BEDROCK CONTROLS ON QUATERNARY DEBRIS DEPOSIT MORPHOLOGY, COMPOSITION AND PROCESSES: SWANNANOA MOUNTAINS, OTEEN AND BLACK MOUNTAIN QUADRANGLES, BUNCOMBE COUNTY, NORTH CAROLINA

2018 ◽  
Author(s):  
Richard M. Wooten ◽  
◽  
Bart L. Cattanach ◽  
Sierra J. Isard ◽  
G. Nicholas Bozdog
1978 ◽  
Author(s):  
Frank Gardner Lesure ◽  
A.E. Grosz ◽  
B.B. Williams ◽  
Gertrude C. Gazdik

AJS Review ◽  
2017 ◽  
Vol 41 (1) ◽  
pp. 203-233
Author(s):  
Wendy F. Soltz

Small liberal arts and folk schools attempted desegregation decades before other southern colleges and universities. Historians have long argued that Jews were active and influential in the fight for civil rights in the South in the 1950s and 1960s, but were Jews involved in these early attempts to enroll black students in historically white schools? If they were, were they successful and how did their Jewishness affect the efficacy of their attempts? In order to answer these questions, this article compares and contrasts two such schools, Black Mountain College in North Carolina and Highlander Folk School in Tennessee, which established “integration programs” in the 1940s. This research reveals that when Jews saturated a school, and were visibly involved in desegregation, their attempts to desegregate the institution were ultimately unsuccessful. When Jews supported a school through donations behind the scenes and occasional visits, however, the institution successfully desegregated.


Castanea ◽  
2022 ◽  
Vol 86 (2) ◽  
Author(s):  
Amy E. Boyd ◽  
Lane Doyle ◽  
Susan E. Lusardi ◽  
Gray Allen Goliszek

2020 ◽  
pp. 326-337

Reared in western North Carolina on a farm in Buncombe County near his maternal and paternal grandparents, Jim Wayne Miller completed his undergraduate work at Berea College in 1958 and earned his doctorate in German literature at Vanderbilt University in 1965. Throughout his professional life, he taught German at Western Kentucky University....


From the southern influence on nineteenth-century New York to the musical legacy of late-twentieth-century Athens, Georgia, to the cutting-edge cuisines of twenty-first-century Asheville, North Carolina, the bohemian South has long contested traditional views of the region. Yet, even as the fruits of this creative South have famously been celebrated, exported, and expropriated, the region long was labeled a cultural backwater. This timely and illuminating collection uses bohemia as a novel lens for reconsidering more traditional views of the South. Exploring wide-ranging locales, such as Athens, Austin, Black Mountain College, Knoxville, Memphis, New Orleans, and North Carolina’s Research Triangle, each essay challenges popular interpretations of the South, while highlighting important bohemian sub- and countercultures. The Bohemian South provides an important perspective in the New South as an epicenter for progress, innovation, and experimentation.


Author(s):  
Jonathan Wallis

Robert Rauschenberg (Milton Ernest Rauschenberg) was an American artist who pioneered new approaches to art prototypical of the Pop Art movement and postmodernism. Born October 22, 1925 in Port Arthur, Texas, Rauschenberg attended the Kansas City Art Institute and the Académie Julien in Paris. From 1948–1952, while attending sessions at Black Mountain College in North Carolina, Rauschenberg studied under the Bauhaus painter Josef Albers and the musical composer John Cage, both of whom became important influences. The experimental approaches encouraged at Black Mountain College informed Rauschenberg’s artistic philosophy and broadened his practice to include dance-theatre and performance.


2020 ◽  
pp. 279-281

Poet and publisher Jonathan Williams was born in Asheville, North Carolina. He studied at the experimental Black Mountain College, located near Asheville, as well as at Princeton University and the Chicago School of Design. As an adult, Williams and his partner, Thomas Meyer, divided their time between North Carolina’s Blue Ridge Mountains and England. In addition to writing poetry, Williams founded the Jargon Society in 1951. Jargon published avant-garde poetry and fiction, photography, and folk art....


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