution ◽  
Time Discrimination ◽  
Band Noise ◽  
Level Difference ◽  
Masking Level Difference

The masking level difference (MLD) at 500 Hz was examined in wide-band (960 Hz) and narrow-band (50 Hz) noise for normal-hearing subjects and subjects with symmetrical mild-to-moderate cochlear hearing loss. Monaural tasks of intensity discrimination, temporal resolution, and frequency resolution were performed in order to examine relationships between monaural dysfunction and MLD performance. Interaural time discrimination for a 500-Hz pure tone also was examined. The performance of the hearing-impaired subjects was poorer than that of the normal-hearing subjects for MLD, interaural Δt, and most monaural tasks. However, no significant relationships were found between monaural and MLD performance when effects of threshold were taken into account. MLDs were more reduced in wide-band noise than in narrow-band noise for the hearing-impaired subjects (when Contrasted with normal-hearing subjects). MLD performance was correlated with interaural time discrimination, and it is suggested that one reason for poor MLD performance with hearing impairment may be poor temporal coding of stimulus-fine structure.

Contributions of Voice and Nonverbal Communication to Perceived Masculinity–Femininity for Cisgender and Transgender Communicators

2020 ◽  
Vol 63 (4) ◽  
pp. 931-947
Author(s):  
Teresa L. D. Hardy ◽  
Carol A. Boliek ◽  
Daniel Aalto ◽  
Justin Lewicke ◽  
Kristopher Wells ◽  
...  
Keyword(s):  
Fundamental Frequency ◽  
Sound Pressure Level ◽  
Sound Pressure ◽  
Vocal Tract ◽  
Presentation Mode ◽  
Pressure Level ◽  
Presentation Modes ◽  
Audiovisual Stimuli ◽  
Vocal Tract Resonance ◽  
Point Light

Purpose The purpose of this study was twofold: (a) to identify a set of communication-based predictors (including both acoustic and gestural variables) of masculinity–femininity ratings and (b) to explore differences in ratings between audio and audiovisual presentation modes for transgender and cisgender communicators. Method The voices and gestures of a group of cisgender men and women ( n = 10 of each) and transgender women ( n = 20) communicators were recorded while they recounted the story of a cartoon using acoustic and motion capture recording systems. A total of 17 acoustic and gestural variables were measured from these recordings. A group of observers ( n = 20) rated each communicator's masculinity–femininity based on 30- to 45-s samples of the cartoon description presented in three modes: audio, visual, and audio visual. Visual and audiovisual stimuli contained point light displays standardized for size. Ratings were made using a direct magnitude estimation scale without modulus. Communication-based predictors of masculinity–femininity ratings were identified using multiple regression, and analysis of variance was used to determine the effect of presentation mode on perceptual ratings. Results Fundamental frequency, average vowel formant, and sound pressure level were identified as significant predictors of masculinity–femininity ratings for these communicators. Communicators were rated significantly more feminine in the audio than the audiovisual mode and unreliably in the visual-only mode. Conclusions Both study purposes were met. Results support continued emphasis on fundamental frequency and vocal tract resonance in voice and communication modification training with transgender individuals and provide evidence for the potential benefit of modifying sound pressure level, especially when a masculine presentation is desired.

Sign in / Sign up

Export Citation Format

Share Document